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Restitutionen. Wiedergaben des 'Ursprungs des Kunstwerks' in der französischen Philosophie

In David Espinet & Tobias Keiling (eds.), Heideggers 'Ursprung des Kunstwerks'. Klostermann. pp. 261-276 (2011)

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  1. From the Ultimate God to the Virtual God: Post-Ontotheological Perspectives on the Divine in Heidegger, Badiou, and Meillassoux.Jussi Backman - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy:113-142.
    The Heideggerian account of the ontotheological constitution of Western metaphysics has been extremely influential for contemporary philosophy of religion and for philosophical perspectives on theology and the divine. This paper introduces and contrasts two central strategies for approaching the question of the divine in a non- or post-ontotheological manner. The first and more established approach is that of post-Heideggerian hermeneutics and deconstruction, inspired by Heidegger’s suggestion of a “theology without the word ‘being’” and by his later notions of an “ultimate (...)
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  • Heideggers Dinge.Tobias Keiling - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy:74-112.
    This paper discusses the notion of a thing in Heidegger. Its aim is to explain the systematic place of that notion in Heidegger’s thought in relation to his ontological discourse: as what is explained through different understandings of being, things allow for a simultaneous differentiation and discussion of the different epochs in the so-called history of being. Thus a henomenology of things and thingness serves as frame of reference for all explications of ‘what there is.’ If Heidegger is a realist, (...)
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