Intersemiotic translation (IT) was defined by Roman Jakobson (The Translation Studies Reader, Routledge, London, p. 114, 2000) as “transmutation of signs”—“an interpretation of verbal signs by means of signs of nonverbal sign systems.” Despite its theoretical relevance, and in spite of the frequency in which it is practiced, the phenomenon remains virtually unexplored in terms of conceptual modeling, especially from a semiotic perspective. Our approach is based on two premises: (i) IT is fundamentally a semiotic operation process (semiosis) and (ii) (...) IT is a deeply iconic-dependent process. We exemplify our approach by means of literature to dance IT and we explore some implications for the development of a general model of IT. (shrink)

Merleau-ponty's phenomenology of the intentional arc uniting body and world is viewed as grounded in the meaningfulness and materiality of both. the genetic constitution of the interrelated meaning and physicality of body and world is sketched in a phenomenological interpretation of jean piaget's ``the origin of intelligence in children''. from this sketch emerges an assertion of the priority of action over perception in prepredicative experience.

For all human sciences, understanding of how the mind works requires a new theory that starts from the assumption of potential infinite variability of human symbolic forms. These forms are socially constructed by the person who moves through an endless variety of unique encounters with the world. A theory of symbolic forms needs to capture the essence of hyperdynamic, irreversible nature of the stream of consciousness and activity. The human mind is regulated through a dynamic hierarchy of semiotic mechanisms of (...) increasingly generalized kind, which involves mutual constraining between levels of the hierarchy. It is demonstrated that semiotic mediation leads to a triplet of personal-cultural constructions — a new symbolic form, a metasymbolic form, and a regulatory signal to stop or enable the construction of further semiotic hierarchy. In everyday terms — human beings produce new problems, together with new efforts at solving them, and make decisions when to stop producing the former two. Hence, semiotic mediation guarantees both flexibility and inflexibility of the human psychological system, through the processes of abstracting generalization and contextualizing specification. Context specificity of psychological phenomena is an indication of general mechanisms that generate variability. Scientific investigation of human psychological complexity is necessarily oriented to the study of variability within the individual person’s psychological time-space. (shrink)

Resumen: Este artículo pretende abordar aspectos esenciales del pensamiento de Henri Bergson en la dimensión de las prácticas políticas. Específicamente, esta indagación se centrará en un análisis del sentido de la democracia en Les Deux Sources de la morale et de la religion, en las escuetas, pero decisivas porciones de texto donde esta es abordada. Bajo este objetivo, se podrá extender una discusión de fondo, de carácter ontológico, en torno al rendimiento de una noción de Acontecimiento que pretende servir de (...) reflexión basal en torno al dominio de un concepto de lo político atribuible a este filósofo francés.: This article aims to address essential aspects of Henri Bergson’s thought in the dimension of political practices. Specifically, this inquiry will focus on an analysis of the meaning of democracy in Les Deux Sources de la morale et de la religion, in the succinct, but decisive portions of the text where it is focussed. Under this point, it will be possible to extend a substantive discussion, of an ontological nature, around the performance of a notion of Event that aims to serve as a basal reflection on the domain of a concept of the political attributable to this French philosopher. (shrink)

At first glance, Nietzsche and Bergson appear wholly opposed. Where the former pulls back the veil of all so-called reality to reveal the fictional constructions our bodily needs cast as what is re...

Resumen El concepto de “quiasmo” es fundamental en la filosofía del “último” Merleau-Ponty. Me interesa retomar este concepto para mostrar que, en la nueva ontología esbozada en Le visible et l’invisible y en las notas de la misma época, su función guarda correspondencia con la tarea que, a lo largo de la historia de la filosofía, ha desempeñado la imaginación. En este sentido, una ontología del quiasmo supone por necesidad pensar una ontología de la imaginación. Además, este concepto permite arrojar (...) una luz nueva sobre el problema de la subjetividad.The concept of “chiasm” is central to the philosophy of the “late” Merleau-Ponty. My aim is to retrieve this concept in order to show that, within the framework of the new ontology outlined in Le visible et l’invisible and the notes written during the same period, its function corresponds to the function that imagination has performed throughout the history of philosophy. Thus, an ontology of chiasm necessarily involves reflecting upon an ontology of imagination. Furthermore, the concept of chiasm enables us to shed new light on the problem of subjectivity. (shrink)

