In 1675, Burchard de Volder (1643–1709) was the first professor to introduce the demonstration of experiment into a university physics course and built the Leiden Physics Theatre to accommodate this new pedagogy. When he requested the funds from the university to build the facility, he claimed that the performance of experiments would demonstrate the “truth and certainty” of the postulates of theoretical physics. Such a claim is interesting given de Volder’s lifelong commitment to Cartesian scientia. This chapter will examine de (...) Volder’s views on experiment and show that they are not Newtonian or inductivist, as is sometimes claimed. While de Volder thinks we need deductive reasoning from first principles to provide evidence of the certainty of the content of our physical theories, he also contends that we need experiment to provide evidence of the certainty of the existence of the particular bodies those theories discuss. This approach to experiment is based on a distinction between rational certainty and the certainty of material bodies in the actual world. While this account is deeply influenced by Descartes, it is importantly different than Descartes’ distinction between absolute and moral certainty. De Volder’s “Cartesian Empiricism” is best understood as a continuation and further development of a long tradition of teaching through observation at Leiden. (shrink)

Tokom dvadesetog veka na engleskom govornom području uspostavljen je standardni narativ rane moderne filozofije prema kome se svi autori ovog perioda dele u dve škole mišljenja: racionalističku i empirističku. Glavni cilj postavljen u ovom tekstu jeste da se ispitivanjem centralnih odlika ovog narativa pokaže njegova nepot- punost i neadekvatnost u prikazivanju filozofskih odnosa koji su postojali među figu- rama sedamnaestog i osamnaestog veka. Videćemo da su u poslednjih nekoliko dece- nija iznete ubedljive kritike ove teorije, kojima se predočavaju njeni glavni (...) nedostaci. Drugi cilj ovog rada jeste da se, analizom tekstova Imanuela Kanta, pokaže da on nije odgovoran za stvaranje i širenje ovog narativa, iako se u sekundarnoj literaturi često ističe suprotno. (shrink)