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  1. Plato on False Pleasures and False Passions.Patricia Marechal - 2021 - Apeiron 55 (2):281-304.
    In the Philebus, Socrates argues that pleasures can be false in the same way that beliefs can be false. On the basis of Socrates' analysis of malicious pleasure, a mixed pleasure of the soul and a passion, I defend the view that, according to Socrates, pleasures can be false when they represent as pleasant something that is not worthy of our enjoyment, where that means that they represent as pleasant something that is not pleasant in its own right because it (...)
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  • Pleasure, Judgment and the Function of the Painter-Scribe Analogy.Emily Fletcher - 2022 - Archiv für Geschichte der Philosophie 104 (2):199-238.
    This paper puts forward a new interpretation of the argument at Philebus 36c–40d that pleasures can be false. Protarchus raises an objection at 37e–38a, and in response Socrates presents the elaborate painter-scribe analogy. Most previous interpretations do not explain how the analogy answers Protarchus’ objection. On my account, Protarchus’ objection relies on the plausible intuition that pleasure is simply not in the business of assessing the world, and so it cannot be charged with doing so incorrectly. Socrates responds by demonstrating (...)
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  • Hope in Ancient Greek Philosophy.G. Scott Gravlee - 2020 - In Historical and Multidisciplinary Perspectives on Hope. Cham: pp. 3-23.
    This chapter aims to illuminate ways in which hope was significant in the philosophy of classical Greece. Although ancient Greek philosophies contain few dedicated and systematic expositions on the nature of hope, they nevertheless include important remarks relating hope to the good life, to reason and deliberation, and to psychological phenomena such as memory, imagination, fear, motivation, and pleasure. After an introductory discussion of Hesiod and Heraclitus, the chapter focuses on Plato and Aristotle. Consideration is given both to Plato’s direct (...)
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