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  1. Genetic Technologies and Women: The Importance of Context Inmaculada de Melo-Martín St. Mary’s University.Craig Hanks - 2001 - Bulletin of Science, Technology and Society 21 (5):354-360.
    Bioethicists, like many other academics, have a tendency to try to make things general and simpler by eliminating context. Particulars, such as race, economic class, and gender, often seem to be lost in this ocean of generality and abstraction. But in losing them, we are neglecting the analysis of serious moral problems and, with it, the possibility of offering some kind of solution to such problems. This article argues that particulars do matter very much. We will focus ourattention here on (...)
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  • Book Review: Feminism & Bioethics: Beyond Reproduction. [REVIEW]Leslie Bender - 1997 - Journal of Law, Medicine and Ethics 25 (1):58-61.
  • Genes, identity, and the expressivist critique.Robert Sparrow - 2008 - In Loane Skene and Janna Thompson (ed.), The Sorting Society. Cambridge University Press. pp. 111-132..
    In this paper, I explore the “expressivist critique” of the use of prenatal testing to select against the birth of persons with impairments. I begin by setting out the expressivist critique and then highlighting, through an investigation of an influential objection to this critique, the ways in which both critics and proponents of the use of technologies of genetic selection negotiate a difficult set of dilemmas surrounding the relationship between genes and identity. I suggest that we may be able to (...)
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  • Political economy and ethic of care : toward a unified theory of utilization of assisted reproductive technologies.Emre Kayaalp - unknown
    Any ethical argument involving the problems of access to assisted reproductive technologies should entail the discussion of the decision protocol and consider the individual deliberating on the appropriateness of these remedies from the point of view of self and community. Yet, arguments based on patients' own moral calculations are rare in the bioethics literature. The moral voice behind most discourses concerning ARTs is that of an outwardly independent spectator, who nonetheless proceeds to justify a personally significant worldview in the utilization (...)
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