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  1. The Beginnings of Formal Logic: Deduction in Aristotle’s Topics Vs. Prior Analytics.Marko Malink - 2015 - Phronesis 60 (3):267-309.
  • Štyri antické argumenty o budúcich nahodnostiach (Four Ancient Arguments on Future Contingencies).Vladimir Marko - 2017 - Bratislava, Slovakia: Univerzita Komenského.
    Essays on Aristotle's Sea-Battle, Lazy Argument, Argument Reaper, Diodorus' Master Argument.
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  • L’Éristique Mise En Formules.Paolo Fait - 1998 - Dialogue 37 (1):131-154.
    Les réfutations sophistiques ont joui, au cours du Moyen Âge, d’une considération peut-être même supérieure à leurs mérites, mais par un juste retour des choses, elles ont été presque complètement négligées pendant l’époque contemporaine. Cet ouvrage — dont l’analyse avait été plus l’occupation préliminaire des médiévistes que l’intérêt central des aristotélisants — est maintenant l’objet d’une excellente étude par Louis-André Dorion, une étude qui réintroduit cet ouvrage «dans le courant de la recherche», fournissant une introduction tant historique que systématique, une (...)
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  • Every Word is a Name: Autonymy and Quotation in Augustine.Tamer Nawar - 2021 - Mind 130 (518):595-616.
    Augustine famously claims every word is a name. Some readers take Augustine to thereby maintain a purely referentialist semantic account according to which every word is a referential expression whose meaning is its extension. Other readers think that Augustine is no referentialist and is merely claiming that every word has some meaning. In this paper, I clarify Augustine’s arguments to the effect that every word is a name and argue that ‘every word is a name’ amounts to the claim that (...)
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  • The Ethics of Ambiguity in Quintilian.Charles McNamara - 2018 - In William Michael Short, Charles McNamara & Michael Fontaine (eds.), Quasi Labor Intus: Ambiguity in Latin Literature. New York, USA: The Paideia Institute. pp. 205-223.
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  • Apollonius Dyscolus and the Ambiguity of Ambiguity.Catherine Atherton - 1995 - Classical Quarterly 45 (2):441-473.
    Apollonius Dyscolus’ use of ambiguity in grammatical problem-solving has in recent years had the benefit of two scholarly studies. David Blank, in the course of his analysis of the Syntax as a whole, has described the broad functions which Apollonius assigns to ambiguity. Jean Lallot's 1988 paper, ‘Apollonius Dyscole et l'ambigüité linguistique: problemes et solutions’, is devoted exclusively to the treatment of linguistic ambiguity in Apollonius’ work. Yet it is to be feared that the flood of light thrown by these (...)
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  • ‘Nonsense’ in Comic Scholia.Stephen E. Kidd - 2017 - Classical Quarterly 67 (2):507-521.
    In 1968 E.K. Borthwick, with a brilliant conjecture, cleared up a passage from Aristophanes’Peacethat had been considered ‘nonsense’ since antiquity. ‘Bell goldfinch’ the line seemed to be saying: a jumbled idea at best, gibberish at worst. The scholium reads ad loc.: ταῦτα δὲ πάντα ἐπίτηδες ἀδιανοήτως ἔφρασεν, ‘all this is said as deliberate nonsense’, and later scholars generally follow suit. But Borthwick showed that this was not the case: ‘even nonsense expressions in Aristophanes’, he writes, ‘are not haphazard collocations of (...)
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  • Some Sketchy Notes on the Reaper Argument.Vladimir Marko - 2012 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 19 (3):361-387.
    The paper deals with the possible readings of The Reaper Argument premisses. Some conjectures related to the Stoics’ alleged proof of the argument are discussed.
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  • Augustino „de dialectica“ ir ankstyvieji stoikai: Kalbinių reikšmių skyrybos.Gintarė Kurlavičiūtė - 2017 - Problemos 92:158.
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  • Ética, estética e historia en Dionisio de Halicarnaso: imitación y construcción de la tradición.Iker Martínez Fernández - 2018 - Revista de Filosofía 43 (1):9-26.
    The work of Dionysius of Halicarnassus has been traditionally divided into two parts: first, treaties of rhetoric and, secondly, Roman Antiquities, the history of Rome from its origins to the First Punic War. However, there is a common element among the rhetorical and historical writings that gives internal coherence to the whole work. This element is imitation, wich Dionysius used to link ethics and aesthetics at the service of building the tradition of the Roman people.
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