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  1. La inversión del platonismo en la obra de Gilles Deleuze.Valeria Sonna - 2018 - Dianoia 63 (80):97-118.
    Resumen Propongo interpretar la inversión de Deleuze del platonismo como la creación de conceptos nuevos a partir de elementos teóricos tomados de la filosofía del propio Platón. En primer lugar, consideraré el origen nietzscheano de la inversión y su interpretación heideggeriana, de la cual, creo, Deleuze se vale para ciertos argumentos. En segundo lugar, me basaré en la hipótesis de Francis Wolff e Isabelle Ginoux de que la filosofía platónica tiene un carácter ambiguo en la obra deleuziana para analizar esa (...)
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  • Commentary on Kelsey.Raphael Woolf - 2000 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 16 (1):122-133.
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  • Μανια and Αληθεια in Plato's Phaedrvs.Fábio Serranito - 2020 - Classical Quarterly 70 (1):101-118.
    This article maps the complex and changing interrelation of madness and truth in the erotic speeches of the Phaedrus. I try to show that μανία is not merely a secondary aspect but rather a fundamental element within the structure binding together the sequence of speeches. I will show how what starts as an apparently simple binary opposition between μανία and ἀλήθεια in Lysias’ speech and Socrates’ first speech suffers an important modification at the beginning of the palinode, and is finally (...)
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  • Mathematics, Mental Imagery, and Ontology: A New Interpretation of the Divided Line.Miriam Byrd - 2018 - International Journal of the Platonic Tradition 12 (2):111-131.
    This paper presents a new interpretation of the objects of dianoia in Plato’s divided line, contending that they are mental images of the Forms hypothesized by the dianoetic reasoner. The paper is divided into two parts. A survey of the contemporary debate over the identity of the objects of dianoia yields three criteria a successful interpretation should meet. Then, it is argued that the mental images interpretation, in addition to proving consistent with key passages in the middle books of the (...)
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