Why do we labour so hard to sustain relationships that are fundamentally harmful to our wellbeing? That is the question which lies at the heart of Maja Borg’s poetic and alternatively distributed documentary film, Future My Love. The detrimental bonds on which the film focuses are those that maintain our connection to an economic system that has thrown us into an acute state of crisis and the stillborn emotions that keep us hopefully attached to a romantic partnership that we have (...) already outgrown; this elision imbricates and implicates the personal in the political. Through a prism of painful and, at times, unbearable emotion, and by blurring the boundaries between the public and the private, the real and the fictional, this film urges us to imagine ourselves into a future in which it might be possible to live otherwise; but this requires us to abandon the future we have already imagined and, as the film evinces through archival imagery from the 1950s or golden age of capitalism, imaged ourselves into. By drawing on the work of Lauren Berlant and Sara Ahmed on the cultural politics of emotion, Judith Butler’s work on the act of mourning, and the writing of Eva Illouz, Luce Irigaray and Alain Badiou on love in the age of late capitalism, this article contends that Future My Love pleads with us to abandon, in Ahmed’s words, ‘happiness for life’, to forsake an ideology that is invested in a highly specific notion of what it means to flourish and to thrive, to mourn and name our losses, and to think about the future creatively and without cynicism. (shrink)

As befits an emerging field of enquiry, there is on-going discussion about the scope, role and future of the medical humanities. One relatively recent contribution to this debate proposes a differentiation of the field into two distinct terrains, ‘medical humanities’ and ‘health humanities,’ and calls for a supersession of the former by the latter. In this paper, we revisit the conceptual underpinnings for a distinction between ‘the medical’ and ‘health’ by looking at the history of an analogous debate between ‘medical (...) geography’ and ‘the geographies of health’ that has, over the last few years, witnessed a re-blurring of the distinction. Highlighting the value of this debate within the social sciences for the future development of the medical humanities, we call for scholars to take seriously the challenges of critical and cultural theory, community-based arts and health, and the counter-cultural creative practices and strategies of activist movements in order to meet the new research challenges and fulfill the radical potential of a critical medical humanities. (shrink)

Despite multiple axes of variation in defining wellbeing, the paper argues for the dominance of a ‘components approach’ in current research and practice. This approach builds on a well-established tradition within the social sciences of attending to categories whether for their identification, their value or their meanings and political resonance. The paper critiques the components approach and explores how to move beyond it towards conceptually integrating the various categories and dimensions through a relational and situated account of wellbeing. Drawing on (...) more fluid social sciences, wellbeing is framed as an effect, dependent on the mobilisation of resources from everyday encounters with complex assemblages of people, things and places. Through such a framing, wellbeing can be conceived of as stable and amenable to change, as individual and collective and as subjective and objective. Policy interventions then need to attend to the relationalities of particular social and spatial contexts. (shrink)

This article puts Shani Mootoo’s novel, Polar Vortex (2020), in conversation with the vitalist philosophy of Rosi Braidotti, as illustrated in the study Posthuman Feminism (2022) and Libe García Zarranz “Sustainable Affects” (2017a, 2020b). I look at the centrality of affective relations in the transformation of queer subjectivity under processes of the growing (un)happiness in the diasporic homeSpace. Shani Mootoo’s (non)diasporic cross-border narrative proposes contrastive figurations of the subject through temporal and spatial frameworks. Mootoo’s “transposable moves” resist a naïve return (...) to sentimentality or nostalgic love to advocate instead a turn to sustainable affects. (shrink)

This article examines the issues of censorship, language and racism through a critical reflection on Peter Tatchell’s response to the critique of gay imperialism offered by Jin Haritaworn, Tamsila Tauqir and Esra Erdem. In ‘Academics smear Peter Tatchell’, we are invited to find evidence of ‘Islamophobia, racism or support for imperialist wars’ in the writings that can be downloaded from Tatchell’s website. The article shows how islamophobia and racism operate in Tatchell’s writings not necessary in the content of specific arguments (...) but through the very form of proximities (for example in the proximity between the words ‘Islam’, ‘fundamentalism’ and ‘terror’). The article thus reflects on how racism operates in language through the repetition of associations that get ‘stuck’. (shrink)

