In this paper I explore Henri Bergson’s notion of the meaning of life by focusing on two places where he discusses it in his work. The first is Creative Evolution (1907, CE), where a bio-ontological meaning of life is proposed in terms of the ongoing ‘advance’ of the élan vital. Bergson conceives of this vital tendency towards freer activity in terms of nature’s pursuit of a mechanics that would triumph over mechanism. The second is a lesser-known paper called ‘Psycho-physical Parallelism (...) and Positive Metaphysics’ (1901, ‘PPPM’), where Bergson articulates the same themes concerning the evolutionary relationship between life and matter, only this time gives an ethical rendition of the meaning of life. Discerning the true sense of the distinction between mind and body, he claims, will allow us to understand the reason they ‘unite and collaborate’, and thereby to speculate on thought’s apparent trajectory towards an independence from matter. While the latter position appears to be inscribed within the former, this continuity nonetheless resists reducing the ethical to a biological essentialism. This is ensured by the ‘virtual’ nature he ascribes to life’s movement, which shows that the ethical meaning of life is ultimately grounded in an ontology premised upon the irreducibly open and inventive rather than on the reductively closed and repetitive. In turn, this conception of life’s virtuality further illuminates what Bergson might mean, from an ethical perspective, as regards a progressive independence from matter, which I propose in terms of a withdrawal from the body and the present, with a view to a superior moral activity. (shrink)

I distinguish between ‘substantival’ and ‘functional’ forms of vitalism in the eighteenth century. Substantival vitalism presupposes the existence of a (substantive) vital force which either plays a causal role in the natural world as studied scientifically, or remains an immaterial, extra-causal entity. Functional vitalism tends to operate ‘post facto’, from the existence of living bodies to the search for explanatory models that will account for their uniquely ‘vital’ properties better than fully mechanistic models can. I discuss representative figures of the (...) Montpellier school (Bordeu, Ménuret, Fouquet) as functional rather than substantival vitalists, and suggest an additional point regarding the reprisal of vitalism(s) in the 20th century, from Driesch to Canguilhem: that in addition to the substantival and functional varieties, we encounter a third species of vitalism, which I term ‘attitudinal’, as it argues for vitalism as a kind of attitude. (shrink)