In the general introduction to the first part of his Philosophie de la Volonté, Le volontaire et l’involontaire Paul Ricoeur writes that the phenomenological or ‘pure description […] of the Voluntary and the Involuntary’ is ‘constituted by bracketing’ two things: first the fault, which is essentially a perversion of the pure nature or the essence of human willing; and second ‘Transcendence which hides within it the ultimate origin of subjectivity’. Evil, the condition of brokenness or the reality of the fault, (...) asks for an empirical description of concrete myths and symbols. He will remove this first bracketing in the second part of his Philosophy of the Will and in the long ‘series of detours’ of his hermeneutical writings. The second bracketing, however, will turn out to be much more difficult to remove. It demands a ‘poetics’, which would threaten Ricoeur’s effort to separate his Christian faith from his ‘autonomous’ philosophizing. In this article I argue that Ricoeur eventually did present his poetics, though only in the epilogue to his penultimate book on ‘Difficult Forgiveness’. The article indicates why this epilogue might fulfil the promise of a poetics, explains why this could only be done in an epilogue and gives at least one possible reason why Ricoeur could write at the end of his oeuvre, what he could not at its beginning. (shrink)