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  1. New Public Monuments: Urban Art and Everyday Aesthetic Experience.Sanna Lehtinen - 2019 - Open Philosophy 2 (1):30-38.
    The role and function of public art is currently undergoing some large-scale changes. Many new artworks which are situated within the already existing urban sphere, seem to be changing the definition of public art, each in their own way. Simultaneously, there exists a trend that endorses more traditional forms of public art. Juxtaposing and comparing the aesthetic implications of different types of artworks, it is possible to see how they contribute to the contemporary understanding of the urban sphere. In this (...)
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  • On Experiencing Sustainability.Noora-Helena Korpelainen - 2023 - European Journal of Pragmatism and American Philosophy 15 (2).
    This essay aims at clarifying our understanding of human participation in sustainability transitions from the pragmatist aesthetics perspective. By sustainability transitions, I refer to processual changes that move towards enhanced environmental and/or social sustainability. At the risk of inappropriateness, I argue that the cultivation of aesthetic sensibility manifests in experiencing sustainability. To understand those ordinary experiences that convey vistas for sustainability transition management, I return to John Dewey’s Art as Experience (1934). I first show that Dewey’s conception of sensibility is (...)
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  • Cultivating Aesthetic Sensibility for Sustainability.Noora-Helena Korpelainen - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):165-182.
    Our aesthetic practices, by which we aim for better well-being, are intertwined with fostering sustainability. This article focuses on Yuriko Saito’s aesthetics of sustainability, an idea denoting a new kind of aesthetic sensibility informed by and featuring both environmental and cultural sustainability. Saito’s idea is based on our aesthetic relationship with everyday experiences. In this article, I defend the idea, on the one hand, by considering the immanence of change as a sense of contemporary everydayness and, on the other hand, (...)
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