Husserl claimed that reduction is the true starting point of phenomenological research, but to figure out how this deed should actually be accomplished has turned out to be a very challenging task. In this study, I explicate how Husserl accomplished reduction during his series of lectures entitled The Idea of Phenomenology. He does not state it explicitly, but what actually happened on the last day of the lectures can be seen as consistent with his descriptions of reduction as an act. (...) Understood in this way, reduction is the model of how to do philosophy. The result of Husserl’s reduction is the correlation between appearance and “that which appears” or, to use Husserl’s later terminology, between noēsis and noēma. When this correlation is understood as an outcome of reduction and not as a result of an analysis, we, as readers of Husserl, will be in a better position to avoid natural attitude in our interpretations. (shrink)

In this essay, I sketch the contours of a critical phenomenology of walking. I begin by briefly characterizing the critical phenomenological project and marking some of its invitations to think method and movement alongside one another. Then, I explore two modes of doing a critical phenomenology of walking: attending to how one walks and when and where one walks. I revisit and reread, in particular, the stories of Charlie Howard and Latisha King, whose walks not only signaled a unique comportment (...) in the world, but a comportment so offensive as to be extinguished by a fatal admixture of homophobia, transphobia, and racism. Finally, I close by considering the conditions under which a critical phenomenology of walking can be ameliorative—that is, how it can participate in liberatory projects of thinking and making. Drawing on Michel de Certeau and María Lugones, I argue not only that a critical phenomenology of walking can diagnose how structures of oppression constrain walking chances in the world, but also can witness how walking critiques those very structures. Walking is a movement of resistance and reimagination against the constraints of embodiment and subjectivity so singularly inherited and enforced. Traversing the space of this inquiry, I aim to complexify my understanding of walking as a practice, but also to deepen my appreciation of critical phenomenology as a method. (shrink)