Bergson identifies multiple forms of memory throughout his work. In Matter and Memory, Bergson considers memory from the perspectives of both psychology and metaphysics, and he describes what we might refer to as contraction memory, perception memory, habit memory, recollection memory, and pure memory. Further, in subsequent works, Bergson discusses at least two additional forms of memory – namely, a memory of the present and a non-intellectual memory of the will. However, it is often not clear how these different forms (...) of memory relate to one another. With the aim of providing an overview of Bergson's philosophy of memory that can also serve as a point of entry to his philosophy as a whole, this article explores the different senses and forms of memory that Bergson describes, paying special attention to how they are distinct from one another and how they are unified. It is my intention to show that, although these various senses and forms of memory are different from one another , they are also continuous and unified insofar as they are equivalent to different tones of one's mental life and to different tensions of one duration. (shrink)

What status should be given to the calculations and especially the figures proposed by Henri Bergson to explain the functioning of recognition in Matter and Memory? This article suggests that these calculations and figures are not just convenient metaphors; reality is not devoid of numbers (e.g., numbers of vibrations, and numbers of memories), and nor is it devoid of more or less extended planes. Therefore, it is possible to suppose that, after having arithmetized the facts of consciousness with the help (...) of special numbers in Time and Free Will, Bergson geometrizes the spiritual and material being in Matter and Memory. (shrink)

During the influx of neurological research into France from across Europe that took place rapidly in the late 19th century, the philosophy course in lycées was mobilized by education reformers as a means of promulgating the emergent brain sciences and simultaneously steering their cultural resonance. I contend that these linked prongs of philosophy’s public mission under the Third Republic reconciled contradictory pressures to advance the nation’s scientific prowess following its defeat in the Franco-Prussian war of 1870 without dropping France’s distinct (...) tradition of 19th-century spiritualism, which extended from Maine de Biran’s philosophical psychology to Victor Cousin’s official eclectic spiritualism. Between 1874 and 1902, the French Ministry of Public Instruction transformed philosophy into a national project designed to guide the reception of experimental psychology generally and neurology in particular. This article features original archival research on philosophy textbooks and students’ course notes that illuminate the cultural and intellectual impact of these sciences in the fin de siècle from inside the classroom. I argue that the scientific turn in the psychology section of the lycée philosophy course reflected and brought about a distinct philosophical movement that I call ‘scientific spiritualism’. While historians have analysed philosophy instruction as a mechanism used by the Third Republic to secularize students, this article sheds new light on lycée philosophy professors’ campaign to promote scientific spiritualism as a means to advance incipient brain research and pare its reductionist implications. (shrink)

Various kinds of observations show that the ability of human beings to both consciously relive past events – episodic memory – and conceive future events, entails an active process of construction. This construction process also underpins many other important aspects of conscious human life, such as perceptions, language and conscious thinking. This article provides an explanation of what makes the constructive process possible and how it works. The process mainly relies on attentional activity, which has a discrete and periodic nature, (...) and working memory, which allows for the combination of discrete attentional operations. An explanation is also provided of how past and future events are constructed. (shrink)

Hermeneutics should take Gadamer’s claims about experience and reality seriously, the hermeneutic urgency, described in the following concise ways: aus der Wahrheit des Erinnerns etwas entgegensetzen: das immer noch und immer wieder Wirkliche. WuM, p. XXVIeine Erfahrung, die Wirklichkeit erfährt und selber wirklich ist. WuM, p. 329.Die Erfahrung lehrt, Wirkliches anzuerkennen. WuM, p. 339.preceded by a general remark about the aim of historical knowledge:eine Erkenntnis, die versteht, daß etwas so ist, weil sie versteht, daß es so gekommen ist. WuM, p. (...) 2This indicates an ontological primacy of history, which is a singular processual event with a certain narrative dimension which can also be called history. Through this essential and at the same time particular finitude, meaning is given to us – and all the general aspects of explained reality are possible only inside such an effective history which unites event and narration. The article will elaborate the special character of historical effects compared to the effects in the modern scheme of cause and effect and suggest a way of reading the classical distinction between understanding and explanation in a way which differs somewhat from Gadamer’s, but also from Georg Henrik von Wright’s similar concerns. It is also argued that Dilthey’s notion of lived experience remains relevant inside a very much needed hermeneutic effort to include nature in history. (shrink)

Je cherche ici à renouveler la compréhension de l’esthétique merleau-pontienne en lisant les notes de son premier cours au Collège de France, « Le monde sensible et le monde de l’expression ». Ce faisant, on peut voir certains films de Godard comme prolongeant la réflexion du philosophe, éclairer le rapport de Deleuze à la phénoménologie et enfin resituer Merleau-Ponty dans le contexte des pratiques artistiques contemporaines. La portée de cette phénoménologie du mouvement dépasse cependant le cadre de l’esthétique dans la (...) mesure où elle laisse entrevoir une solution au problème du passage du perceptif au conceptuel. (shrink)

