We have attempted to delineate various components of the researcher's participation in the reflection phase of descriptive psychology. The characteristic attitude or posture, operations for the comprehension of a particular event, and activities which achieve general knowledge have been touched upon. This presentation is a preliminary attempt to bring into view the complex process of analysis in descriptive research and is intended as an invitation to more faithful and detailed accounts of the process in the future.

Classical philosophy adopts the standpoint of males in the Greek polis. The consequent adumbration of the standpoint of women and noncitizen men in the oikos, the household, has implications for feminist philosophy. Two systems of action are differentiated: the domestic economy protected by the goddess Hestia, and the political economy protected by Hermes. Shifting one's standpoint to include both the oikos and the polis offers an alternative to gender as the defining issue in feminist theory.

Classical philosophy adopts the standpoint of males in the Greek polis. The consequent adumbration of the standpoint of women and noncitizen men in the oikos, the household, has implications for feminist philosophy. Two systems of action are differentiated: the domestic economy protected by the goddess Hestia, and the political economy protected by Hermes. Shifting one's standpoint to include both the oikos and the polis offers an alternative to gender as the defining issue in feminist theory.

Gaston Bachelard's thought remains a continual source of inspiration for a phenomenological psychology that takes human habitation as a fundamental given and as an abiding mystery of the human condition. the following essay explores the ideas Bachelard developed in the course of his study of poetry. It examines in particular his vision of imagination as a unique passage way by means of which we reach an inhabitable, intersubjective and fully human world. Within that perspective, our lives are constantly renewed by (...) the appearance of a revealing image or a telling metaphor. Each time that we are awakened by this appeal we commemorate the birth and rebirth of a human world. (shrink)

Attention is drawn to the movements of the body and to the ethical imperative that emerges in compelling, flowing moments of teaching. Such moments of teaching are not primarily intellectual, discursive events, but physical, sensual experiences in which the body surrenders to its own movements. Teaching is recognized momentarily as a carnal intensity embedded in and emerging from the flesh. The ethical imperative to this teaching is felt proprioceptively and kinaesthetically when one holds in self-motion the well-being of another as (...) being of the same flesh. The teaching caress offers a primary example. This gesture of intimacy discloses an embodied ethic that contrasts with the transcendental ethics of curricular prescriptions, professional codes of conduct, and the presumptions of self-monitoring behavior. It is a gesture of care for another person, without fastidious carefulness. It is a gesture of pure duration, without sanctimonious purity, in its contact with the beauty, truth and value of the teachable moment. From earliest engagements with children to the dynamics of the university classroom, what makes for good teaching is essentially attentiveness to intimate gestures, such as the caress, that guide teachers kinethically in the moment. (shrink)

Field theory is often criticized because sociologists applying it fail to follow two seminal rules: the three key concepts of field theory—capital, habitus, and field structure—must be implemented in relation to each other and reconstructed for the historically specific moment of their application. I claim that Bourdieu developed his conceptual tools in response to Bachelard’s insight that scientific progress requires a break from common sense. Once we appreciate the epistemological foundation of field theory concepts, we can better appreciate the rules (...) for their application, avoid their typical criticism, and further improve them. (shrink)

This paper aims to trace the evolution of Bachelard's thought as he gropes toward a concrete formulation of a philosophy of the imagination. Reverie, the creative daydream, occupies the central position in Bachelard's emerging metaphysic, which becomes increasingly “phenomenological” in a manner reminiscent of Husserl. This means that although Bachelard does not use Husserlian terms, he appropriates the following features of (Husserlian) phenomenology: 1. a desire to “embracket” the initial (rationalistic) impulse; and 2. an aspiration to apprehend in its entirety, (...) the creative epiphany of an image. Ultimately, this paper aims to show that there is a sense in which Bachelard's metaphysical concerns in his poetics are an outgrowth of (rather than radical break from) his earlier scientific and epistemological concerns. What results in reverie is an aesthetic intentionality providing a metaphysic of the imagination: the aesthetic object, such as fire or water, is an object only insofar as it enables/calls forth a subject to enter into a receptive, self-aware and cosmic state of being; subject-ness and object-ness are intimately and archetypally intertwined. Bachelard's “new poetics” results from his transplantation/cross-fertilization of the general epistemology of the “new scientific spirit” on to/across his aesthetics. (shrink)

