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  1. Culture influences how people divide continuous sensory experience into events.Khena M. Swallow & Qi Wang - 2020 - Cognition 205 (C):104450.
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  • Reward prediction errors create event boundaries in memory.Nina Rouhani, Kenneth A. Norman, Yael Niv & Aaron M. Bornstein - 2020 - Cognition 203 (C):104269.
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  • Independent features form integrated objects: Using a novel shape-color “conjunction task” to reconstruct memory resolution for multiple object features simultaneously.Aedan Y. Li, Keisuke Fukuda & Morgan D. Barense - 2022 - Cognition 223 (C):105024.
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  • Emotional arousal lingers in time to bind discrete episodes in memory.David Clewett & Mason McClay - forthcoming - Cognition and Emotion.
    Temporal stability and change in neutral contexts can transform continuous experiences into distinct and memorable events. However, less is known about how shifting emotional states influence these memory processes, despite ample evidence that emotion impacts non-temporal aspects of memory. Here, we examined if emotional stimuli influence temporal memory for recent event sequences. Participants encoded lists of neutral images while listening to auditory tones. At regular intervals within each list, participants heard emotional positive, negative, or neutral sounds, which served as “emotional (...)
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  • The spatial layout of doorways and environmental boundaries shape the content of event memories.Matthew G. Buckley, Liam A. M. Myles, Alexander Easton & Anthony McGregor - 2022 - Cognition 225 (C):105091.
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  • How Does the Mind Render Streaming Experience as Events?Dare A. Baldwin & Jessica E. Kosie - 2021 - Topics in Cognitive Science 13 (1):79-105.
    Events—the experiences we think we are having and recall having had—are constructed; they are not what actually occurs. What occurs is ongoing dynamic, multidimensional, sensory flow, which is somehow transformed via psychological processes into structured, describable, memorable units of experience. But what is the nature of the redescription processes that fluently render dynamic sensory streams as event representations? How do such processes cope with the ubiquitous novelty and variability that characterize sensory experience? How are event‐rendering skills acquired and how do (...)
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