Past debates surrounding wilderness have not led to constructive dialogue but instead have created a rift between dueling sides. Far from academic, this debate has important ethical, policy, and pr...

The study of biological invasions raises troubling scientific, political and moral issues that merit discussion and debate on a broad scale. Nativist trends in Conservation Biology have made environmentalists biased against alien species. This bias is scientifically questionable, and may have roots in xenophobic and racist attitudes. Rethinking conservationists' conceptions of biological invasion is essential to the development of a progressive environmental science, politics, and philosophy.

: Recently a number of influential academic environmentalists have spoken out against wilderness, most prominently William Cronon and J. Baird Callicott. This is odd, given that these writers seem to support two cornerstone positions of environmentalism as it has developed over the past twenty years: first, the view articulated within environmental ethics that wild, nonhuman nature, or at least some parts of it, has intrinsic or inherent value; second, the understanding developed within conservation biology that we have entered a period (...) of massive anthropogenic biodiversity loss and that landscape-level habitat preservation is essential for combating this. I argue here that Cronon and Callicott are wrong. In fact, an ethics of respect for nonhuman nature and an informed, scientific understanding of what is necessary to preserve it do strongly support increased wilderness preservation. (shrink)

This essay challenges the thesis that the modern world is a ‘disenchanted’ one. I contend that enchantment has outlasted the Enlightenment; that it endures despite the demise of the ontology that allowed it paradigmatic expression in the sixteenth century writings of Paracelsus. I present two post‐medieval pictures of an enchanted world: the first appears, of all places, in Kant's Critique of Judgment, where a peculiar magic is required of nature if humans are to gain access to the ‘supersensible’ realm of (...) freedom and rational ideas; the second focuses upon the strange beauty of late modernity's admixtures of animal and human, organism and machine, the given and made. Here I use a little Kafka and lot of Deleuze to explore these hybrids as ‘technoenchantments’ operative in a world that fascinates without being expressive of a design or a will. I spotlight contemporary sites of enchantment in order to intensify the experience of them, and thus perhaps to erode the conviction that an undesigned universe calls above all for a cold‐eyed instrumentalism. (shrink)

In the aftermath of a normalized Foucaultian world with an all encompassing web of biopower, one remaining hope is to cultivate nimbleness. Nimbleness is an embodied aesthetic sensitivity to the material presence. Cultivating nimbleness is a particular style of cultivation; it is to willfully gather together one’s self in the wake of a formative force far richer than the derivative web of living power relationships of human embeddness within a horizon of social, economical, political and historical subjectivating power relations; which (...) are chronicled and labeled by Michel Foucault as the normalizing practices of biopower. In other words to have freedom, one must start by rejecting the categories and labels normally internalized in order to relearn to learn from the material presence. Such a style of cultivation is a means of resisting normalizing power relations which co-opt cultivating practices to engross their own dominance which has had the by-product of an impotence to negate the gross material injustices present. This normalizing style of cultivation is a prevalent, corrupted, semblance which denies the importance of beauty for that of efficiency, rejects non-human purposiveness, and limits its measure of ethics to short term economical pragmatism. The thesis acknowledges that something is awry with the world and that giving care to beauty might help. The aim is to examine the event of Beauty as depicted by the philosopher Immanuel Kant and to apply this characterization to elective architectural spaces such that it may motivate individuals to cultivate their own nimbleness in relation to a formative force of nature. However given the revealed need for sensitivity to the particular material presence, the thesis can not be a rule book or catalog for beautiful design. Rather it is a rehabilitation for architects who are already heterospatially curious, with the desired outcome of architects cultivating their own nimbleness to reflectively judge as a ground up, multi-node, rhizomatic means of resistance to normalizing power practices as manifest in bad architecture. (shrink)