Drawing on archival and published sources from 1926 to 1932, this chapter analyzes “Three Independent Factors in Morals” (1930) as a blueprint to Dewey’s chapters in the 1932 Ethics. The 1930 presentation is Dewey’s most concise and sophisticated critique of the quest in ethical theory for the central and basic source of normative justification. He argued that moral situations are heterogeneous in their origins and operations. They elude full predictability and are not controllable by the impositions of any abstract monistic (...) principle. Moral life instead has at least three distinct experiential roots that cannot be encompassed in one ideal way to proceed. More specifically, Dewey hypothesized that each of the primary Western ethical systems (represented for him by Aristotle, Kant, and the British moralists) represents a basic, non-arbitrary force, or factor of moral life: aspiration, obligation, and approbation, respectively. Each factor is expressed in that system’s leading fundamental concept: good, duty, and virtue, respectively. Yet he contended that aspirations, obligations, and approbations are distinctive phenomena that cannot be blanketed by a single covering concept. By exposing Dewey’s own generalizations to scrutiny, the promises and limitations of his approach can be critically evaluated. (shrink)

Roberta Dreon - Richard Shusterman is one of the leading figures in the current field of pragmatist aesthetics and he has undoubtedly played a pivotal role in recovering a pragmatist approach to aesthetics. His book Pragmatist Aesthetics was simultaneously published in France under the title L’Art à l’état vif. La pensée pragmatiste et l’esthétique populaire in 1992, paving the way for a long awaited French translation of Dewey’s Art as Experience in 2010, beaut...

This paper aims at providing an epistemic defense of democracy based on John Dewey’s idea that democracies do not only find problems and provide solutions to them but they also articulate problems. According to this view, when citizens inquire about collective issues, they also partially shape them. This view contrasts with the standard account of democracy’s epistemic defense, according to which democracy’s is good at tracking and finding solutions that are independent of political will-formation and decision-making. It is also less (...) vulnerable to the criticisms that have been raised against the standard account. To show this, the paper develops a theory of expressive domination and argues that problem-articulation works best when it is inclusive and domination-free. It also shows that democratic conflict represents a fundamental element for problem-articulation. (shrink)

Resumen: En nuestros días el término arte ha ampliado su horizonte hasta incluir prácticas y objetos que tradicionalmente habían sido negados. Este cambio de perspectiva se introduce a partir del siglo XX cuando la noción de arte comienza a ser cuestionada desde diferentes vertientes teóricas y prácticas. En este artículo se analiza la definición que el filósofo estadounidense John Dewey propuso en los años treinta, la cual trataba de devolver el arte al contexto cultural en el que se originó. Para (...) ello, en primer lugar se examinará la dimensión cultural del arte: tanto el contexto sociocultural de la obra, como el propio papel del arte para transmitir los significados de una cultura. En segundo lugar, serán consideradas las posibilidades que ofrece esta noción de arte como vía para establecer un diálogo intercultural entre iguales. A través de un estudio sobre su fundamentación teórica, así como su alcance y limitaciones, el objetivo de este artículo es mostrar, pese a sus dificultades, que la definición deweyana de arte alberga un gran potencial para la estética contemporánea.: In present days, the term art has broadened its horizon to include practices and objects that traditionally had been rejected. This change of view was introduced in the twentieth century when this notion begins to be questioned from different theoretical and practical approaches. This article analyzes the definition proposed in the thirties by the American philosopher John Dewey, which tried to return art to the cultural context in which it was created. For this purpose, first, the text examines the cultural dimension of art: the sociocultural context of the work of art; and the role of art in transmitting the meanings of a culture. Second, the text considers the possibilities offered by this notion of art to establish an intercultural dialogue between equals. Through a study of its theoretical fundamentals, its scope and limitations, the aim of this article is to show that, despite its difficulties, the Deweyan definition of art harbors great potential for contemporary aesthetics. (shrink)

Koopman’s book revolves around the notion of transition, which he proposes is one of the central ideas of the pragmatist tradition but one which had not previously been fully articulated yet nevertheless shapes the pragmatist attitude in philosophy. Transition, according to Koopman, denotes “those temporal structures and historical shapes in virtue of which we get from here to there”. One of the consequences of transitionalism is the understanding of critique and inquiry as historical pro...