In this essay, Perraudin sets out to contrast the competing philosophies of time and imagination of two major French thinkers of the twentieth century: Henri Bergson (1859–1941) and Gaston Bachelard (1884–1962). Despite Bachelard’s polemical approach vis-à-vis philosophical tradition in his works on epistemology and poetics, his accounts of time and imagination have been shown by several critics to be significantly influenced and inspired by his predecessor. Perraudin nonetheless argues that Bachelard’s critique of Bergson’s theory of continuous temporality opens the way—through (...) the subtle dialectics of his “philosophy of no”—to more prolific, and as yet untapped, therapeutic possibilities in our understanding of time and imagination than Bergson’s accounts of continuum of the élan vital had managed to reveal. (shrink)

In this article, we are arguing for a possibility of a new elemental politics as based on breath and fire and gesturing beyond the modes and principles of ontology of violence, power struggles and war in philosophy and political philosophy. We first discuss the task of today’s political philosophy as a need to enkindle the humanity towards a new alliance in creativity and belonging. We propose a new, elemental approach, based on the revitalization of air/breath and fire and present Luce (...) Irigaray’s thought as a key intervention of this kind within the contemporary political thought. The second part brings an analysis of texts by Ernst Jünger and Alain Badiou on soldiers and war as examples of an unfortunate philosophical adventure. The third part is our proposal for another genealogy of human beings as breathers and igniters within the new peaceful and mindful culture of democracy, providing us with a possibility of a new ethico-political order, as based on the elemental constellations of silence, breath and fire. Finally, the idea of a quiet democracy is established, as a place of inner horizontal calm being gathered and cultivated in us by fire, and as a place for beings of this Earth to breathe and to share the air within a new elemental-spiritual conspiracy of love. Towards the conclusion, this essay also is a hommage to Luce Irigaray’s approaches to ancient Indian religious and philosophical thinking. (shrink)

In Psychoanalysis, its image and its public Moscovici introduced the theory of social representations and took further the project of rehabilitating common sense. In this paper I examine this project through a consideration of the problem of cognitive polyphasia, and the continuity and discontinuity between different systems of knowing. Focusing on the relations between science and common sense. I ask why, despite considerable evidence to the contrary, the scientific imagination tends to deny its relation to common sense and believe that (...) can displace it. I argue that the psychosocial dynamic between common sense and science is revealing of how heavily they are entangled in, and indeed indebted to each other. Even more, this dynamic allows for a full appreciation of what the theory of social representations calls states of cognitive polyphasia. Different systems of thinking and knowing do not displace each other but live side by side, co-existing in a variety of ways, fulfilling different functions and answering different needs in social life. (shrink)

This paper aims to trace the evolution of Bachelard's thought as he gropes toward a concrete formulation of a philosophy of the imagination. Reverie, the creative daydream, occupies the central position in Bachelard's emerging metaphysic, which becomes increasingly “phenomenological” in a manner reminiscent of Husserl. This means that although Bachelard does not use Husserlian terms, he appropriates the following features of (Husserlian) phenomenology: 1. a desire to “embracket” the initial (rationalistic) impulse; and 2. an aspiration to apprehend in its entirety, (...) the creative epiphany of an image. Ultimately, this paper aims to show that there is a sense in which Bachelard's metaphysical concerns in his poetics are an outgrowth of (rather than radical break from) his earlier scientific and epistemological concerns. What results in reverie is an aesthetic intentionality providing a metaphysic of the imagination: the aesthetic object, such as fire or water, is an object only insofar as it enables/calls forth a subject to enter into a receptive, self-aware and cosmic state of being; subject-ness and object-ness are intimately and archetypally intertwined. Bachelard's “new poetics” results from his transplantation/cross-fertilization of the general epistemology of the “new scientific spirit” on to/across his aesthetics. (shrink)

