This chapter contains sections titled: Introduction Against Writing The Hole in the Argument Spotting the Defense of Philosophical Writing A Sociology of Symbols The Psychological Power of Symbols.

This article argues that a civilizational perspective is central to Castoriadis’s interpretation of ancient Greece, even if he does not use the language of civilizational analysis. More specifically, his line of argument has clear affinities with Eisenstadt’s definition of the ‘civilizational dimension’ in terms of connections between cultural interpretations of the world and institutional forms of social life. Castoriadis has less to say about geocultural and geopolitical structures of the Greek world, which would also be important topics for a balanced (...) civilizational approach. His distinctive variation on the civilizational theme rests on the idea of social imaginary significations; in the ancient Greek case, this starting point leads to the reconstruction of a ‘primary grasp of the world’, an imaginary core that conditions further developments and innovations. This core component of Greek culture centres on the human condition as the existence of mortals in a world characterized by imperfect order and underlying chaos. The Homeric poems are Castoriadis’s main source for the contents and directions of this original Greek imaginary. He understands the Homeric world as a framework within which the transformation of the polis towards autonomy could be initiated. Thus, the result is a strong emphasis on the archaic period as a formative phase of the whole Greek civilizational trajectory. (shrink)

The subject of the article is the reconstruction of the death event of Socrates, as well as the hermeneutics of his last words spoken shortly before his death. Based on ancient Greek texts and a subsequent tradition, the author identifies three key interpretations of these words. According to the first interpretation, the death of Socrates is a kind of a cure for life. Within the framework of the second one it is understood as an act of parrhesias or a form (...) of philosophical verdict of the truth. The third interpretation aims to deconstruct the “heroic” pathos of this event. Based on historical sources, a hypothesis is put forward according to which Socrates is considered as a political criminal, an enemy of Athenian democracy. Based on this thesis, his death is revealed as a religious practice of the scapegoat ritual. From this perspective this expression of Socrates is perceived as irony and grotesque and does not, in fact, seriously affect the general context of his philosophical practice. In our opinion, each of three interpretations presented forms its original horizon in understanding philosophy as the therapy of a soul. So in the first case we are talking about a comforting conversation format as caring about ourselves. In the second case, we are talking about the consideration of the figure of a philosopher as a “philosopher on barricades” – about a tradition that finds its continuation in Plato's “trips” to Syracuse to visit Dionysius as well as in the revolutionary actions of May 1968. Finally, the third format of philosophical therapy reconstructs the mechanism of ancient social practice in front of us during which the image of the sage and his philosophical practice are considered by society as poison which threatens with its fundamental foundations. The latter problematizes the figure of a philosopher and his role in the context of a political, religious and social life of a community. If the first two forms of understanding philosophy as a social therapy represent its discourse as the means of “healing”, which arises in order to cure society from internal ailments, then the latter, on the contrary, symbolically depicts a philosopher's public condemnation and his death itself as the only medicine that can save society from a disease called philosophy. (shrink)