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  1. Wittgenstein and Repetition.Emanuele Arielli - 2023 - Wittgenstein-Studien 14 (1):1-16.
    “I myself still find my way of philosophizing new, & it keeps striking me so afresh, & that is why I have to repeat myself so often. […] [R]epetitions […] [f]or me […] are necessary.” (CV 1998: 3e) Wittgenstein's style is well known for its recursive—and according to some interpreters, even obsessive-compulsive—quality, but they are part of a thinking method: “I suggest repetition as a means of surveying the connections.” (AWL 1979: 43) The style also mirrors recurring ideas such as (...)
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  • Gestus und Geltung: Zur Rhetorik der Theorie.Ingo Berensmeyer - 2001 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 75 (3):491-536.
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  • Gender, self, and play.Paul Beidler - 2006 - Angelaki 11 (2):31 – 48.
  • Philosophical Problems in Contemporary Art Criticism: Objectivism, Poststructuralism, and the Axiom of Authorship.Kyle Barrowman - 2017 - Journal of Ayn Rand Studies 17 (2):153-200.
    This article argues that, propaedeutic to the construction of an Objectivist aesthetics, scholars must refute the irrational/immoral philosophical premises that have been destroying the philosophy of art. Due to the troubling combination of its contemporaneity, extremism, and considerable influence, poststructuralism, which, since the 1960s, has served as the default philosophical foundation for philosophers of art, is the target of this article. This article contends that the road to an Objectivist aesthetics must first be cleared of philosophical debris like poststructuralism before (...)
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