While almost all of Kant's contemporaries agreed that the Critique of Pure Reason effected a philosophically epochal change, there was far less consensus about what precisely Kant's new critical philosophy had brought about. In large part, this uncertainty was a result of a methodological crisis that Kant's work had sparked: the Critique had shown that traditional dogmatic metaphysics was suspect at best, but what new methods needed to be adopted in the wake of Kant's 'Copernican Revolution'? The Critique stood as (...) the lighting rod at the center of a complicated and especially lively set of debates and disputes that erupted in Germany in the late 1780s and early 1790s: empiricists and rationalists, threatened by the 'all-destroying Kant', leapt to challenge the new critical system; skeptics attacked Kant's claims to have secured a sure footing for empirical knowledge; a few ambitious thinkers sought to complete the critical system by revealing a foundational first principle on which Kant's system could rest. All of these elements conspired to make the early stages in post-Kantian thought one of the richest, most vibrant – and most fascinating – periods in the history of philosophy. The present essay looks at the various figures of the move from Kant to Fichte, and presents some of the excellent new research on the era that has appeared in the last decade or so. The sequel takes up the period from Fichte to Hegel, with an eye toward understanding how Kantian critical philosophy gave way to Hegelian Absolute Idealism. (shrink)

Along with providing a translation into English of the last text Immanuel Kant published during his lifetime, Nachschrift eines Freundes, this essay provides a historical account of the context surrounding the writing and publishing of this postscript as well as the German-Lithuanian and Lithuanian-German dictionary that contains it. In addition, this essay discusses the intellectual-historical significance of Kants essay as a political intervention in the name of Lithuanians, their language, and their culture. Nachschrift eines Freundes demonstrates Kant practicing some of (...) the theoretical Enlightenment tenets that his philosophy espouses. (shrink)

Kierkegaard’s distinction of chatter from silence gives forgiveness a linguistic spin. How can forgiveness be spoken? Is forgiveness something to be said and heard? Is saying it aloud saying too much, or too little? What is said when (and if) forgiveness is said? Should forgiveness be chatted away, or reserved in silence? For Kierkegaard, the answer(s) is (are) neither/nor: forgiveness can only be said indirectly, kept (almost) indistinguishable from resentment or indifference, as if discarded in the face of offense—if it (...) is to happen. (shrink)

This paper seeks to explore the relationship between Mikhail Mikhailovich Bakhtin’s theoretical apparatus and ideas of the immediate precursors of the Jena Romantik school of German Romanticism: Johann Georg Hamann (1730–1788) and Johann Gottfried Herder (1744–1803). In doing so, it examines the themes and treatments that are common to these two thinkers and Bakhtin, tracing the tradition of anti-systematic thought through Hamann, Nietzsche and Bakhtin, and the transmission of Herder’s philosophy of Bildung through the Russian cultural milieu and Goethe. Initially, (...) the paper briefly outlines the early German Romantic ‘school’ of philosophy as a prelude to a more detailed examination of the ways in which Bakhtin assimilated German philosophy in general. The paper’s section on Hamann commences with a review of his background, using this as a basis for establishing connections between Hamann’s approach to communication and that of Bakhtin, based on a common epistemology focused on the self. The section on Herder is centred on his concept of Bildung and his historicist approach to literature, both of which interests Bakhtin shared. The paper then examines a number of conduits for Herder’s thought to Bakhtin, including Kant and Goethe. The paper concludes by examining Isaiah Berlin’s notion of the ‘Counter-Enlightenment’—in which movement he includes both Hamann and Herder—and the extent to which Bakhtin could be said to form part of this tradition. (shrink)