The term ‘cell’, in addition to designating fundamental units of life, has also been applied since the nineteenth century to technical apparatuses such as fuel and galvanic cells. This paper shows that such technologies, based on the electrical effects of chemical reactions taking place in containers, had a far-reaching impact on the concept of the biological cell. My argument revolves around the controversy over oxidative phosphorylation in bioenergetics between 1961 and 1977. In this scientific conflict, a two-level mingling of technological (...) culture, physical chemistry and biological research can be observed. First, Peter Mitchell explained the chemiosmotic hypothesis of energy generation by representing cellular membrane processes via an analogy to fuel cells. Second, in the associated experimental scrutiny of membranes, material cell models were devised that reassembled spatialized molecular processes in vitro. Cells were thus modelled both on paper and in the test tube not as morphological structures but as compartments able to perform physicochemical work. The story of cells and membranes in bioenergetics points out the role that theories and practices in physical chemistry had in the molecularization of life. These approaches model the cell as a ‘topology of molecular action’, as I will call it, and it involves concepts of spaces, surfaces and movements. They epitomize an engineer’s vision of the organism that has influenced diverse fields in today’s life sciences. (shrink)

The dominant view among academic political philosophers in the English speaking world is that radical political differences, such as those between socialists and non-socialists, are in the last analysis differences of value-judgment, or ‘ideals,’ or ‘principles.’ Few perhaps would now endorse the view of Weldon that the Marxist's espousal of common ownership and the liberal's of private enterprise are ultimate, unarguable principles — as if the entire economic work of Karl Marx or W.S. Jevons could be reduced to sets of (...) changes rung on the themes ‘private enterprise, boo!’ or ‘private enterprise, hurrah!.’ But it is generally assumed that at some point in the argument, value-judgments will be reached, and that it is these that explain the disagreement. (shrink)

The dominant view among academic political philosophers in the English speaking world is that radical political differences, such as those between socialists and non-socialists, are in the last analysis differences of value-judgment, or ‘ideals,’ or ‘principles.’ Few perhaps would now endorse the view of Weldon that the Marxist's espousal of common ownership and the liberal's of private enterprise are ultimate, unarguable principles — as if the entire economic work of Karl Marx or W.S. Jevons could be reduced to sets of (...) changes rung on the themes ‘private enterprise, boo!’ or ‘private enterprise, hurrah!.’ But it is generally assumed that at some point in the argument, value-judgments will be reached, and that it is these that explain the disagreement. (shrink)

Fire is a force that links everyday human activities to some of the most powerful energetic movements of the Earth. Drawing together the energy-centred social theory of Georges Bataille, the fire-centred environmental history of Stephen Pyne, and the work of a number of ‘pyrotechnology’ scholars, the paper proposes that the generalized study of combustion is a key to contextualizing human energetic practices within a broader ‘economy’ of terrestrial and cosmic energy flows. We examine the relatively recent turn towards fossil-fuelled ‘internal (...) combustion’ in the light of a much longer human history of ‘broadcast’ burning of vegetation and of artisanal pyrotechnologies – the use of heat to transform diverse materials. A combustion-centred analysis, it is argued, brings human collective life into closer contact with the geochemical and geologic conditions of earthly existence, while also pointing to the significance of explorative, experimental and even playful dispositions towards energy and matter. (shrink)

In this paper, I discuss Gaston Bachelard’s criticism of Henri Bergson’s employment of intuition as the specific method of philosophy, and as a reliable means of acquiring knowledge. I locate Bachelard’s criticism within the reception of Bergsonian intuition by rationalist philosophers who subscribed to the Third Republic’s ethos. I argue that the reasons of Bachelard’s rejection of Bergsonian intuition were not only epistemological, but also ethical and pedagogical. His view of knowledge as mediated, social, and historical, cannot be separated from (...) his conceptions of society, education, and the human being. (shrink)