The essay that follows discusses an ordered series of situated environmental “fields” that comprise John Dewey’s “emergent naturalism.” These fields include nature, experience, mind, subconscious, consciousness, and cognitive thought. I propose an order to these fields, and provide an overview of the ways in which fields that are larger in scope stand as the conditions for those that are more limited. I also suggest ways in which cognitive thought further emerges through the process of inquiry. This emergent scheme culminates in (...) a type of inquiry where an agent actively creates conflict in order to enrich experience. (shrink)

The relationship between regularity and chance, or necessity and contingency, is a common concern of classical pragmatists. The metaphysical quality of this issue flows into the construction of postmodern discourse, although in a very different framework and, paradoxically, under the auspices of the anti-metaphysics that such a discourse claims. This paper proposes at first a brief reconstruction of the chance and regularity issue in postmodernism; then Peirce’s cosmological-metaphysical theory of chance, namely his ‘tychism,’ is recalled as a fruitful suggestion to (...) avoid the conceptual split between chance and regularity. Subsequently, considering the family resemblances between postmodernism and Rorty’s neo-pragmatism, the insistence upon history and contingency that stands out in his work will be tackled as a ‘postmodern tychism’ that, in fact, does not fit too-easy readings according to which he would have turned pragmatism into an extreme form of irrationalism and radical moral relativism. In particular, this paper aims to enlighten Rorty’s effort to re-propose, with new and more refined philosophical tools, the great challenge posed by the classical pragmatists: namely, the challenge to translate the pathos of contingency into an anti-dogmatic ethos, that is a cultural stance that might be able to combine the rejection of absolutes with the commitment to construct meanings and values hosting argumentative interpersonal and intercultural practices as the ‘rule’ of our moral history. (shrink)

In this essay, the relation between art and religion is explored using the concepts experience and imagination as understood by the American philosopher John Dewey. In Dewey’s view, experience involves both the experiencer and the experienced: it is a phenomenon of the in-between. When we are really touched by what we meet in interacting with our physical and social surroundings, experience acquires an aesthetic quality that opens us to the value and the potential of what we perceive. We can see (...) the factual in light of the possible, thus enriching it with new layers of meaning. We experience this as resonance between us and the world. It is the work of the imagination. Due to their imaginative capacity, humans can aspire to a ‘good life’. This aspiration is discussed in terms of invitation and response. Can we experience ourselves as being invited to respond to this unruly world with attachment and care? Here art and religion come into play. Art is understood as the domain of the possible: it explores the world behind or beyond what we usually accept as fact. An aesthetic experience acquires religious quality when it evokes in us an ideal that guides our sense of self and world, stimulating us to realize our ideals in daily actions. If inspired by imagination, art and religion may evoke intense experiences of resonance and invite us to new ways of connecting and transformative action. This is explored with the help of a hermeneutical circle, a ‘cycle of imagination’. (shrink)

Contrary to some recent self-styled “linguistic pragmatists” who seek to dispense with the purportedly obsolete term “experience”. this essay attempts to show that pragmatism cannot cogently dispense with experience, understanding that term in its Deweyan sense as “culture” and not some sort of mentalistic perception or state. Focusing on Robert Brandom’s recent Perspectives on Pragmatism, I show how the very assumptions that Dewey meant to call into question with his “instrumentalist turn” in 1903 are enshrined in Brandom’s “new and improved” (...) form of pragmatism. Judged in terms of its pragmatic consequences, Brandom’s linguistic pragmatism returns to the well trodden paths and problems of analytic philosophy and not the radical approach that Dewey’s “cultural naturalism” (Dewey’s name for his philosophy) offers. The fundamental issue is not, I contend, between types of pragmatism at all but between conceptions of human nature and what a human life is. John Stuart Mill once said of Bentham that, for an empiricist, he had really very little experience, especially of human nature. I am afraid that the same judgment here is passed on those wishing to dispense with experience and somehow retain pragmatism. (shrink)

