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  1. Art as a metaphor of the mind: A neo-Jamesian aesthetics embracing phenomenology, neuroscience, and evolution.Andrea Lavazza - 2008 - Phenomenology and the Cognitive Sciences 8 (2):159-182.
    This paper focuses on the emergent neo-Jamesian perspective concerning the phenomenology of art and aesthetic experience. Starting from the distinction between nucleus and fringe in the stream of thought described by William James, it can be argued that our appreciation of a work of art is guided by a vague and blurred perception of a much more powerful content, of which we are not fully aware. Accordingly, a work of art is seen as a kind of metaphor of our mental (...)
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  • Patterns of characterization in folktales across geographic regions and levels of cultural complexity.Jonathan Gottschall, Rachel Berkey, Mitchell Cawson, Carly Drown, Matthew Fleischner, Melissa Glotzbecker, Kimberly Kernan, Tyler Magnan, Kate Muse, Celeste Ogburn, Stephen Patterson, Christopher Skeels, Stephanie St Joseph, Shawna Weeks, Alison Welsh & Erin Welch - 2003 - Human Nature 14 (4):365-382.
    Literary scholars are generally suspicious of the concept of universals: there are presently no candidates for literary universals that a high proportion of literary scholars would accept as valid. This paper reports results from a content analysis of patterns of characterization in folktales from 48 culture areas, aimed at identifying patterns of characterization that apply across regions of the world and levels of cultural complexity. The search for these patterns was guided by evolutionary theory and the findings are consistent with (...)
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