In the space of their 16-month posting to Poland, the 500 men of Police Battalion 101 genocidally massacred 38,000 Jews by rifle and pistol fire. Although they were acting as members of a formal security force, these men knew that they could avoid participation in killing operations with impunity, and a substantial minority did so. Why, then, did so many participate in the genocidal killing when they knew they did not have to? Landmark historical studies by Christopher Browning and Daniel (...) Goldhagen proffer contrasting explanatory answers to this troublesome question. This article focuses on a criticism that has often been leveled at the internal coherence of Goldhagen’s controversial explanatory theory. Goldhagen’s explanation is that the men freely, willingly, and responsibly participated in the genocidal killing because of their beliefs about Jews—beliefs that they were causally determined to hold. Critics charge that this is incoherent: How could perpetrators have been passive recipients of determinist... (shrink)

This article considers the process of commodification as a cultural means of the reproduction of subjectivity. The particular aim is to highlight the psychic processes that are tempted by commodification. Thus, at the background of this essay, there is a psychoanalytical notion of the self that has been developed in an examination of subjectivity and play, a notion based especially on the thinking of D.W. Winnicott and Jessica Benjamin. These analysts see an ambivalent self‐destructiveness of the self reformulated in relation (...) to the ‘potential space’ of play. In relation to this analysis, the influence of advanced capitalism on the self is discussed in some of its more competitive scenes of consumptions. The quiz show The Weakest Link, for example, is considered as a pale, commodified form of play. It is argued that the main seduction of the show is the dwindled and distorted potential space offered by its ultimate, destructive, and in the last analysis sado‐masochistic logic of exchange. In addition to The Weakest Link, a couple of relevant thematisations of commodified culture by contemporary Finnish literature are brought out. Moreover, the commodification of subjectivity by the means of play is loosely related to some general characterisations concerning the prevailing cultural situation. (shrink)