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  1. Hypoiconicity as Intentionality.Horst Ruthrof - 2022 - Philosophies 7 (6):126.
    The paper analyses Peirce’s hypoiconicity through the lens of Husserlian intentionality. Peirce’s triple structure of hypoiconicity as resemblance relation, diagrammatical reasoning and metaphoric displacement is shown to require intentional acts in its production and interpretation. Regarding hypoiconicity as a semiotic schematization of Vorstellung, the paper places it in the context of Husserl’s conception of intentionality in which iconicity appears as a stepping-stone towards the skeletonization of resemblance in diagrammatical abstraction and as schematic displacement in metaphor. As such, hypoiconic intentionality is (...)
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  • Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics.Chitra Ramalingam - 2015 - Science in Context 28 (3):317-355.
    ArgumentThis article explores the entangled histories of three imaging techniques in early nineteenth-century British physical science, techniques in which a dynamic event (such as a sound vibration or an electric spark) was made to leave behind a fixed trace on a sensitive surface. Three categories of “sensitive surface” are examined in turn: first, a metal plate covered in fine dust; second, the retina of the human eye; and finally, a surface covered with a light-sensitive chemical emulsion (a photographic plate). For (...)
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  • From pragmatic philosophy to behavioral semiotics: Charles W. Morris after Charles S. Peirce.Susan Petrilli - 2004 - Semiotica 2004 (148):277-315.
  • A Tribute to Thomas A. Sebeok.Susan Petrilli & Augusto Ponzio - 2008 - Biosemiotics 1 (1):25-39.
    According to the approach developed by Thomas A. Sebeok (1921–2001) and his ‘global semiotics,’ semiosis and life converge. This leads to his cardinal axiom: ‘semiosis is the criterial attribute of life.’ His global approach to sign life presupposes his critique of anthropocentrism and glottocentrism. Global semiotics is open to zoosemiotics, indeed, even more broadly, biosemiotics which extends its gaze to semiosis in the whole living universe to include the realms of macro- and microorganisms. In Sebeok’s conception, the sign science is (...)
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  • Beyond the Margins: Identity Fragmentation in Visual Representation in Michel Tournier’s "La Goutte d’or".Richard J. Gray - 2012 - Text Matters - a Journal of Literature, Theory and Culture 2 (2):250-263.
    In the final scene of Michel Tournier’s postcolonial novel La Goutte d’or, the protagonist, Idriss, shatters the glass of a Cristobal & Co. storefront window while operating a jackhammer in the working-class Parisian neighbourhood on the Rue de la Goutte d’or. Glass fragments fly everywhere as the Parisian police arrive. In La Goutte d’or, Tournier explores the identity construction of Idriss through a discussion of the role that visual images play in the development of a twentieth-century consciousness of the “Other.” (...)
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  • A lantern for the feet of inquirers: The heuristic function of the Peircean categories.Vincent Colapietro - 2001 - Semiotica 2001 (136).