Estas notas de ánimo ensayístico tienen como objetivo establecer relaciones entre la experiencia, la memoria y la escritura, y el rescate de esta relación que realiza la lectura. De esta manera, a través del análisis de las figuras benjaminianas del flâneur, el narrador, el coleccionista, el historiador, el alegorista, se buscará identificar a diferentes “lectores” de la modernidad, “documentalistas” que dan cuenta de las marcas de la experiencia en la memoria y de una temporalidad suspendida que actualiza presente y pasado (...) en una imagen que se presenta como una narración de la realidad que articula el mundo como texto. (shrink)

Cet article met l’accent sur la notion de création, entendue comme cercle vertueux dans l’œuvre de Bergson. La figure du cercle vertueux désigne un processus qui tire de soi rétrospectivement son identité à travers les événements présents. Nous montrerons que ce schème est à l’œuvre dans l’acte libre, puis dans l’action des vivants, et surtout au niveau du processus évolutif lui-même. Nous verrons ensuite s’il est possible d’élargir la perspective au-delà de ce schème traditionnel amené par le spiritualisme bergsonien. Nous (...) montrerons que, contrairement à ce que souhaitait Bergson, nous pouvons en élargir l’extension au monde matériel lui-même.In this paper, I focus on the notion of creation in Bergson’s works, and I characterize it as a virtuous circle. The pattern of the virtuous circle displays a process that retrospectively finds its identity in itself through present events. I show that this pattern is at work in the free act, in the actions of living organisms, and mostly in the evolutionary process itself. I then move on to ask weather it is possible to broaden the perspective beyond the traditional pattern associated with Bergson’s spiritualism. I show that, contrary to what Bergson envisioned, this virtuous circle can be broadened as to include even the material world. (shrink)

This article develops Derrida's logic of the trace in relation to the concept of time and the revival of various forms of vitalism. Through a critical interrogation of Bergson's notion of duration, I show how the logic of the trace articulates an originary co-implication of time and space, which also entails a co-implication of the animate and the inanimate, the event and the machine. Refuting any vitalist conception of life, the deconstructive logic of the trace allows one to reckon with (...) the philosophical implications of Darwinism. (shrink)

The aim of this paper is to show how a sensory approach to visual arts can be relevant for philosophy and how this prism, once brought to philosophy, can give insights on art in return. I will try to demonstrate that the difference between modernity’s two main schools of thought (namely, materialism and idealism) can be understood – thanks to the model of painting as an allegory of the world – as an exclusive preference for one sense: touch for materialism (...) and sight for idealism. Much as the two schools differ, both consider the painting (or the world) a finite picture, whose elements can be juxtaposed in a single homogeneous plane of knowledge devoid of any opacity. This leads to separate both vision and the mind from the body and from the world. As a result, sight and touch end up dissociated. That is why, to challenge this modern paradigm and renew with a holistic relationship to the world and to ourselves, philosophers and artists propose a shift towards a synaesthetic approach to painting. Such an approach will uncover a modality of being where the body, the subject, and the world, as well as sight and touch, can be reunited. Thus, I will show that Merleau-Ponty’s ontology of the flesh – that echoes through the paintings of artists who attempt to break free from the frame and engage the observer with all his senses and being, such as Racławice Panorama, Malevich, El Lissitzky, Cézanne or the Navajos’ sand paintings – can offer, thanks to a synaesthetic approach, both a new framework for philosophy and a new understanding of visual arts. (shrink)

Los límites entre las humanidades y las ciencias se han desplazado y traspasado en innumerables ocasiones en las últimas décadas. El uso de la ciencia en los estudios humanísticos y de la metáfora cultural en los científicos está abundantemente documentado. Fértiles en especial han sido, por ejemplo, las teorías de la termodinámica (entropía), de la topología, de las catástrofes y de los fractales. El físico y matemático Alan Sokal, sin embargo, denunció la instrumentalización abusiva de la ciencia por ciertos teóricos (...) de la literatura, filósofos y psicoanalistas, entre otros. El escándalo provocado por Sokal en 1996 oculta, no obstante, empleos legítimos de las ciencias por las humanidades, como el que Gaston Bachelard ilustró, tras despejar los obstáculos epistemológicos previos, con su creación de una poética de la materia. (shrink)

