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  1. Marvels in the Medieval Imagination.Michelle Karnes - 2015 - Speculum 90 (2):327-365.
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  • Geometry and the Gods: Theurgy_ in Proclus’s _Commentary on the First Book of Euclid’s Elements.Robert Goulding - 2022 - Perspectives on Science 30 (3):358-406.
    The gods that guard the poles have been assigned the function of assembling the separate and unifying the manifold members of the whole, while those appointed to the axes keep the circuits in everlasting revolution around and around. And if I may add my own conceit, the centers and poles of all the spheres symbolize the wry-necked gods by imitating the mysterious union and synthesis which they effect; the axes represent the connectors of all the cosmic orders … and the (...)
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  • Colloquium 3: Aristotle On ΦANTAΣIA.Alfredo Ferrarin - 2006 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 21 (1):89-123.
  • Esotericism and the Scholastic Imagination: The Origins of Esoteric Practice in Christian Kataphatic Spirituality.Egil Asprem - 2016 - Correspondences: Journal for the Study of Esotericism 4:3-36.
    Scholars agree that the imagination is central to esoteric practice. While the esoteric vis imaginativa is usually attributed to the influx of Neoplatonism in the Italian Renaissance, this article argues that many of its key properties were already in place in medieval scholasticism. Two aspects of the history of the imagination are discussed. First, it is argued that esoteric practice is rooted in a broader kataphatic trend within Christian spirituality that explodes in the popular devotion literature of the later Middle (...)
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  • Themistius as a Commentator on Aristotle: Understanding and Appreciating his Conception of Nous Pathetikos and Phantasia.Myrna Gabbe - 2008 - Dionysius 26:73-92.