According to ‘purification interpretations’, the point of the epoché is to purify our ordinary experience of certain assumptions inherent in it. In this paper, I argue that purification interpretations are wrong. Ordinary experience is just fine as it is, and phenomenology has no intention of correcting or purifying it. To understand the epoché, we must keep the reflective nature of phenomenology firmly in mind. When we do phenomenology, we occupy two distinct roles, which come with very different responsibilities. As reflecting (...) phenomenologists, we must deactivate all our beliefs about the world. But the only point of this is to be able to describe the experiences we have as experiencing subjects, including all those beliefs about the world that may be part and parcel of those experiences. I end by suggesting that there is a useful analogy between phenomenological reflection and the familiar practice of quoting. (shrink)

We explore the integrated structure of consciousness by examining the “phenomenological axioms” of the “integrated information theory of consciousness ” from the perspective of Husserlian phenomenology. After clarifying the notion of phenomenological axioms by drawing on resources from Edmund Husserl and Maurice Merleau-Ponty, we develop a critique of the integration axiom by drawing on phenomenological analyses developed by Aron Gurwitsch and Merleau-Ponty. This axiom is ambiguous. It can be read either atomistically as claiming that the phenomenal content of conscious experience (...) is an integrated complex and holistically as claiming that it is an integrated Gestalt. We argue that the latter reading provides a better characterization of the internal structure of the phenomenal content. Furthermore, the integrated structure of consciousness is not confined to the phenomenal content, but it also extends into the subjective attitude. Subjective attitudes and phenomenal contents are interdependent constituents that jointly make up conscious experiences. This implies a novel theoretical challenge to the scientific component of IIT, which is to explain how to accommodate the subjective dimension of consciousness into its explanatory scope. IIT can respond in a few different ways, but most importantly, it cannot just ignore it once and for all. As one possible way to address the challenge, we propose introducing a novel construct, noetic complex, to develop a fine-grained model of the neural underpinning of consciousness. (shrink)

According to reductive intentionalism, the phenomenal character of a conscious experience is constituted by the experience's intentional (or representational) content. The goal of this article is to show that a phenomenon in visual perception called change blindness poses a problem for this doctrine. It is argued, in particular, that phenomenal character is not sensitive, as it should be if reductive intentionalism is correct, to fine-grained variations in content. The standard anti-intentionalist strategy is to adduce putative cases in which phenomenal character (...) varies despite sameness of content. This paper explores an alternative anti-intentionalist tack, arguing, by way of a specific example involving change blindness, that content can vary despite sameness of phenomenal character. (shrink)

This thesis is about meaning, expression and language in Merleau-Ponty’s philosophy, and their role in the phenomenological project as a whole. For Merleau-Ponty, expression is the taking up of a meaning given either in perception or in already acquired forms of expression, thereby repeating, transforming or congealing meaning into gestures, utterances, artworks, ideas or theories. Contrary to the predominant view in the literature, the relation of expression to meaning, and in particular the problem of expressing new meanings, was of fundamental (...) importance to Merleau-Ponty from the very beginning, in that it was intrinsically related to the overcoming of what he termed “objective thought”. Admittedly, there is an evolution of his philosophy in this respect: from the early stance where the recasting of certain basic categories is taken as pivotal for the development of a new form of thinking, with arguments drawn also from various empirical and social sciences, to what appears to be an effort at an all-pervading reformulation of philosophical language during his last years. But the remoulding of categories was never for Merleau-Ponty a matter simply of finding a few, better adapted concepts, but from the outset an endeavour to think philosophical arguments through to a point where they reveal their inherent inconsistencies. Recasting philosophical expression is thus a risky enterprise, and this is a point I explore further in Essay 1, that focuses especially upon creative expression in painting and to some extent in literature. In Essay 2 I discuss the notion of Gestalt and how it serves this general project, whereas Essay 3 deals with verbal language, on the basis of Merleau-Ponty’s reading of Saussure’s linguistics. Essay 4 examines bodily expression from the point of view of feminist phenomenology and in particular Judith Butler’s early reading of Merleau-Ponty, and finally Essay 5 discusses expression in the art of dance. (shrink)

Theories of perception can broadly be divided into two groups: orthodox and heterodox theories. Orthodox theories of perception consider perception as a neurological process, i.e. as a phenomenon which can be explained solely in terms of intracranial facts. Heterodox views expand this scope, maintaining that an understanding of perception must include extracranial facts, or facts about the environment in which a perceiver is situated. This thesis will attempt to defend a particular exemplar of this heterodox approach, namely the enactive theory (...) of perception proposed by Alva Noë. The thesis has two primary goals. First, I will attempt to offer an exegesis of Noë's theory, attempting to clarify the scope and strength of Noë's view. Secondly, I will consider the particular objections leveled against Noë, and heterodox theories more generally, by Ken Aizawa. I conclude that Noë's theory can better account for the nature of perception. (shrink)

It is generally agreed that consciousness is a somewhat slippery term. However, more narrowly defined as 'phenomenal consciousness' it captures at least three essential features or aspects: subjective experience (the notion that what we are primarily conscious of are experiences), subjective knowledge (that feature of our awareness that gives consciousness its distinctive reflexive character), and phenomenal contrast (the phenomenality of awareness, absence of which makes consciousness intractable) (cf. Siewert 1998). If Buddhist accounts of consciousness are built, as it is claimed, (...) on phenomenological (thus descriptive) rather than metaphysical grounds, the obvious question arises: is there such a place or locus for conscious experience? And if there is, does it have the sort of character that is amenable to phenomenological analysis? A positive answer would suggest that conscious experience is such that at a minimum, the 'sense of self' must be an ineliminable structural feature of cognitive awareness. This paper pursues the question of precisely what conception of self-consciousness can be supported on experiential grounds given the Buddhist no-self view, and whether such conception is sufficient to account for the ineliminable features of phenomenal consciousness. (shrink)