Reductionism relies on expectations that it is possible to make sense of the whole by studying its parts, whereas emergentism considers that program to be unattainable, partly due to the existence of emergent properties. The emergentist holistic stance is particularly relevant in biology and cognitive neuroscience, where interactions amongst system components and environment are key. Here we consider Alfred North Whitehead's philosophy as providing important insights to metaphysics of science in general, and to the reductionism vs. emergentism debate in particular. (...) An appraisal of Whitehead's perspective reveals a difficulty shared by both approaches, referred to him as “simple location”: the commitment to the idea that the nature of things is exhausted by their intrinsic or internal properties, and does not take into account relations or dynamic interactions denoting “togetherness.” In a word, that things are simply where they are. Whitehead criticizes this externalist ontological perspective in which each interacting element exists, and can be thought, without essential reference to other elements. The aim of this work is to uncover such a stance, particularly in the context of dynamical systems, and to show its shortcomings. We propose an alternative relational approach based on Whitehead's notion of “internal relations,” which we explicate and illustrate with several examples. Our work aims to criticize the notion of simple location, even in the framework of emergentist accounts, so as to contribute to a “relational turn” that will conceive “inter-identities” as “intra-identities” in which interactants are not enduring substances, but internally related processes. In sum, we argue that the notion of internal relations has a strong theoretical power to overcome some fundamental difficulties in the study of life and mind. (shrink)

In his essay on Herman Melville, Gilles Deleuze writes about an affirmation of the world as process and as archipelago. What does this mode of affirmation mean not only for the philosophy of Deleuze, but also for us all who live in this world today? This is the principal issue which I try to take up in my paper. Already in his text on David Hume, the young Deleuze was obliged to confront the problematics of the becoming-system of collection, which (...) would accompany him throughout his life. This essay discusses the ways in which Deleuze's central concepts including ‘transcendental empiricism', ‘difference/repetition', ‘schizophrenia’, ‘chaosmos', ‘thousand plateaus', ‘and’ and ‘line of flight’ are interconnected within his notion of archipelagic system. (shrink)

This paper establishes a critical relationship between the concepts of memory and experience in the writings of Walter Benjamin, as a preliminary step to expose the negative philosophy of the same author –conceived in terms of remembrance and redemption. This conceptual framework is necessary to propose a Benjaminian negative anthropology that rejects formal anthropological universality and the effort to impose a human ideal that must be achieved by all human beings.

Pour Répondre à la question qui constitue le titre de cet essai, il faut d'abord répondre à une autre question, à savoir: qu'est-ce que la philosophie de la nature? De quoi parlons-nous au juste quand nous parlons de philosophie de la nature?

Focusing on discourses and practices of identity in an Italian organization in London, this article examines the relationship between the construction of the identity of places and the construction of terrains of belonging. Various forms of cultural practices that mark out spatial and identity boundaries for the London Italian population are discussed in relation to the deployment of gender and ethnicity. Advancing a corporeal approach to identity formation, it is argued that displays of the Italian presence in London operate through (...) the repetition of regulatory norms that produces the effect of materialization of cultural belonging through the ethnicizing and gendering of individual bodies. Gender and ethnicity are deeply embedded in one another and their entwinement is to be understood as the outcome of their construction along similar bodily lines. Also, the author shows that gender and ethnicity are mutually dependent on each other for their construction; imperatives of gender serve to stabilize a fluctuating and indeterminate ethnic culture, while ethnic conventions naturalize the different positions men and women occupy in social life. (shrink)

In 1962 Umberto Eco published his Opera aperta. Forma e indeterminazione nelle poetiche contemporanee, in which he dealt with the televised space and its influence on the development of plot in contemporary narratives. The analysis of the aesthetic of television led him to highlight the exclusive capacity of television to transmit events in real time: Live TV.Eco affirms in particular that through the editing in Live TV, the role of choice completely changes in comparison to what happens in the editing (...) phase within the cinematographic narrative. In Live TV, choice becomes a proper composition, a form of narrative, a means of unifying in a discursive way a set of isolated images within the framework of a wider set of events taking place at the same time and intersecting one another. This impromptu narrative brings with it the use of some recursive forms, which represent an important narrative tool enabling a weaving of the narrative space. Eco identified those recursive forms in some jazz figures such as the riff, the recursive form of which allows for the creation of an organic composition full of improvisation. A few years later, the importance of figures of this kind was also noted by Deleuze-Guattari, who posited that ritornello has an important function of organizing the exterior space, or chaotic space. Based on these considerations, this paper deals with the phenomenon of repetition, recursivity, and patterns, to bring these concepts into the construction of narrative spaces. The central point of the paper is that the birth of Live TV started a phenomenon of exteriorization of the inner data of the narrative construction. This phenomenon of externalization makes possible the understanding of data through spatial terms, and one starts to use recursive formulas to navigate it. (shrink)

