It has often been claimed that Priestley was a skilful experimenter who lacked the capacities to analyze his own experiments and bring them to a theoretical closure. In attempts to revise this view some scholars have alluded to Priestley’s ‘synoptic’ powers while others stressed the contextual role of British Enlightenment in understanding his chemical research. A careful analysis of his pneumatic reports, privileging the dynamics of his experimental practice, uncovers significant yet neglected aspects of Priestley’s science. By focusing on his (...) early experimental conduct and writing on nitrous air, I demonstrate how his methodological and rhetorical devices, far from being consequences of compulsive writing or theoretical naïveté, were deeply entwined with his chemical research. I employ the notion of ‘style of experimental reasoning’ —derived from A. C. Crombie and I. Hacking—to shed light on the intersection at which Priestley’s unique method, literary style, and epistemology converged to generate scientific knowledge. Establishing Priestley’s SER advances a finer understanding of the interactive character of his pneumatic experimentalism, peculiar dimensions of which have evaded both traditional as well as revisionist scholarship, thus infusing the longstanding historiographic debate over his scientific merits.Keywords: Joseph Priestley; Eighteenth-century chemistry; Pneumatic research; Style of reasoning; Epistemology. (shrink)

Historians of science are less inclined now than they were a few years ago to regard chemistry as having sprung full-grown from the mind of Antoine-Laurent Lavoisier. Many of the contours of pre-Lavoisierian chemistry have recently been mapped, its Newtonian and Stahlian theoretical traditions have been delineated, and the degree of coherence enforced on the subject by its didactic role has been argued. In addition, the social prominence and cohesion achieved by chemists in various national contexts, such as France, Scotland (...) and Germany, have been investigated. Karl Hufbauer (arguing specifically from the case of Germany) and Christoph Meinel have proposed that the cultural climate of the European Enlightenment provided the language and the social settings in which chemistry could be detached from its previous role as a service-art for medicine, and presented as a science with diverse practical applications. (shrink)

The ArgumentThis paper charts eighteenth-century chemistry's transition from its definition as an art to its proclaimed status as a science. Both the general concept of art and specific practices of eighteenth-century chemists are explored to account for this transition. As a disciplined activity, art orients practitioners' attention toward particular directions and away from others, providing a structured space of possibilities within which their discipline develops. Consequently, while chemists throughout the eighteenth century aspired to reveal nature's “true voice,” the path of (...) their investigations was directed by and toward their laboratory manipulations. So long as the chemical community maintained an ethos of polite cooperation and eschewed theoretical wrangling, this point was hidden by a rhetoric of “matter of fact” reporting. But as “facts” mounted in the 1770s and 1780s, especially in pneumatic chemistry, cooperation gave way to contention as chemists sought to name and organize their findings without the guidance of a communally accepted “natural” system. Lavoisier and his fellow “new” chemists offered a forceful solution to this dilemma by introducing a revolutionary network of theories, nomenclature, and instruments that unabashedly fused the productive manipulation of their laboratory work with what they claimed as the structure and activity of nature. (shrink)

Nick Hopwood, Simon Schaffer and Jim Secord , “Seriality and scientific objects in the nineteenth century”, History of Science, xlviii . Series represent much that was new and significant in the sciences between the French Revolution and the First World War. From periodical publication to the cinema, tabulation to industrialized screening, series feature in major innovations in scientific communication and the organization of laboratories, clinics, libraries, museums and field - XIXe siècle – Nouvel article.