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  1. Can We Hear Silence?Daniela Šterbáková - 2020 - Philosophia 48 (1):33-53.
    We can hear silence because silence, an absence of sound, causes our hearing of it. Advocating this position, Roy Sorensen puts to use his own theory of the direct perception of absences. Sorensen’s theory, which relies on two theories of perception, certainly has its appeal. However, it also has its problematic aspects. On my reading, a weak point of his theory is that it does not provide a criterion for the identification of what exactly we hear. By elaborating this objection (...)
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  • On Privations and Their Perception.Casey O’Callaghan - 2011 - Acta Analytica 26 (2):175-186.
    Despite its admirable bottom-up methodology, Roy Sorensen's Seeing Dark Things (OUP, 2008) raises difficult theoretical questions concerning the metaphysics and perception of absences. Metaphysical difficulties include how to individuate, count, locate, and classify absences, and what determines their features. Perceptual difficulties include how to distinguish experiences of absences and presences, especially when nonveridical, and what subjects contribute to perceptual experience according to Sorensen's causal theory. In addition to articulating these difficulties, this paper also presents and explores, on Sorensen's terms, an (...)
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  • The reappearing act.István Aranyosi - 2009 - Acta Analytica 24 (1):1 - 10.
    In his latest book, Roy Sorensen offers a solution to a puzzle he put forward in an earlier article -The Disappearing Act. The puzzle involves various question about how the causal theory perception is to be applied to the case of seeing shadows. Sorensen argues that the puzzle should be taken as bringing out a new way of seeing shadows. I point out a problem for Sorensen’s solution, and offer and defend an alternative view, according to which the puzzle is (...)
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  • De-eclipsing Common Sense: Why We See Near rather than Far in Roy Sorensen’s Eclipse Riddle.Gava Alessio - 2017 - Prolegomena 16 (1):55-72.
    According to Roy Sorensen, when one looks at the Moon, during a solar eclipse, what she sees is its inner part of the farther, reflective one, and not the always-facing-Earth side of our natural satellite. To make his point clearer, he put forward the famous example of a double eclipse involving the fictional planets Far and Near. From the observer’s vantage point, the two planets have the same apparent diameter and overlap. What the agent sees is a dark disk, but (...)
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