This paper deals with Parmenides of Elea’s way of inquiry about reality and the opposition emerging from it. In more detail, it analyses how Parmenides’ concepts of logos and doxa present some analogies with Bergson’s thoughts about duration and Time and how these theories influenced the understanding of visual media, especially the cinematographic camera. This survey will allow us to demonstrate that some scientific theories about space that accompanied the development of the cinematographic camera progressively allowed for the birth of (...) a new understanding of this device. In the last section of this study, we will then focus on the way through which the film camera - understood as an intelligent device - passes from the sphere of doxa to the sphere of logos. (shrink)

El artículo tiene por objeto analizar la construcción del conocimiento mapuche según el discurso de kimches. Sostenemos que en la educación familiar existe un proceso de construcción de conocimientos propios como un sistema de saberes y contenidos educativos para la formación de personas. La metodología empleada es la investigación educativa. Los resultados parciales muestran una descripción acerca de la lógica de los conocimientos educativos propios, para contextualizar la enseñanza y el aprendizaje de las ciencias en el medio escolar, desde la (...) educación intercultural en contexto mapuche. The aim of this article is to analyze the construction of Mapuche knowledge based on the kimches speech. We argue that within family education, there exists a process of constructing their own knowledge, as a system of knowledge and educational contents for forming individuals. The research methodology applied corresponds to education research. Preliminary results describe the logic of individual educational knowledge from intercultural education in the Mapuche context, so as to contextualize the teaching and learning of Science in schools. (shrink)

Cet article porte sur une distinction familière entre deux formes de souvenirs: les souvenirs factuels ('Je me souviens que p', où 'p' est une proposition) et les souvenirs épisodiques ('Je me souviens de x', où x est une entité particulière). Les souvenirs épisodiques ont, contrairement aux souvenirs factuels, un rapport immédiat et interne à une expérience particulière que le sujet a eue dans le passé. Les souvenirs épisodique et factuel sont des souvenirs explicites au sens de la psychologie cognitive. J'esquisse (...) une théorie du souvenir épisodique qui rend compte de ce trait essentiel. L'une des conséquences de cette théorie est que lorsque je me souviens de quelque chose au sens épisodique, je me souviens que ce même souvenir remonte directement à l'une des mes expériences passées. Le souvenir épisodique est un souvenir factuel réflexif. (shrink)

The received view of Bergson's philosophy of life is that it advances some form of vitalism under the heading of an “élan vital.” This paper argues against the vitalistic interpretation of Bergson's élan vital as it appears in Creative Evolution in favor of an interpretation based on his overlooked reflections on entropy and energetics. Within the interpretation developed here, the élan vital is characterized not as a spiritualistic “vital force” but as a tendency of organization opposed to the tendency of (...) entropic degradation. It is then shown how Bergson's view of evolution and living organization resonates with more contemporary scientific approaches belonging to a “thermodynamic paradigm” in theoretical biology in different respects, including the critique of neo-Darwinism and the positing of a driving force behind evolution. Finally, the special interest that Bergson's philosophical biology bears today is considered in terms of the connection between the concepts of élan vital and duration. (shrink)

Using the work of philosopher Henri Bergson to examine the nature of movement and memory, this article contributes to recent research on the role of the body in learning mathematics. Our aim in this paper is to introduce the ideas of Bergson and to show how these ideas shed light on mathematics classroom activity. Bergson’s monist philosophy provides a framework for understanding the materiality of both bodies and mathematical concepts. We discuss two case studies of classrooms to show how the (...) mathematical concepts of number and function are themselves mobile and full of potentiality, open to deformation and the remapping of the possible. Bergson helps us look differently at mathematical activity in the classroom, not as a closed set of distinct interacting bodies groping after abstract concepts, but as a dynamic relational assemblage. (shrink)

The purpose of this paper is to demonstrate the usefulness of the concept of possibility , and not merely that of actuality , for an inquiry into the bodily constitution of experience. The paper will study how the possibilities of action that may (or may not) be available to the subject help to shape the meaning attributed to perceived objects and to the situation occupied by the subject within her environment. This view will be supported by reference to empirical evidence (...) provided by recent and current research on the perceptual estimation of distances and the effects brought about by the use of a tool on the organisation of our perceived immediate space. (shrink)

