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  1. Stability and Violence in Classical Greek Democracies and Oligarchies.Matthew Simonton - 2017 - Classical Antiquity 36 (1):52-103.
    Existing attempts to understand the relationship between violence and stability within Classical Athens are undermined by their failure to compare democracies with oligarchies. The exclusionary policies of oligarchies created a fragile political equilibrium that required considerable regulation if oligarchic regimes were to survive. By contrast, the inclusiveness of democracies largely defused the danger that disputes would lead to regime collapse. Citizens of democracies faced fewer incentives to police their behavior, resulting in higher levels of public disorder and violence; this violence, (...)
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  • Helen in the iliad; ca usa Belli and victim of war: From silent Weaver to public speaker.Hanna M. Roisman - 2006 - American Journal of Philology 127 (1):1-36.
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  • Dangerous Gifts: Ideologies of Marriage and Exchange in Ancient Greece.Deborah Lyons - 2003 - Classical Antiquity 22 (1):93-134.
    A familiar theme in Greek myth is that of the deadly gift that passes between a man and a woman. Analysis of exchanges between men and women reveals the gendered nature of exchange in ancient Greek mythic thinking. Using the anthropological categories of male and female wealth , it is possible to arrive at an understanding of the protocols of exchange as they relate to men and especially to women. These protocols, which are based in part on the distinction between (...)
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  • Democratic Ideology and The Poetics of Rape in Menandrian Comedy.Susan Lape - 2001 - Classical Antiquity 20 (1):79-119.
    Many of Menander's comedies are structured according to a rape plot pattern in which a young Athenian citizen usually rapes and impregnates a female citizen prior to the opening of the play. In most cases, the rape leads to a happy ending: the marriage of the rapist and victim. This casual treatment of rape is striking because in all other respects Menander's plays are not only scrupulously faithful to Athenian law, they also use Athenian legal and social norms as their (...)
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  • Women, Property, and Surveillance in Classical Athens.Steven Johnstone - 2003 - Classical Antiquity 22 (2):247-274.
    While it is sometimes thought that free Athenian women were hemmed in by surveillance within the oikos, this article argues that the obstacle that impeded them when they attempted to control property was that they were excluded from the impersonal and formal systems of surveillance of male citizens. Athenian public life, lived in the view of others, dramatically extended the agency of those within it. While women could compensate for their legal incapacities by cultivating the personal trust of men, this (...)
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  • Edward N. O'Neil.: Teles (The Cynic Teacher). (Society of Biblical Literature, Texts and Translations Number 11, Graeco-Roman Religion No. 3.) Pp. xxv + 97. Missoula, Montana: Scholars Press, 1977. Paper. [REVIEW]John Glucker - 1980 - The Classical Review 30 (01):150-151.
  • The Androgynous and Bisexuality in Ancient Legal Codes.Eva Cantarella - 2005 - Diogenes 52 (4):5-14.
    The word 'bisexuality', unknown to the ancients, is used here in two senses to indicate an individual with male and female sex organs or who copulates with people of both sexes. The phenomenon of bisexuality is then analysed with reference to the Greek myth of Hermaphrodite, a 'bisexual' being, born of a nymph's love for a young man of divine descent: in the guise of a fable, the myth recounts the birth of a 'monster', who raises a question-mark over the (...)
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  • Love and Marriage in Greek New Comedy.P. G. McC Brown - 1993 - Classical Quarterly 43 (01):189-.
    Writing of Terence's Andria in 1952, Duckworth said: ‘In the Andria the second love affair is unusual; Charinus’ love for a respectable girl whose virtue is still intact has been considered an anticipation of a more modern attitude towards love and sex. More frequently in Plautus and Terence the heroine, if of respectable parentage, has been violated before the opening of the drama , or she is a foreigner, a courtesan, or a slave girl' , p. 158). Perhaps in 1993 (...)
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