This paper provides an analysis of the paradoxical definition of art as the silence of the world, as presented in Maurice Blanchot’s The Space of Literature. The definition is analysed phenomenologically, by treating the world as the universal horizon of all experiences. The paper presents two possible interpretations of Blanchot’s statement. First, a possibility is considered that, according to Blanchot, in genuine artistic experience the mundane everyday life falls silent, and an autonomous fictional world opens up. The paper argues that (...) while Blanchot does oppose art to everyday life, this interpretation is insufficient. Firstly, because on the basis of the phenomenological premise, all possible worlds fall within the universal world-horizon, and secondly, the function Blanchot attributes to art is considerably more radical, as when he speaks about the directedness of art outside of all possible worlds. While such an aim may seem impossible from the viewpoint of the phenomenological premise, the second part of the paper demonstrates that it can indeed be meaningfully interpreted on the basis of Martin Heidegger’s transcendent approach to the world. According to this interpretation, while the phenomenological premise prevents all discussion of places and experiences outside the world, a liminal experience can nevertheless be discussed. If this is true, it is not an entity within the world which opens up, but rather the world-horizon itself in the form of an anxious silence. (shrink)

The thesis of this dissertation is that the political dimension of Martin Heidegger's philosophical work has been widely misinterpreted in the United States, and that this misinterpretation has been caused by censorship, historical and political ignorance, and poor scholarship. ;This study reveals the extent to which Heidegger engaged in politically motivated editing of his work after the war, and shows how such edited German editions were used as a basis for many English translations of his work. It also shows that (...) Heidegger suppressed the publication of some politically sensitive texts while he was alive, and that archival materials in different parts of Germany have been manipulated so as to protect Heidegger from critical scrutiny. Such practices have also been employed by other philosophers who worked in Germany at the time; the manipulation of post-war editions of philosophical texts written in Germany between 1933-1945 seems to be a widespread phenomenon. ;To improve the US reader's understanding of the historical context of Heidegger's political thought, this study also relates Heidegger's professional and political actions to those of all of the other 213 professors of philosophy who taught at a German university between 1933 and 1945. Heidegger's political arguments are compared to those of the other philosophers who, as university Rectors, were in similar positions of political responsibility as Heidegger. The presentation of this new information allows the US reader to understand better the development of philosophy in Germany, and reveals the uniqueness of Heidegger's philosophical commitment to a particular version of National Socialist ideology. ;Finally, this study identifies the main sources of interpretive error in the US reception of Heidegger's political thought, and shows how philosophers can avoid such mistakes in the future. (shrink)