There has been a significant increase in studies devoted to Søren Kierkegaard’s Works of Love in contemporary Kierkegaard research. There are several good reasons why this is so. The single theme that dominates, though, is the relation between preferential love and neighborly love. Are they reconcilable or not? The present paper recasts this discussion by situating Works of Love in the trajectory of deconstructive readings of community from Jean-Luc Nancy and onwards. It is divided into three sections. It is first (...) shown that a deconstructive take on preferential and neighborly love indicates how any community has a place for love as its condition of (im)possibility. The opening of this place is then located in the Christian love-commandment. Finally, the expanse of this place is found in the spreading-out of the promise of love. The paper is conceived as a step towards letting love find its place in the analytics of being-there—as the phenomenon which opens the “there” without losing its “with.” The paper concludes with a postscript that points towards this broader context. (shrink)

,is article addresses the relationship between sovereignty, biopolitics and governmentality in the work of Giorgio Agamben, Judith Butler, and Michel Foucault. By unpacking Foucault’s genealogy of modern governmentality, it responds to a criticism leveled against Foucauldian accounts of power for their alleged abandonment of the traditional model of power in juridico-institutional terms in favor of an understanding of power as purely productive. ,is claim has most signi-cantly been developed by Agamben in “Homo Sacer: Sovereign Power and Bare Life”. I argue (...) that Judith Butler’s analysis of power, in particular in her essay “Inde-nite Detention”, presents a more di.erentiated account of power that registers the signi-cance of practices of sovereignty and resonates with Foucault’s lectures on “Security, Territory, Population”. (shrink)

Taking as its starting-point the interest in archaeological metaphors evinced by Freud and by Jung, this paper considers the project of analytical psychology under the rubric of the recently discussed term, ‘philosophical archaeology’. Noting the shared methodological assumptions and procedures between these two areas, the paper goes on to examine the extent to which Jung’s project can legitimately be considered as an archaeological pursuit in respect of two key aspects: its humanism, and its hermeneutics. In this second case, the paper (...) concludes, we can learn much from Jung’s recently published Red Book, sections of which may be profitably read through the lens of his seminal paper, ‘The Aims of Psychotherapy’. What emerges from this discussion is a clearer appreciation of the role of the archaic in Jung’s thought, an insight into the analytic consulting-room (as a place of the archetypal) as a third instance of the site of philosophical archaeology in addition to the archive (as a place of statement or l’énoncé) and the museum (as a place of expression), and a confirmation of Heidegger’s assertion that ‘the authenticity and greatness of historical knowledge reside in an understanding of the mysterious character of the beginning’. (shrink)

This article aims to discuss Virginia Woolf’s critical appraisal of the contemporariness of her contemporaries’ production while also probing the very idea of what constitutes “the contemporary”. “The Modern Essay serves as the frame for what Woolf dubbed “the contemporary dilemma”, which this article then traces in “How it Strikes a Contemporary”. Resorting to other major essays, this article contextualizes Woolf’s publication of The Common Reader – First Series so as to explore its conversational quality as a philosophical principle inherent (...) to Woolf’s oeuvre. The philosophically inclined methodology of Woolf’s essays finds fertile ground in Giorgio Agamben’s “What Is the Contemporary?”. Ultimately, by reading Woolf alongside Agamben, this article sheds light on the intersections between contemporary philosophy and the philosophical questions we continue to find in Woolf’s writing. (shrink)