South Park, as a narration of late capitalist concerns, has much in common with works from earlier carnival historical epochs, most importantly Gargantua and Pantagruel and its depiction of folk traditions of consumptive culture. Madness, hallucination, excrement, homosexuality, cuckoldry, flowering anuses, zombies, monstrosity, gambling, banquets, viral contagion, grotesque consumption all become signs of a historical epoch which exists in a repetitious and catastrophic sacrificial crisis, a period of terrifying recurrence of the same and effacement of the `immense freedom' of ascetic (...) reflexivity. Bataille's, Foucault's and Nietzsche's originally transgressive concerns for theorizing, via genealogy and heterology, the expulsed matter of a disciplinary, segmented metaphysics of the transcendent, regularized subject, become, in the age of late capitalism's appropriation of carnival traditions, the dominant logic, displaying a consumptive concern for a terrain of absences and orifices. (shrink)

To classify is to organize the particulars in a body of information according to some meaningful scheme. Difficulty recognizing metaphor, synonyms and homonyms, and levels of generalization renders those applications of artificial intelligence that are currently in widespread use at a loss to deal effectively with classification. Indexing conveys nothing about relationships; it pinpoints information on particular topics without reference to anything else. Keyword searching is a form of indexing, and here artificial intelligence excels. Growing reliance on automated means of (...) accessing information brings an increase in indexing and a corresponding decrease in classification. This brings about a shift from the modernist view of the world as permanently and hierarchically structured to the indeterminacy and contingency associated with postmodernism. (shrink)