This thesis examines the practice of haemodialysis and kidney transplantation, the two medical therapies available for persons with kidney failure, from a phenomenological perspective. A basic assumption made in the thesis is that contemporary biomedicine is deeply embedded in the cultural, historical, economic, and political circumstances provided by the particular local, national, and transnational contexts in which it is practiced. The aim of the thesis is twofold. On the one hand, the aim is to examine the forms of person- and (...) patienthood enacted and negotiated in haemodialysis and kidney transplantation care and in the daily lives of persons with kidney failure. On the other hand, the aim is to investigate the ways in which the enacted and negotiated forms of person- and patienthood are culturally embedded and normatively charged. In order to examine and investigate this twofold aim, an empirical material has been gathered that comprises observations and in-depth interviews with patients and caregivers at four haemodialysis units, one in Riga, Latvia, and three in Stockholm, Sweden. The theoretical approach and methodology of the study is cultural and phenomenological in character, drawing on an ethnological and anthropological understanding of culture as processual and relational, and on a phenomenological understanding of personhood as embodied and intertwined with the surrounding world. The thesis shows that patients’ encounters and attempts to deal with the diagnoses and treatments associated with kidney failure are complex and often misalign them with the normatively charged orientations enacted and recommended by medicine. The complex situation that emerges when they undergo transplantation, for example, stands in stark contrast to the widespread official view of organ transplantation as a self-evidently health-bringing and normalising therapy. Through their repeated and extensive experiences of undergoing haemodialysis and living with the disease, patients eventually become able to create a synthesis between their lived experiences of their own body and their body as a medical object – what in the thesis is called a ‘sick body’ – a synthesis that allows them to reorient themselves in life and experience a sense of direction. This process relies, to a large extent, on the temporal structure that haemodialysis affords life; it is by repeatedly undergoing the treatment that patients become able to create a sick body. Even so, many of them find this temporal structure problematic; they experience it as disruptive of their control and future-orientedness and as causing an existentially difficult-to-handle boredom. The thesis also shows that the political developments and the norms prevalent in the two national contexts studied greatly affect the orientations of the treatment practices and the participants’ lives. In both Riga and Stockholm, ideals of freedom, activity, control, and self-actualisation influence what forms of patienthood and personhood are enacted. The study indicates that persons who fall ill with a serious and chronic disease only gradually become able to understand and actively cope with their differently embodied circumstances of life. This suggests that medical professionals should not too hastily enlist their patients as experts on their own bodies, but rather provide them with the time and support necessary for making repeated attempts at creating and maintaining a life with a sick body. (shrink)

In recent years, it was notorious the presence of a persistent interpretation of the political field in terms that find in the notion of crisis its main narrative. In order to assess this historical sensitivity ―which is an effect of the rupture of the grand narrative of progress― the analysis of Janet Roitman has been particularly relevant. Her critical perspective on this historical matrix is based on her assumption that such sensitivity leads to a strong paralysis in terms of political (...) agency, mainly through its claim of being the same incarnation of moments of truth. The central aim of this paper is to challenge this interpretation of the narrative of crisis as a case of post-historical meaning through the analysis of the transhumanist philosophy as deployed by Nick Bostrom. It is thanks to the scrutiny of the affective dimension involved in this sort of historical meaning focused in the role played by anxiety, that is possible to explore the kind of agency that may result from this framework. (shrink)

