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Creative imagination in the Ṣūfism of Ibn ʻArabī

[Princeton, N.J.]: Princeton University Press (1969)

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  1. Plato Encounters Zen—atop the Mountain Peaks of Iran.Joseph Lawrence - 2009 - Comparative and Continental Philosophy 1 (1):119-141.
    Toshihiko Izutzu’s Ishiki to Honshitsu, recently translated into German under the title of Bewusstsein und Wesen, represents a Zen-inspired clarification of a deep underlying tension that characterizes the figure of Socrates: on the one hand a commitment to a fully public form of discourse and on the other hand a recognition of the elusively private dimension of language . Izutzu lets his philosophical encounter between East and West find its focal point in that tradition of Persian Sufism which culminates in (...)
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  • White Death: Ibn al-ʿArabī on the Trials and Virtues of Hunger and Fasting.Atif Khalil - 2022 - Journal of the American Oriental Society 141 (3):577.
    The article presents an analysis of Ibn al-ʿArabī’s treatment of fasting and hunger as it appears in chapters 106 and 107 of al-­Futūḥāt al-­makkiyya. In the process of examining this very short section of the encyclopedic text, the essay both draws out the deeper theological significance of hunger and fasting and highlights the virtues and trappings of the spiritual exercise in the mystic’s thought. An attempt is also made to situate some of Ibn al-ʿArabī’s ideas within the broader context of (...)
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  • جایگاه اصول اعتقادات شیعة دوازده‌امامی در آثار شیعه‏شناسان غربی.مریم صانع‌پور - 2014 - حکمت معاصر 5 (3):43-63.
    نگارندۀ مقالة حاضر با بررسی آثار شیعه‏شناسان غربی درصدد است تا از میزان و نحوۀ شناخت آن‌ها در مورد آموزه‏های عقلانی ‌ـ اعتقادی شیعة امامیه مطلع شود. شیعه‏شناسان مورد مطالعه در این مقاله عبارت‌اند از: ویلفرد مادلونگ، مایر بارآشر، اتان کوهلبرگ، ونزبرو، رون بوکلی، هانری کربن، مونتگمری وات، هاینس هالم، و آندرو نیومن. نویسنده در پایان مقاله با توجه به وجوه مثبت و منفی آثار شیعه‏شناسان غربی پیشنهادهایی جهت بازنگری درون‌دینی در جنبه‏های نظری و عملی به صاحب‌نظران شیعة دوازده‌امامی ارائه (...)
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  • Ta’wil: in Practices of Light.Narjis Mirza - 2019 - Performance Philosophy 4 (2):564-575.
    This research is situated within an Islamic philosophical paradigm, with a series of experiments in studio art practice. In my investigation of Mulla Sadrā’s theory of systematic intensification, I was led towards Ta’wil, a unique method of interpretation, that is primarily used for interpreting the verses of the Quran. I extract this traditional Quranic method of interpretation, Ta’wil and translate it into a visual and collective dialogue, for a practice-oriented research. Keeping in view the traditional association of the method of (...)
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