- Music and biology at the Naples Zoological Station.Bernardino Fantini - 2015 - History and Philosophy of the Life Sciences 36 (3):346-356.details
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The American Society for Aesthetics.[author unknown] - 1942 - New Scholasticism 16 (3):296-296.details
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The claims of tragedy: An essay in moral psychology and aesthetic theory.Flint Schier - 1989 - Philosophical Papers 18 (1):7-26.details
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Unsound sentiment: A critique of Kivy's 'emotive formalism'.Derek Matravers - 1993 - Philosophical Papers 22 (2):135-147.details
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Force and Objectivity: On Impact, Form, and Receptivity to Nature in Science and Art.Eli Lichtenstein - 2019 - Dissertation, University of Michigandetails
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Sham Emotions, Quasi-Emotions or Non-Genuine Emotions? Fictional Emotions and Their Qualitative Feel.Ingrid Vendrell Ferran - 2022 - In Thiemo Breyer, Marco Cavallaro & Rodrigo Sandoval (eds.), Phenomenology of Phantasy and Emotion. Darmstadt: WBG.details
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Explaining Beauty in Mathematics: An Aesthetic Theory of Mathematics.Ulianov Montano - 2013 - Dordrecht, Netherland: Springer.details
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Schopenhauer, the Philosophy of Music, and the Wisdom of Classical Indian Philosophy.Richard White - 2021 - Sophia 60 (4):899-915.details
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Response-dependence about aesthetic value.Michael Watkins & James Shelley - 2012 - Pacific Philosophical Quarterly 93 (3):338-352.details
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Against Value Empiricism in Aesthetics.James Shelley - 2010 - Australasian Journal of Philosophy 88 (4):707-720.details
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Music evoked emotions are different–more often aesthetic than utilitarian.Klaus Scherer & Marcel Zentner - 2008 - Behavioral and Brain Sciences 31 (5):595-596.details
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The Dimensionality of Visual Space.William H. Rosar - 2016 - Topoi 35 (2):531-570.details
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Sound and Notation: Comparative Study on Musical Ontology.So Jeong Park - 2017 - Dao: A Journal of Comparative Philosophy 16 (3):417-430.details
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Metaphor and music emotion: Ancient views and future directions.Alessia Pannese, Marc-André Rappaz & Didier Grandjean - 2016 - Consciousness and Cognition 44 (C):61-71.details
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Musical expressiveness.Derek Matravers - 2007 - Philosophy Compass 2 (3):373–379.details
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Cross-Domain Descriptions: The Sensory and the Psychological.Michelle Liu - 2023 - Philosophical Quarterly 73 (4):950-964.details
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Artistic Objectivity: From Ruskin’s ‘Pathetic Fallacy’ to Creative Receptivity.Eli I. Lichtenstein - 2021 - British Journal of Aesthetics 61 (4):505-526.details
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An anti‐essentialist view of the emotions.Joel J. Kupperman - 1995 - Philosophical Psychology 8 (4):341-351.details
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Art as fulfilment: On the justification of education in the arts.Constantijn Koopman - 2005 - Journal of Philosophy of Education 39 (1):85–97.details
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Revolutionary Expressivism.Sebastian Köhler & Michael Ridge - 2013 - Ratio 26 (4):428-449.details
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Emotional responses to music: The need to consider underlying mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.details
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A functional view of artistic evaluation.Jonathan Gilmore - 2011 - Philosophical Studies 155 (2):289-305.details
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A Simulation Theory of Musical Expressivity.Tom Cochrane - 2010 - Australasian Journal of Philosophy 88 (2):191-207.details
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On Music’s Subtle Expressiveness.Myriam Albor - 2016 - Avant: Trends in Interdisciplinary Studies 7 (1):37-65.details
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The concept of the aesthetic.James Shelley - 2017 - Stanford Encyclopedia of Philosophy.details
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Phenomenology of religion.Mark Wynn - 2009 - Stanford Encyclopedia of Philosophy.details
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The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.details
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Musical expression and performance.Carl Humphries - unknowndetails
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