Problems with representing friendship in painting and the novel and its more successful displays in drama reflect the fact that friends seldom act as inspiringly as traditional images of the relationship suggest: friends' activities are often trivial, commonplace and boring, sometimes even criminal. Despite all that, the philosophical tradition has generally considered friendship a moral good. I argue that it is not a moral good, but a good nonetheless. It provides opportunities to try different ways of being, and is crucial (...) to the processes through which we establish our individuality. (shrink)

Amidst a crowded field of contenders, the Scopes trial retains a powerful claim to the title Trial of the Past Century, with repercussions that have already extended well into the next. As an acutely divisive event in American scientific, legal, political, educational and religious life, the Scopes trial has persistently attracted commentators intent on mapping the dense network of persons and interests forcefully drawn together in Dayton, Tennessee in the often hotly contentious proceedings of July 10–21, 1925. These commentators have (...) been keen to explore both the foundations and the far-reaching consequences of courtroom polemics, sometimes with their own polemical intentions laid bare: from journalist H. L. .. (shrink)

The problem of self-deception lies at the heart of Nietzsche's account of the slave revolt in morality in the first essay of On the Genealogy of Morals. The viability of Nietzsche's genealogy of morality is thus crucially dependent on a successful explanation of the self-deception the slaves of the first essay are caught in. But the phenomenon of self-deception is notoriously puzzling. In this paper, after critically examining existing interpretations of the slaves’ self-deception, I provide, by drawing on Alfred Mele's (...) work on self-deception, a deflationary account of the slaves’ self-deception; an account which explains the slaves’ self-deceived predicament but without either the attribution of contradictory mental states or an intention to produce or to facilitate the production of the belief the self-deceived subjects end up holding. In light of my account of self-deception, I interpret Nietzsche's intriguing claim that the slaves’ revaluation of ressentiment amounts to their ‘most mendacious artistic.. (shrink)