Most recently, two distinctions—echoing the cross-disciplinary critique of the teleological and “quantitative” approach of human arts and sciences at the expanse of the “qualitative”—have been foregrounded by Amzallag (Philosophy and Technology 34, 785–809, 2021) and Crease (2011), respectively, between the modern understanding of “technology” (as technopraxis) and the “forgotten dimension/phase of technology” (called technopoiesis) and between the ontic and ontological measurement. Pace gently the denotation of technopoiesis as a juvenile phase of technological development and the “ontological measurements” as logical and (...) practical impossibility in the modern, mathematized metroscape, the paper reexamines the relevancy of the distinctions (ontic/ontological and po[i]etic/practical, both recalling Heidegger’s “hermeneutical” critique of Husserl’s phenomenology) in non-Platonic/Aristotelian contexts and, in the process, seeks to refine the vital notion of technopoiesis by looking at the intersection of these fuzzy domains. In particular, the ancient Chinese measurements and their understudied onto-poietic dimension in the shifting econ-political contexts may offer an alternative approach to the otherwise elusive presence of technopoiesis and its ontological roots. Arguing that the techno-onto-poiesis does not necessarily belong to the foregone Arcadian past, the paper proposes refined “signals” for recognizing the technopoietic as well as new “forms” of its presence—“interactive emergence” (the cross-stimulating agonistic interactions between techniques of different “stages”) and “poietic clusters” (poietic ideas and/or implements that survive as “cluster” into the future), calling for future investigation of technical inventiveness (even in modern times) that reveal the process of how technopoietic elements enter the lives of technology through least expected embodiment. (shrink)

In this essay I explore the controversial issue of sense perception in the Zhuangzi 莊子. Although scholars have not explicitly addressed this aspect of the Chinese text, a common assumption is that the Zhuangzi proposes a mysticism that undermines sense perception in favour of a transcendent self. After an overview of this interpretation, and after analysing some key passages of the text that deal with heart fasting (xinzhai 心齋), sitting and forgetting (zuowang 坐忘) and skill mastery, I demonstrate that some (...) interpreters of the Zhuangzi read the text as if it has a metaphysical bent, recommending that sense perception be transcended as a prerequisite to perfection. In contrast, my thesis is that the text does not propose a withdrawal from the senses and from the world, but rather warns about the danger of abiding to doctrinal knowledge, which has the consequence of a person losing their responsive awareness. Indeed, in the Zhuangzi, sense perception is not an impediment on the way to a supersensible reality, but an integral part of one’s own being in the world. Through my analysis, I object to the idea that the Zhuangzi proposes a mystical union with something not immediately available, which moreover needs to be achieved by transcending the lived world that is encountered through sense perception. My view is that such a move not only postulates union with a transcendent entity, it also forces a dualism between a person’s capacities. This is problematic because the Zhuangzi does not point to another world – in a two worlds theory – where one must ideally attain the condition of a transcendent self. On the contrary, in rejecting a univocal ethos, the text suggests one should keep responding to changing circumstances without turning one’s perceptual awareness into entrenched habits. Thus, the Zhuangzi shows how sense perception should be seen, not as a “problem” but as an ethical possibility through which the univocity of doctrinal knowledge can be undermined. (shrink)

In this essay I explore the controversial issue of sense perception in the Zhuangzi 莊子. Although scholars have not explicitly addressed this aspect of the Chinese text, a common assumption is that the Zhuangzi proposes a mysticism that undermines sense perception in favour of a transcendent self. After an overview of this interpretation, and after analysing some key passages of the text that deal with heart fasting (xinzhai 心齋), sitting and forgetting (zuowang 坐忘) and skill mastery, I demonstrate that some (...) interpreters of the Zhuangzi read the text as if it has a metaphysical bent, recommending that sense perception be transcended as a prerequisite to perfection. In contrast, my thesis is that the text does not propose a withdrawal from the senses and from the world, but rather warns about the danger of abiding to doctrinal knowledge, which has the consequence of a person losing their responsive awareness. Indeed, in the Zhuangzi, sense perception is not an impediment on the way to a supersensible reality, but an integral part of one's own being in the world. Through my analysis, I object to the idea that the Zhuangzi proposes a mystical union with something not immediately available, which moreover needs to be achieved by transcending the lived world that is encountered through sense perception. My view is that such a move not only postulates union with a transcendent entity, it also forces a dualism between a person's capacities. This is problematic because the Zhuangzi does not point to another world–in a two worlds theory–where one must ideally attain the condition of a transcendent self. On the contrary, in rejecting a univocal ethos, the text suggests one should keep responding to changing circumstances without turning one's perceptual awareness into entrenched habits. Thus, the Zhuangzi shows how sense perception should be seen, not as a “problem” but as an ethical possibility through which the univocity of doctrinal knowledge can be undermined. (shrink)