In a world where, as Martin Heidegger puts it, ‘homelessness’ has become its destiny, the colonized/Oriental Other that once exclusively constituted and was neglected from the matrix of the Western imaginary has no longer maintained its distance as ‘out there’. Instead it is embodied as a ‘refugee’ appearing on the borders of the ‘home’ with its complex cultural, colonial history. The majority of refugee studies feature the refugee as the outcome of the interplay of the two concepts of the ‘rights (...) of man’ and the ‘rights of the citizen’, who resides on the threshold of nativity and nationality as the limit phenomenon of the nation-state stands before the law in its totality but cannot be classified under any of its provisions. However, this thesis investigates the philosophical underpinnings of the emergence of the phenomenon of the refugee that appears at the threshold of one’s own experience of home as an alien who does not belong to the privileged normative structure of the home. Drawing on Anthony Steinbock’s approach to the Husserlian phenomenology of generativity, this study phenomenologically examines the possibility of an ethical relation in the Homeworld and Alienworld encounter. Focusing on the mode of givenness of the alien to the home in interpersonal relations, the main question of the thesis is:If phenomenologically the Other is accessible to home in a mode of inaccessibility, then how can the ‘I’ initiate an ethical relation to the Other?As the result of addressing this question, building on Edmund Husserl’s late project of ethical renewal and Bernhard Waldenfels’ phenomenological ethics of Responsivity alongside Jean-Luc Marion’s phenomenology of givenness, I develop a new understanding of the experience of violence versus morally experiencing the Other. Although James Dodd contributed greatly to the development of the phenomenology of violence, this thesis gives a new perspective to the concept of ‘violence’ versus the ‘ethical’ from the perspective of types of phenomena and various modes of givenness. From a phenomenological perspective, by analyzing the mode of givenness peculiar to the experience of the Other in the intersubjective realm, I propose that violence is a disposition toward receiving the Other in experience as a denigrated phenomenon. However, an ethical relation to the Other means to receiving the Other as saturated phenomenon that is non-objectifiable. Chapter One discusses how phenomenology as critique can be a critical reflection on experience in order to justify and turn back to the question that concerns the refugee subject as ‘an alien other’. Applying Besinnung enables me to unravel the meaning structure that is operative in colonial subjectification and de-subjectification and the concept of violence that is embedded in the colonial situation. Dodd’s phenomenological account of violence and Giorgio Agamben’s discussion of ‘the camp’ gives me the opportunity to analyze the current manifestation of colonial violence in Australian offshore refugee detention camps. Considering various sorts of violence that are operative in the colonial structure, Chapter Two focuses on a specific type of violence that is hidden in the cognitive structure of our consciousness: epistemic violence. Building on Miranda Fricker’s notion of ‘epistemic injustice’ and Husserl’s phenomenological notion of ‘horizon-structure of experience’ that he proposed in Experience and judgment I develop a phenomenological analysis of the horizon structure of experiencing two types of epistemic injustice, which are testimonial and hermeneutical injustice. Phenomenologically thematizing the intersubjective structure of the home, Chapter Three investigates the way the institutional violence of the colonial system can affect meaning constitution. A regressive inquiry into the pregiven lifeworld of the colonial situation as a violent situation that emerges out of the disrupted world of sense, the chapter enquires into the relation of the ‘I’ with the ‘alien’, and asks how does the ‘I’ experience the Other and constitute it as alien? Doing so, I argue that I experience the other as always present in its absence in a way that its presence is withdrawn from the accessibility of home as inaccessible. Chapter Four examines the mode of experiencing the alien Other by the home as a liminal experience in which the alienworld is inaccessible and incomprehensible to home. Furthermore, building on the work of Emmanuel Levinas and Steinbock, I intend to liberate the phenomenon of the alien from the constitutive conditions of the home by discussing how the Other person is absolved from a disposal relation with me. This is to discover the most profound relation to the other that is given in moral experience. Chapter Five analyzes the moral experience of the Other in terms of the modality of the givenness of the Other, and in terms of the type of phenomena given in vertical givenness in the intersubjective realm. Reading Steinbock together with Marion, I explore the type of phenomenality of the alien Other who is given in the mode of revelation as a saturated phenomenon. I argue that by abandoning the givenness of the Other as a saturated phenomenon, I open the possibility of violence toward the Other. This way, I propose that the two concepts of violence and ethics are phenomenological orientations toward the reception of the call of the Other as a saturated phenomenon. (shrink)

