F.W.J. Schelling argues in his middle period work Philosophical Inquiries into the Nature of Human Freedom that will should be understood as the most fundamental constitutive element of reality. Though it is often downplayed in recent scholarship, Schelling derived his most central ideas for this work more or less directly from the theosophy of Jacob Boehme. I will argue that far from peripheral and antiquated curiosity, Schelling´s esoteric influences constitute the very foundation of his middle period thought. Schelling´s affinity to (...) esotericism enabled him to develop a form of pantheism, which is not tied to the familiar problematic aspects of traditional Christian and post-Christian narratives. In mainstream Christianity, the meaning of life is dependent on the almighty God´s will, for which nature is inherently meaningless material. For Schelling, by contrast, nature itself is constitutively willing and meaningful. Consequently, owing to his esoteric influences, Schelling provides an account of the meaning of life which diverges from the dominant idea of Western philosophical and theological tradition that the meaning of life consists in a ”true world” or ”destination” beyond immanent reality. (shrink)

The new mythology for which the German Romantic period called was not envisioned as antithetical to empiricism or experiential/experimental knowledge, but rather as emerging in dialogue with it to form a cultural foundation for such inquiry. Central to the mytho-scientific project were problematic theories of sexual division and generativity that established cultural baselines. This article examines the mythological investments of two influential thinkers of the period—Goethe and Schelling. It then analyzes Goethe’s unique merger of mythological approaches to sex and generation (...) with empirical observation in The Metamorphosis of Plants. It next traces Schelling’s expansion of Goethe’s theories of nature beyond their empirical justifications to develop a metaphysics of sexual differentiation. Finally, the article illuminates Goethe’s final reply to the sexual dynamics of Naturphilosophie at the end of his life, through the analysis of a single poem, “Finding Again,” in the collection God and World. Ultimately and in spite of its empirical commitments, Goethe’s more flexible view of sexual correlations would lose ground to the powerful metaphysical mythology of sexual opposition as both scientific and cultural bedrock. (shrink)