Rather than reading Shaftesbury in anticipation of later forms of disinterestedness, this essay seeks to unpack the larger significance of his aesthetics by tracing his ideas back to their ancient sources. This essay looks to the venerable tradition of world contemplation. It argues that Shaftesbury advances a specifically Stoic model of world contemplation in The Moralists. The text’s principal concern is not with this or that beautiful object but with the whole of which it and the viewer are indivisibly a (...) part; its aim is not so much to account for how we perceive beauty as to foster a characteristically Stoic orientation toward the world, one in which we overcome our egocentric view of things and align ourselves with the natural workings of the world or universe in its entirety. Far from being ‘autonomous’ from the rest of life, the Stoic world contemplation Shaftesbury advocates entails a robust affirmation of existence, clear-eyed gratitude for being part of the universe, whatever the challenges and however fleeting our time in it may be. (shrink)

Contrary to the view that Francis Hutcheson attempted to expound, defend, and further develop the philosophical system described in Shaftesbury's Characteristics, some contemporaries of Hutcheson considered Hutcheson's differences from Shaftesbury to be at least as profound as the similarities. The clearest descriptions of those differences can be found in William Leechman's preface to Hutcheson's 1755 System of Moral Philosophy, and more elaborately in a review of Hutcheson's System, probably by Hugh Blair, published in the 1755 Edinburgh Review. Examining Shaftesbury's and (...) Hutcheson's moral philosophies in light of these two descriptions reveals that Shaftesbury's defense of virtue as natural to human beings, while a plausible response to Locke, clearly did not escape Hutcheson's censure of Epicurean egoism. (shrink)