John Dewey was the dominant voice in American philosophy through the World Wars, the Great Depression, and the nascent years of the Cold War. With a professional career spanning three generations and a profile that no public intellectual has operated on in the U.S. since, Dewey's biographer Robert Westbrook accurately describes him as "the most important philosopher in modern American history." In this superb and engaging introduction, Steven Fesmire begins with a chapter on Dewey’s life and works, before discussing and (...) assessing Dewey's key ideas across the major disciplines in philosophy; including metaphysics, epistemology, aesthetics, ethics, educational philosophy, social-political philosophy, and religious philosophy. This is an invaluable introduction and guide to this deeply influential philosopher and his legacy, and essential reading for anyone coming to Dewey's work for the first time. [The downloadable sample is Chapter Four, "Ethics Reconstructed."]. (shrink)

Drawing on unpublished and published sources from 1926-1932, this chapter builds on John Dewey’s naturalistic pragmatic pluralism in ethical theory. A primary focus is “Three Independent Factors in Morals,” which analyzes good, duty, and virtue as distinct categories that in many cases express different experiential origins. The chapter suggests that a vital role for contemporary theorizing is to lay bare and analyze the sorts of conflicts that constantly underlie moral and political action. Instead of reinforcing moral fundamentalism via an outdated (...) quest for the central and basic source of normative justification, we should foster theories with a range of idioms and emphases which, while accommodating monistic insights, better inform decision-making by opening communication across diverse elements of moral and political life, placing these elements in a wider context in which norms gain practical traction in non-ideal conditions, and expanding prospects for social inquiry and convergence on policy and action. (shrink)

An overview of a philosophical movement originating in the United States of America in the 19th century.

The term ‘naturalism’ is problematic in the current context since it comprises a set of very different philosophical traditions and thinkers. Some contemporary authors, such as David Papineau, have proposed grouping them according to two different components: the ontological component, which is concerned with the contents of reality; and the methodological one, which is concerned with the way of investigating reality. In general terms, John Dewey’s naturalism, the same as Perice’s and Rorty’s ones, has been defined as methodological. However, through (...) the analysis of the notion of living creature, this article attempts to show how Deweyan naturalism also needs to be understood from its ontological dimension. First, it deals with the different philosophical currents and authors which contribute to the evolution from the Deweyan term of organism to the living creature. Then, it outlines the continuity between the creature and its surroundings that affirms Dewey’s emergent ontology and the potential of this interaction. (shrink)

This thesis argues that John Dewey’s theory of collective intelligence presents a unique critical social theory that escapes the dead-ends of Frankfurt School critical theory and speaks directly to the political situation faced today by academics and the public. In Part 1, Dewey’s critical social theory is argued to present a ‘method of democracy’ that proposes a form of ‘intelligent populism’ as the mode of collective action in contemporary ‘political democracies’. Part 2 applies the method of democracy to the contemporary (...) ‘problematic situation’ of neoliberalism in crisis. It is argued that ‘third-wave neoliberalism’ in the UK has turned to higher education as a solution to this crisis, seeking to redirect HE through the TEF, REF and KEF national performance management systems to the needs of a stagnating monopoly capitalist economy. Part 3 explores ways out of the current crisis based on Dewey’s theory of collective intelligence. Beginning with the institutional context of social theory today, Michael Burawoy’s theory of public sociology is reconstructed as ‘democratic sociology’ based on a practice of ‘co-inquiry’ with the public. While Burawoy argues that the ‘founding tension’ in sociology between professional and radical sociology can be resolved by establishing an ‘organic solidarity’ within the discipline, the analysis of marketisation presented in the thesis suggests that only by uniting with other academics and the public in the fight against neoliberalism can sociologists avoid co-optation. The method of democracy then provides the basis for a reconstruction of the academic profession on a model of ‘democratic collegiality’. Democratic collegiality in turn offers a solution to the contradictions in governance arising from marketisation, pointing to the ‘social co-operative’ as an ideal form for democratised universities. Finally, Corbynism is argued to be a ‘verification’ of Dewey’s hypothesis of intelligent populism, and the book concludes with an analysis of the Lucas Plan, which offers valuable lessons for activist-academics seeking to help realise this genuine alternative to neoliberalism today. (shrink)