This article examines the particular aesthetic experience brought about by soundwalks. In each case, the point of departure is the phenomenological analysis of two case study: Janet Cardiff’s Walks and the audio-tours Remote x by Rimini Protokoll. Drawing upon Husserl and Merleau-Ponty, I will examine the conflicts of perception and the peculiar shift from one order of perception to another that punctuate the spectator’s walking, as well as the intertwining of the real and the imaginary coming into being in such (...) performances and experienced at the very level of his bodily inscription in space. More specifically, my aim is to address the challenge that the aesthetic experience here in question sets to Husserl’s phenomenology of perception and to show how the extension of the notion of perception achieved by Merleau-Ponty makes it possible to overcome the paradox. (shrink)

Resumen: Ofreceré un análisis de la célebre crítica de la fenomenología de Merleau-Ponty en términos de una presunta oscilación entre “positivismo” y “escatología”. Como intentaré demostrar, atribuir al fenomenólogo francés una reducción “positivista” de la epistemología equivaldría a pasar por alto su insistencia en que nos apartemos de la autocomprensión que las ciencias empíricas ofrecen de sus propios resultados; esto es, a pasar por alto sus objeciones fenomenológicas a los marcos ontológicos ingenuos del “pensamiento objetivo”. En cuanto al cargo de (...) “escatología”, al parecer en virtud de sus deudas con el pensamiento marxista, intentaré probar que, no se puede sostener una vez que se toma en consideración el carácter matizado de su aceptación de ciertos aspectos del materialismo histórico.: I will attempt to analyze Foucault’s famous critique of Merleau-Ponty’s phenomenology in terms of an alleged oscillation between “positivism” and “eschatology”. As I will try to prove, attributing to Merleau-Ponty a “positivistic” reduction of epistemology would amount to overlooking his insistence on moving away from the self-interpretations that empirical sciences offer of their own results; that is to say, overlooking his phenomenological objections against the naïve ontological frames of “objective thinking”. As for the charge of “eschatology”, presumably applied to the phenomenologist by virtue of his debts to Marxist thought, I will try to show that -either understood in a strictly epistemological sense or in connection with an alleged Merleau-Pontyan adhesion to a philosophy of history- it proves untenable once we take into consideration the nuanced character of his acceptance of certain aspects of historical materialism. (shrink)