The Southern Journal of Philosophy, EarlyView.

On its face, Hume's account of mental representation involves at least two elements. On the one hand, Hume often seems to write as though the representational properties of an idea are fixed solely by what it is a copy or image of. But, on the other, Hume's treatment of abstract ideas makes it clear that the representational properties of a Humean idea sometimes depend, not just on what it is copied from, but also on the manner in which the mind (...) associates it with other ideas. Past interpretations of Hume have tended to focus on one of these elements of his account to the neglect of the other. But no interpretation of this sort is likely to capture the role that both copying and association play within Hume's discussion. In what follows, I argue that the most plausible way of understanding Hume's discussion involves attributing to him a unified account of mental representation in which both of these elements play a central role. I close by discussing the manner in which reading Hume in this way would alter our understanding of the relationship between Hume's thought and contemporary philosophy of mind. (shrink)

The past 25 years have seen a rapid growth of knowledge about brain mechanisms involved in visual mental imagery. These advances have largely been made independently of the long history of philosophical – and even psychological – reckoning with imagery and its parent concept ‘imagination’. We suggest that the view from these empirical findings can be widened by an appreciation of imagination’s intellectual history, and we seek to show how that history both created the conditions for – and presents challenges (...) to – the scientific endeavor. We focus on the neuroscientific literature’s most commonly used task – imagining a concrete object – and, after sketching what is known of the neurobiological mechanisms involved, we examine the same basic act of imagining from the perspective of several key positions in the history of philosophy and psychology. We present positions that, firstly, contextualize and inform the neuroscientific account, and secondly, pose conceptual and methodological challenges to the scientific analysis of imagery. We conclude by reflecting on the intellectual history of visualization in the light of contemporary science, and the extent to which such science may resolve long-standing theoretical debates. (shrink)

I consider a class of argument implying that Hume's position on general representation is irredeemably circular in that it presupposes what it is meant to explain. Arguments of this sort (the most famous being Sellars' "myth of the given") threaten to undermine any empiricist account of general representation by showing how they depend on the naïve assumption that the relevant resemblances required for the sorting of experience into concepts for use in reasoning are simply given in experience itself. My aim (...) is to salvage Hume's account from this objection. To that end, I argue first for a "Goodmanesque" interpretation of Humean resemblance, and second for an alternative reading of Hume's account of general ideas offered at T 1.1.7 that avoids falling into "the given" trap. (shrink)