RésuméJ'analyse la façon dont Bergson caractérise la logique tel un organe de simplification, de dissimulation, d'ordonnance, de limitation, de systématisation, comme habitude de pensée et comme ontologie foncière. Partout, la logique semble la prérogative de l'entendement et inapte à s'appliquer à la durée, voire à la réalité elle-même. Pour sortir d'un tel dualisme, je montre que Bergson conçoit une logique de l'absurde et de l'imagination, avec le rêve, la folie et le comique, laquelle transmute la logique dans le domaine du (...) pathologique et de l'art littéraire, et offre à l'image une seconde gloire.In this paper, I analyze the sense in which Henri Bergson characterizes logic, which he understands to be a means of simplification, dissimulation, ordering, limitation and systematizing, as well as a habit of thinking and something basically ontological. Overall, logic seems to be the privilege of the understanding; it is unfit to apply itself to duration, or to reality itself. To help us out of such dualism, I show that Bergson — considering dreams, madness, and comedy — conceives of a logic of the imagination and of the absurd that transplants logic into the field of the pathological and literary art, and that offers a second glory to images. (shrink)

The aim of this paper is to discuss the philosophical premises of Whitehead's definition of time in _The Concept of Nature and other works of the same period. Whitehead probably introduced this definition, which depends on what he calls the "method of extensive abstraction," in 1913, just after the publication of the _Principia Mathematica with Russell. He only published his results in 1919. However, Russell takes up the method, with slight modifications, after personal communication with Whitehead, as soon as 1914, (...) in _Our Knowledge of the External World. It is also carefully studied by G. Mead, in particular in _Philosophy of the Present, and by Merleau-Ponty, in his lectures at the Collège de France. (edited). (shrink)

ResumoNo início do século xviii, Isaac Newton publicou seu principal trabalho sobre óptica, o Opticks. Impregnado por uma perspectiva indutiva, o livro logo se tornou a principal referência para os estudos sobre a luz e as cores, sendo amplamente popularizado pelos seguidores de Newton. Neste artigo, analisamos como dois importantes livros contribuíram para essa popularização e também qual era a imagem de ciência que tencionavam propagar, o Élements de la philosophie de Newton de Voltaire e o Newtonianismo per le dame (...) de Algarotti. Será possível perceber que ambos os autores distorceram o conteúdo do livro de Newton, no intuito de propagar uma imagem idealizada das ideias newtonianas e da própria filosofia natural.In the beginning of 18th century, Newton published his main work about light and colors, the Opticks. Impregnated by an inductive perspective, the book became the major reference for the studies about light and colors, being widely popularized by Newton's followers. In this article, we analyze how two important works contributed to this process of popularization and also what image of science they intended to propagate: Voltaire's Elements of Newton's philosophie and Algarotti's Sir Isaac Newton's philosophy explain'd for the use of the ladies. We will be notice that both authors distorted the content of the Opticks, in order to propagate an idealized image of Newtonian ideas and natural philosophy itself. (shrink)

In Deleuze, singularity replaces generality in the economy of thought. A Deleuzian singularity is an event, but the notion comprises the effectuation of the event into form. The triptych émission–distribution–répartition itself distributes the dimensions of the passage from form-giving event to topological morphology. The Deleuzian concept of intensity allows thinking both pre-individuality and the rhizomatic connection of singularities on the metaphysical surface of structure. Reflections upon the philosophy of differential calculus allow for a coherent scaffolding reaching from pre-individual intensity to (...) specific individuality, in the passage from transcendental genesis to empirical morphogenesis. But if singularity as event is intensive, singularity as determinant of morphology – and hence, of structural metastability – is not. Although the differential scaffolding covers both intensive difference and extensive equality, and so the two sides of the notion of singularity, the concept of intensity remains slightly displaced, rendering conceptually difficult not only the perception of intensity, but also the contemplation of individual duration, if viewed in the terms of genetic ‘indi-drama-different/ciation’. The essay concludes that it is art that may let us consciously contemplate our pre-individual differences. (shrink)

Husserl's phenomenology of the body constantly faces issues of demarcation: between phenomenology and ontology, soul and spirit, consciousness and brain, conditionality and causality. It also shows that Husserl was eager to cross the borders of transcendental phenomenology when the phenomena under investigation made it necessary. Considering the details of his description of bodily sensations and bodily behaviour from a Merleau-Pontian perspective allows one also to realise how Husserl (unlike Heidegger) fruitfully explores a phenomenological field located between a science of pure (...) consciousness and the natural sciences. A phenomenological discussion of naturalism thus cannot limit itself to the task of discrimination, it must attempt to integrate what an eidetic analysis has separated: inside and outside, here and there, first-person and third-person perspective, motivation and causality. Husserl's phenomenology of the body thus shows that dualism is at best a methodological but never an ontological option for the mind-body problem. (shrink)