This thesis explores how the novels of Virginia Woolf and Jean Rhys – To the Lighthouse, Between the Acts, After Leaving Mr Mackenzie and Wide Sargasso Sea – despite being set in times of wars and social change that influence personal lives, maintain an attachment to and love for life. This thesis proposes that Woolf and Rhys ‘locate’ this attachment to life in the moments and atmospheres of ‘strange intimacy’ – in sensual, affective, and oddly intimate moments and settings where (...) characters realise their bodily connection to the world of others, things, and places. This work suggests that this love for life is cultivated when life is seen as ‘a life’ and selves as ‘haecceities’ in the Deleuzian sense, and when we consider modern life as enchanted, not disenchanted. To examine the love for life and strange intimacies further, this thesis rethinks the works of Hélène Cixous in the light of contemporary theories of affect and new materialism that are inspired by Gilles Deleuze and Félix Guattari’s philosophies. This theoretical framework allows the examination of the complex ways in which intimacy, selfhood, and desire are portrayed in Woolf’s and Rhys’s modernist fiction. This thesis also demonstrates how post-structural feminism’s focus on radical alterity and its emphasis on and turn to materiality, the non-human, bodies, and affects, which are drawn together in the notion of écriture féminine, pre-figures the concerns of affect studies and new materialisms. The reading of Cixous’s, Deleuze and Guattari’s, and Bennett’s works performed in this thesis demonstrates how their theories of affect and the non-human help us to further our understanding of intimacy in the works of Woolf and Rhys and to reconsider the life-affirming, affective, and anti-Oedipal qualities of their modernism. Such an approach allows not only the discovery of a new understanding of Woolf’s and Rhys’s writings, but it contributes significantly to how we understand these theories and modernism in general. (shrink)

In this paper I aim to illustrate how an epistemological three-way manoeuvre I propose may work in qualitative academic research. Epistemology is critical to my research because I live the topic that I research and in this paper I chart a three-way manoeuvre between and through an articulation of my researcher self, theoretical framing and the intent of the research project. This paper is my response to Jackson and Mazzei’s work “Plugging One Text into Another: Thinking with Theory in Qualitative (...) Research.” I have included the paper title here to introduce the reader to Jackson & Mazzei’s work earlier in my paper in which they advocate a “plugging in” of ceaseless variations of ideas and theories. I suggest that a “plugging in” of forthright epistemology in academic research is an important text that can “plug into” theory and data for rich explorations in qualitative research. Articulations of epistemological foundations of research allow researchers to be explicit about their worldview and acknowledge that it is integral to their researcher self and therefore impossible to separate from research practice. In this paper I demonstrate a methodological move through epistemology, drawing on the epistemology section in my own research work which details my researcher positioning and is able to examine how my experiences of sole parenting in higher education has influenced and informed this study. I consider three critical incidents; my initial assumptions and judgement about sole parents, regulatory exchanges I experienced as un-helpful as I transitioned into postgraduate education and the institutional structures of postgraduate timetabling as regulatory and potentially exclusionary. Articulating one’s research positionality infuses research with context and embeds a “thinking with theory” which can open up new meanings in research by foregrounding the epistemological pathway that is fundamental to the research process. © 2015: Genine Hook and Nova Southeastern University. (shrink)

This is part 1 of 6 of the dossier What Do We Talk about when We Talk about Queer Death?, edited by M. Petricola. The contributions collected in this article sit at the crossroads between thanatology and queer theory and tackle questions such as: how can we define queer death studies as a research field? How can queer death studies problematize and rethink the life-death binary? Which notions and hermeneutic tools could be borrowed from other disciplines in order to better (...) define queer death studies? The present article includes the following contributions: – MacCormack P., What does queer death studies mean?; – Radomska M., On queering death studies; – Lykke N., Death as vibrancy; – Hillerup Hansen I., What concreteness will do to resolve the uncertain; – Olson P., Queer objectivity as a response to denials of death; – Manganas N., The queer lack of a chthonic instinct. (shrink)

Greta Thunberg has rapidly become a household name due to her passionate involvement in the youth climate movement. However, Thunberg has also received criticism, among other things for her anger. Is such anger really productive, people ask, or is it harming the cause of climate justice? In this article, I examine that question from a philosophical perspective. I look at two commonly mentioned disadvantages of anger, namely that it is a retributive emotion and that it reduces uptake of one’s message, (...) and I provide some reasons why these might not be disadvantageous after all. Then, I look at four different advantages of anger: its motivational power, its revolutionary potential, its use for community building, and its epistemic value. Each of these points is linked back to the climate movement as it is personified by Greta Thunberg, in order to analyse the anger that is at times very prominent in her activist message. While a definite conclusion about the productivity of Thunberg’s anger is difficult to reach, I conclude that her anger should be listened to regardless, since we have much to learn from it. (shrink)