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  1. Music and Biology at the Naples Zoological Station.Bernardino Fantini - 2015 - History and Philosophy of the Life Sciences 36 (3):346-356.
    Anton Dohrn projected the Stazione Zoologica as composed of two complementary halves: nature and culture. This attitude was not only expression of the general cultural background of the nineteenth century cultural elite, for Dohrn both formed a coherent and organized whole. In my essay I will analyse the different levels of the relationship between music and biology. In particular, I will demonstrate that both share similar “styles of thought”. In the last part I will show that Dohrn’s most important scientific (...)
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  • Enacting Musical Emotions. Sense-Making, Dynamic Systems, and the Embodied Mind.Andrea Schiavio, Dylan van der Schyff, Julian Cespedes-Guevara & Mark Reybrouck - 2017 - Phenomenology and the Cognitive Sciences 16 (5):785-809.
    The subject of musical emotions has emerged only recently as a major area of research. While much work in this area offers fascinating insights to musicological research, assumptions about the nature of emotional experience seem to remain committed to appraisal, representations, and a rule-based or information-processing model of cognition. Over the past three decades alternative ‘embodied’ and ‘enactive’ models of mind have challenged this approach by emphasising the self-organising aspects of cognition, often describing it as an ongoing process of dynamic (...)
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  • Music Teachers’ Perspectives and Experiences of Ensemble and Learning Skills.Andrea Schiavio, Mats B. Küssner & Aaron Williamon - 2020 - Frontiers in Psychology 11.
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