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  1. Body Modification: An Introduction.Mike Featherstone - 1999 - Body and Society 5 (2-3):1-13.
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  • Passing Strategies and Performative Identities: Coping with (In)Visible Chronic Diseases.Tanisha Jemma Rose Spratt - forthcoming - Journal of Medical Humanities.
    In this article I consider the role of passing and performance in the everyday lives of alkaptonuria and vitiligo patients. Race, LGBTQ, gender and disability scholars have long used the term passing to describe sub-groups of people within marginal populations who intentionally manipulate their bodies or alter their behaviour in order to claim identities that are not socially assigned to them at birth. In this paper I demonstrate the effectiveness of the passing strategies that patients use in order to mitigate (...)
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  • Dimensions of Transnationalism.Alyosxa Tudor - 2017 - Feminist Review 117 (1):20-40.
    This article identifies and analyses links between conceptualisations of trans-gender and trans-national, and aims for a critical redefinition of political agency. Through an examination of theories on transing, passing and performativity in queer-, trans- and transnational feminist knowledge production—illustrated by discursive examples from transgender communities and Romanian migrant communities—I call for a conceptualisation of entangled power relations that does not rely on fixed, pre-established categories, but defines subjectivity through risk in political struggle. I suggest that ‘transing’ the nation and ‘transing’ (...)
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  • Passing for white: Blanquitud y performatividad en la obra de Yinka Shonibare, MBE.Sara Manzanares Rubio - 2010 - Forma 2:83-93.
    La poesía de Jorge Luis Borges ha sido frecuentemente interpretada desde presupuestos biográficos; sin embargo, el propio autor era consciente de la naturaleza ficcional de toda literatura. La atención a la retoricidad del lenguaje y a la ficcionalidad de todo proceso de escritura permite una nueva interpretación de la poesía del autor argentino.
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  • The Love Bug and the Melancholic Drag Queen or a Reflection on the Cultural/Political “Grounds” of Subjects as Sexual.Elena Loizidou - 2004 - Journal for Cultural Research 8 (4):447-465.
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