The emergence of the ever-growing anti-corruption movement from the early ’90s onwards has proven itself to be of considerable importance in how we understand and explain global inequalities as well as in redefining corruption as a lack of transparency. This paper examines the timing and content of this international anti-corruption movement. It argues that, following the collapse of the Soviet Union and the deepening of an increasingly transnational capitalism, anti-corruption discourse has arisen as a new version of the ‘white man’s (...) burden’, a justification for intervention into the domestic politics of less powerful states as well as an explanation for their relative poverty. Concurrently, the anti-corruption movement has functioned to push states into increasing their autonomy with respect to local interests and fractions of capital in order to become more subservient and hospitable to transnational capital as a whole. (shrink)

John Kinsella’s twentieth volume of poetry is laden with a poetics of attention to time, water and heat. Climate inheres in simplified topographical sketches, surveys and encounters with animals; water is ambiguous: a solid presence that is also fluid, subject to evaporation and often modelled as multi-dimensional motion; universalised western seasons are used rhetorically and symbolically to bring into relief little seasons within seasons, the more spatially and temporally localised markers of change. All these speak directly to the function of (...) the image and terrestrial matter,and how poetry is alert to such conditions. Kinsella has conceived of this as a “clash between linguistic anomaly and environmental exactness.”. (shrink)

I present some objections to traditional literary interpretation and consider subversive interpretation as a solution to these problems. Subversive interpretation may seem more scientific and more democratic than traditional interpretation, but it is open to doubt that it is more democratic.

The idea that ideologies present to us a rationality for making decisions, for getting things done, allows us to avoid the agony of choosing one world or another as a finite being, allows us to forget that it is we ourselves who must do and thus who are also to be done. Due to the work of having to live a human life with others who do not agree with us and will never be our servants, we are all ready (...) to give up responsibilities to the political saviour; already this one presents to ourselves the One and only. By examining our private and picayune dogmatisms, we might gain some insight into why we are ever so often willing to become public fascists. We might well object to being objected to. Along with this, we are also objects in a world of objects. This is routine when compared to the dialectical intersubjectivity of voicing an objection in a throng of objections, of questioning the objectionable in a questionable politics. It is the very mundanity of acquiescence that dulls us to the danger pedestal-dwelling ideologies still represent. (shrink)

In the aftermath of a normalized Foucaultian world with an all encompassing web of biopower, one remaining hope is to cultivate nimbleness. Nimbleness is an embodied aesthetic sensitivity to the material presence. Cultivating nimbleness is a particular style of cultivation; it is to willfully gather together one’s self in the wake of a formative force far richer than the derivative web of living power relationships of human embeddness within a horizon of social, economical, political and historical subjectivating power relations; which (...) are chronicled and labeled by Michel Foucault as the normalizing practices of biopower. In other words to have freedom, one must start by rejecting the categories and labels normally internalized in order to relearn to learn from the material presence. Such a style of cultivation is a means of resisting normalizing power relations which co-opt cultivating practices to engross their own dominance which has had the by-product of an impotence to negate the gross material injustices present. This normalizing style of cultivation is a prevalent, corrupted, semblance which denies the importance of beauty for that of efficiency, rejects non-human purposiveness, and limits its measure of ethics to short term economical pragmatism. The thesis acknowledges that something is awry with the world and that giving care to beauty might help. The aim is to examine the event of Beauty as depicted by the philosopher Immanuel Kant and to apply this characterization to elective architectural spaces such that it may motivate individuals to cultivate their own nimbleness in relation to a formative force of nature. However given the revealed need for sensitivity to the particular material presence, the thesis can not be a rule book or catalog for beautiful design. Rather it is a rehabilitation for architects who are already heterospatially curious, with the desired outcome of architects cultivating their own nimbleness to reflectively judge as a ground up, multi-node, rhizomatic means of resistance to normalizing power practices as manifest in bad architecture. (shrink)