Through the philosophies of Bergson and Deleuze, my paper explores a different theory of time. I reconstitute Deleuze’s paradoxes of the past in Difference and Repetition and Bergsonism to reveal a theory of time in which the relation between past and present is one of coexistence rather than succession. The theory of memory implied here is a non-representational one. To elaborate this theory, I ask: what is the role of the “virtual image” in Bergson’s Matter and Memory? Far from representing (...) the simple afterimage of a present perception, the “virtual image” carries multiple senses. Contracting the immediate past for the present, or expanding virtually to hold the whole of memory (and even the whole of the universe), the virtual image can form a bridge between the present and the non-representational past. This non-representational account of memory sheds light not only on the structure of time for Bergson, but also on his concepts of pure memory and virtuality. The rereading of memory also opens the way for Bergsonian intuition to play an intersubjective role; intuition becomes a means for navigating the resonances and dissonances that can be felt between different rhythms of becoming or planes of memory, which constitute different subjects. (shrink)

I begin by giving reasons to accept the block-universe view, the strongly supported by physics view that we live in a four-dimensional world. According to it, the past and the future are as real as the present. As a result, it seems that the future is determined in the sense that what will be the case will necessarily be the case. In the dissertation, I examine whether we have to accept this consequence. I show that we do not have to (...) bite the bullet: the future might be both real and contingent. I first start to consider modal realism (possible futures are real) as a possible solution. However, I propose then another account, actualist (positing the reality of only one possible world: the space-time we live in). This solution relies on a conventionalist theory about metaphysical modality (Sidelle, 1989). It states that modal modality is purely conventional. In combination with a realist interpretation of natural modality (causal and/or nomological), this framework allows me to propose that the future is conventionally closed and naturally contingent. In this view, the necessity of the future holds in virtue of linguistic conventions and then is conventionally necessary. But this is a distinct phenomenon from the natural contingency of the future: the future is naturally contingent because there are mind-independent probabilistic relations holding between the present and the future. This solution has strong consequences: most importantly, an anti-realist view about ordinary objects and physical particles. I end up by presenting and arguing in favour of the general image of the world that comes out from these views. (shrink)

Collective memory, social memory, professional memory: although these notions are in current use when we name the shared (or assumed to be shared) representations of the past, they are very ambiguous. The point at issue is to show how memories can become common to some or to all members of a group . In this paper, I shall base my arguments on the simplest situation imaginable: The sharing of a memory of an olfactory experience by two individuals, namely one of (...) my informants – a gravedigger – and myself. We can try to explain this shared olfactory memory, or the imagination of this sharing, by taking two facets into consideration. First of all, we must learn to take seriously those few seconds when a shared experience of the sensory world took shape between the anthropologist and his informant. Secondly, we must attempt to answer both of the following questions: what is the nature of this sharing? And what conditions make it possible? In the first part of this text, I examine the issue of the nature of sharing by weighing up its aspects as I consider protomemory, memory and metamemory. In the second part, I outline one of the essential conditions of sharing: the existence of what I call sociotransmitters. For the most part, my attention remains focused on that particular moment when the gravedigger said, “Smell this!” , and when what was at stake was to save the interaction. (shrink)

Most of the free will debate operates under the assumption that classic determinism and indeterminism are the only metaphysical options available. Through an analysis of Dennett’s view of free will as gradually evolving this article attempts to point to emergentist, interactivist and temporal metaphysical options, which have been left largely unexplored by contemporary theorists. Whereas, Dennett himself holds that “the kind of free will worth wanting” is compatible with classic determinism, I propose that his models of determinism fit poorly with (...) his evolutionary theory and naturalist commitments. In particular, his so-called “intuition pumps” seem to rely on the assumption that reality will have a compositional bottom layer where appearance and reality coincide. I argue that instead of positing this and other “unexplained explainers” we should allow for the heretical possibility that there might not be any absolute bottom, smallest substances or universal laws, but relational interactions all the way down. Through the details of Dennett’s own account of the importance of horizontal transmission in evolution and the causal efficacy of epistemically limited but complex layered “selves,” it is argued that our autonomy is linked to the ability to affect reality by controlling appearances. (shrink)

We show how an epistemology informed by cognitive science promises to shed light on an ancient problem in the philosophy of mathematics: the problem of exactness. The problem of exactness arises because geometrical knowledge is thought to concern perfect geometrical forms, whereas the embodiment of such forms in the natural world may be imperfect. There thus arises an apparent mismatch between mathematical concepts and physical reality. We propose that the problem can be solved by emphasizing the ways in which the (...) brain can transform and organize its perceptual intake. It is not necessary for a geometrical form to be perfectly instantiated in order for perception of such a form to be the basis of a geometrical concept. (shrink)

