This article explores the image and the concept of the Christa, evaluates its significance for contemporary feminist theology and spiritual practice, and suggests ways in which the notion of the Christa needs to be enlarged and developed. A distinction is made between visualizing the Christa in art and film, conceptualizing the Christa in theological discourse, imagining the Christa in fiction and poetry and ritualizing the Christa in liturgy and prayer. Whilst considerable attention has been paid to visual representations of the (...) Christa, and feminist theologians have written about the Christa, little attention has been paid to the Christa in poetry and fiction, or as a focus of feminist prayer and ritual. (shrink)

While some church bodies and denominations have taken steps towards language for the divine and human informed by feminist theological reflection and practice, the embodiment of common prayer across traditions is little changed. Feminist liturgical reflection and practice, however, offer patterns of movement and gesture, voice, and leadership that are no less critical to renewed and liberating liturgical practice in assemblies not consciously identified as ‘feminist’. The following suggests strategies for embodying in liturgical assemblies ritual patterns that would extend and (...) develop the insights of liturgical feminism beyond liturgical texts. (shrink)

One of my projects as a Research Fellow for The Institute for Theological Partnerships at the University of Winchester is the Feminist Theology and Art Forum. This project was born out of my Doctoral thesis which combines both art and feminist liberation theologies. Thus creating a methodology in which art as language gives voice to women’s experience within the theological world. The Forum so far has opened a window of opportunity for female artists and feminist theologians alike to exhibit visual (...) artwork that demonstrates their incarnational experience through the concept of Christ/a and Mary/miriam from a feminist theological perspective. There have been two exhibitions with a third exhibition this year which will have a feminist ecological/theological theme highlighting the important role that many women globally play in their own wellbeing and flourishing in connection with the Earth/gaia. This article moves briefly from personal experience, which is where all feminist theology begins, into the wider world of possibilities for women to use both art and feminist theology as a model for expressing another way of speaking their experience theologically, ecologically, socially and politically and in so doing create a space in which they too may flourish. (shrink)

Feminist engagement with liturgy has produced an abundance of new texts. This essay seeks to complement the production of feminist texts for prayer by considering ways in which feminist liturgy might more intentionally reflect on practices which mediate feminist liturgical principles— and especially the congruence of non-verbal aspects of liturgy with texts for and about feminist liturgy. The essay juxtaposes literature in feminist liturgy with literature in wider circles of liturgical theology. It draws a number of clues from the work (...) of Nicola Slee and also considers contributions from Rosemary Radford Ruether, Letty Russell and Siobhan Garrigan. (shrink)