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  1. The Synthetic Unity of Reason and Nature in the Third Critique.Saniye Vatansever - 2023 - International Journal of Philosophical Studies 31 (5):633-664.
    ABSTRACT In this paper, I advance a new interpretation of the argumentative structure of the third Critique, which in turn clarifies the connection between its two apparently unrelated parts. I propose to read the third Critique as a response to Kant’s question of hope, which concerns the satisfaction of reason’s practical and theoretical interests. On this proposal, while the first part on aesthetics describes what we—as possessors of theoretical reason – may hope for, the second part, on teleology, describes what (...)
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  • The Synthetic Unity of Reason and Nature in the Third Critique.Saniye Vatansever - 2024 - International Journal of Philosophical Studies 31 (5):1-32.
    In this paper, I advance a new interpretation of the argumentative structure of the third Critique, which in turn clarifies the connection between its two apparently unrelated parts. I propose to read the third Critique as a response to Kant’s question of hope, which concerns the satisfaction of reason’s practical and theoretical interests. On this proposal, while the first part on aesthetics describes what we—as possessors of theoretical reason – may hope for, the second part, on teleology, describes what we (...)
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  • Kant, Celmins and Art after the End of Art.Sandra Shapshay - 2020 - Con-Textos Kantianos 1 (12):209-225.
    One typically thinks of the relevance of Kant’s aesthetic theory to Western art in terms of Modernism, thanks in large part to the work of eminent critic and art historian Clement Greenberg. Yet, thinking of Kant’s legacy for contemporary art as inhering exclusively in “Kantian formalism” obscures a great deal of Kant’s aesthetic theory. In his last book, Arthur Danto suggested just this point, urging us to enlarge our appreciation of Kant’s aesthetic theory and its relevance to contemporary art, because, (...)
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  • Making Ourselves Intelligible—Rendering Ourselves Efficacious and Autonomous, without Fixed Ends.Klas Roth - 2014 - Journal of Aesthetic Education 48 (3):28-40.
    Paul Guyer’s reading of the work by Stanley Cavell and Immanuel Kant on moral perfectionism is, I think, insightful, valuable and sympathetic, and his critique of Stanley Cavell is nuanced and considerate. He argues in “Examples of Perfectionism,” the previous article in this journal, that “Kant offers a fuller example of what Stanley Cavell calls Emersonian perfectionism, … than Cavell himself has recognized even in his most sympathetic account of Kant” (5). Guyer argues, moreover, “that there is a deep affinity (...)
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  • The Bloomsbury Companion to Kant.Dennis Schulting (ed.) - 2015 - London: Bloomsbury Academic.