The question ‘What is computation?’ might seem a trivial one to many, but this is far from being in consensus in philosophy of mind, cognitive science and even in physics. The lack of consensus leads to some interesting, yet contentious, claims, such as that cognition or even the universe is computational. Some have argued, though, that computation is a subjective phenomenon: whether or not a physical system is computational, and if so, which computation it performs, is entirely a matter of (...) an observer choosing to view it as such. According to one view, which we dub bold anti-realist pancomputationalism, every physical object computes every computer program. According to another, more modest view, some computational systems can be ascribed multiple computational descriptions. We argue that the first view is misguided, and that the second view need not entail observer-relativity of computation. At least to a large extent, computation is an objective phenomenon. Construed as a form of information processing, we argue that information-processing considerations determine what type of computation takes place in physical systems. (shrink)

When the German mathematician Hermann Minkowski first introduced the space-time diagrams that came to be associated with his name, the idea of picturing motion by geometric means, holding time as a fourth dimension of space, was hardly new. But the pictorial device invented by Minkowski was tailor-made for a peculiar variety of space-time: the one imposed by the kinematics of Einstein’s special theory of relativity, with its unified, non-Euclidean underlying geometric structure. By plo tting two or more reference frames in (...) relative motion on the same picture, Minkowski managed to exhibit the geometric basis of such relativistic phenomena as time dilation, length contraction or the dislocation of simultaneity. These disconcerting effects were shown to result from arbitrary projections within four-dimensional space-time. In that respect, Minkowski diagrams are fundamentally different from ordinary space-time graphs. The best way to understand their specificity is to realize how productively ambiguous they are. (shrink)

The physicist's conception of space-time underwent two major upheavals thanks to the general theory of relativity and quantum mechanics. Both theories play a fundamental role in describing the same natural world, although at different scales. However, the inconsistency between them emerged clearly as the limitation of twentieth-century physics, so a more complete description of nature must encompass general relativity and quantum mechanics as well. The problem is a theorists' problem par excellence. Experiment provide little guide, and the inconsistency mentioned above (...) is an important problem which clearly illustrates the intermingling of philosophical, mathematical, and physical thought. In fact, in order to unify general relativity with quantum field theory, it seems necessary to invent a new mathematical framework which will generalise Riemannian geometry and therefore our present conception of space and space-time. Contemporary developments in theoretical physics suggest that another revolution may be in progress, through which a new kind of geometry may enter physics, and space-time itself can be reinterpreted as an approximate, derived concept. The main purpose of this article is to show the great significance of space-time geometry in predetermining the laws which are supposed to govern the behaviour of matter, and further to support the thesis that matter itself can be built from geometry, in the sense that particles of matter as well as the other forces of nature emerges in the same way that gravity emerges from geometry. Scientific research is not a process of steady accumulation of absolute truths, which has culminated in present theories, but rather a much more dynamic kind of process in which there are no final theoretical concepts valid in unlimited domains. (David Bohm). (shrink)

This workbook of "études" offers a collection of experimental texts for communal dialogue and discovery that crosses multiple academic disciplines, including: foundations of physics, metaphysics, theoretical biology, semiotics, cognitive science, linguistics, phenomenology, logic & mathematics, poetry and theology. Each étude probes limits, horizons and boundaries by implicitly bring into relation foundational issues that characterize different academic disciplines or systems of meaning formation. Some formal techniques are deployed the études. Most notable is the use of the “logic of three” to overcome (...) falsely totalizing images and inexorable dualities. This technique involves a particular kind of attunement to the “betweenness” of mediation that is not common in modern science. The attunement draws on the formal and precise movements of analysis in concert with the metaphoric and singular movements of synthesis. (shrink)

In this paper, I trace the three-fold essence of “return”—a generating trope of identity and difference, through which formal aspects of the theory of relativity, the movement of language and emergence in evolution might converge. The trope of return is contrasted with the more common two-fold structure of relatedness underwriting differential calculus, propositional semantics and reductionism, which privileges space over time, identity over difference, self over creation.