L’intérêt que Bergson porte aux arts est bien connu. À travers l’ensemble de son œuvre, les exemples souvent inspirés par la littérature et la lecture semblent révéler une certaine affinité pour cette forme d’art. Pourtant, malgré sa récurrence, ce thème n’est jamais étudié frontalement ni profondément. Cette brève étude se veut un tour d’horizon du répertoire bergsonien, une recherche d’éléments qui permettraient peut-être d’articuler une pensée bergsonienne de la lecture. Plus précisément, nous examinons les exemples utilisés par Bergson pour illustrer (...) les notions de suggestion, d’attention et de sympathie, pour déterminer si ces descriptions du phénomène de lecture ne sont que des exemples, ou s’ils ont une valeur philosophique propre. (shrink)

Elämä on nähty merkittävänä aiheena Bergsonin filosofiassa. Elämän filosofinen merkitys Bergsonilla ilmenee selvästi hänen pääteoksessaan L'évolution créatrice (Luova evoluutio, 1907), jossa hän keskittyy inhimillisten tietokykyjen evolutiivisen alkuperän rekonstruointiin ja tieto-opillisiin seurauksiin. Bergsonin mukaan biologia tarjoaa filosofialle tietokykyjen kehitysteoreettisen näkökulman, ja filosofia metafysiikkana täsmentää biologialle sopivaa epistemologiaa. Tässä artikkelissa esittelen Bergsonin filosofisen teorian biologian ja epistemologian vastavuoroisesta suhteesta. Aloitan epistemologian, tieteen ja metafysiikan välisen suhteen selventämisellä Bergsonin teoriassa. Sen jälkeen esittelen, kuinka Bergson näkee tietokykyjen kehittymisen olennaisena osana eläinten yleistä kehityshistoriaa. Analysoimalla (...) eläinkunnan kognitiivisten kykyjen kahta taipumusta, älykkyyttä (intelligence) ja vaistoa (instinct), Bergson kehittää näkemyksen metafysiikasta, jonka avulla on mahdollista selvittää epistemologian ja biologian keskinäistä riippuvuutta ja vastavuoroisuutta. Lopuksi valaisen tätä vastavuoroisuutta Bergsonin analyysilla käsitteellisen tiedon muodostumisesta. (shrink)

The discovery of so-called ‘mirror neurons’ - found to respond both to own actions and the observation of similar actions performed by others - has been enormously influential in the cognitive sciences and beyond. Given the self-other symmetry these neurons have been hypothesized as underlying a ‘mirror mechanism’ that lets us share representations and thereby ground core social cognitive functions from intention understanding to linguistic abilities and empathy. I argue that mirror neurons are important for very different reasons. Rather than (...) a symmetric ubiquitous or context- independent mechanism, I propose that these neurons are part of broader sensorimotor circuits, which help us navigate and predict the social affordance space that we meet others in. To develop both the critical and positive project I analyze the interpretive choices and the debate surrounding the mirror neuron research and show how the field is marred by highly questionable assumptions about respectively motor and social cognition. The discovery of mirror neurons - and the sensorimotor circuits of which these neurons are a part – actually empirically challenge many of these tacit assumptions. Findings of sensorimotor goal representations at levels of abstraction well beyond actual sensory information and kinetic movements challenge the idea of motor cognition as primarily output production. Additionally, the focus on 3rd person mindreading of hidden mental states is misguiding the field of social cognition. Much ‘mind-reading’ seems rooted in sensorimotor representations and a developmentally primary 2nd person understanding of actions and the mental lives of others, which precisely breaks the assumed dichotomy between mind and behavior. I propose a Social Affordance model where parallel fronto-parietal sensorimotor circuits support representations not just of other people’s actions but of the overall social affordance space. It is a process that monitors concrete goals and teleological possibilities that the environment affords respectively oneself and other present agents. With this model I hypothesize that the complex spectrum of sensorimotor integrations are indeed essential not only to normal action choice calibration but also to social cognitive abilities, as the sensorimotor teleological representations let us relate to others and understand their action choices in a shared pragmatic and intentional context. (shrink)

The article focuses on the constitution of the concept of image in Bergson’s second important book, Matter and Memory. It intends to show how this concept is developing throughout the three types of perception that can be found in Bergson: the ordinary or utilitarian perception, pure perception and artistic perception . According to the modes of participation to these types of perception, the image can be regarded as representational image, movement-image and figuration-image . The article stresses the importance of artistic (...) vision, insufficiently treated by Bergson: it is regarded as a fundamental link between the two other types of perception and makes the appearance of material things possible for us, in our conscious perception. (shrink)