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Restitutionen. Wiedergaben des 'Ursprungs des Kunstwerks' in der französischen Philosophie

In David Espinet & Tobias Keiling (eds.), Heideggers Ursprung des Kunstwerks: Ein kooperativer Kommentar. Frankfurt am Main: Vittorio Klostermann. pp. 261-276 (2011)

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  1. From the Ultimate God to the Virtual God: Post-Ontotheological Perspectives on the Divine in Heidegger, Badiou, and Meillassoux.Jussi Backman - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 6 (Special):113-142.
  • Heideggers Dinge.Tobias Keiling - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy:74-112.
    This paper discusses the notion of a thing in Heidegger. Its aim is to explain the systematic place of that notion in Heidegger’s thought in relation to his ontological discourse: as what is explained through different understandings of being, things allow for a simultaneous differentiation and discussion of the different epochs in the so-called history of being. Thus a henomenology of things and thingness serves as frame of reference for all explications of ‘what there is.’ If Heidegger is a realist, (...)
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