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  1. Understanding Adorno on ‘Natural-History’.Tom Whyman - 2016 - International Journal of Philosophical Studies 24 (4):452-472.
    ‘Natural-History’ is one of the key concepts in the thought of the Frankfurt School critical theorist Theodor W. Adorno, appearing from his very earliest work through to his very last. Unfortunately, the existing literature provides little illumination as to what Adorno’s concept of natural-history is, or what it is supposed to do. This paper thus seeks to supply the required understanding. Ultimately, I argue that ‘natural-history’ is best understood as a sort of ‘therapeutic’ concept, intended to dissolve certain philosophical anxieties (...)
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  • Adorno's Aristotle Critique and Ethical Naturalism.Tom Whyman - 2017 - European Journal of Philosophy (4):1208-1227.
    In this paper, I do three things. First, I unpack and outline an intriguing but neglected aspect of the thought of the Frankfurt School critical theorist Theodor W. Adorno—namely, his critique of Aristotle, which can be found in two of his lecture series: the unpublished 1956 lectures on moral philosophy and the 1965 lectures published as Metaphysics: Concept and Problems. Second, I demonstrate how Adorno's Aristotle critique constitutes a powerful critique of contemporary neo-Aristotelian ethical naturalism, of the sort advocated by (...)
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  • Existence and the communicatively competent self.Martin Beck Matus - 1999 - Philosophy and Social Criticism 25 (3):93-120.
    Most readers of Habermas would not classify him as an existential thinker. The view of Habermas as a philosopher in German Idealist and Critical traditions from Kant to Hegel and Marx to the Frankfurt School prevails among Continental as much as among analytic philosophers. And the mainstream Anglo-American reception of his work and politics is shaped by the approaches of formal analysis rather than those of existential and social phenomenology or even current American pragmatism. One may argue that both these (...)
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  • How should philosophy be clear? Loaded clarity, default clarity, and Adorno.Nicholas Joll - 2009 - Telos: Critical Theory of the Contemporary 2009 (146):73–95.
    [First paragraph:] Part of the point of this article is to support the following claim by Adorno: “Rarely has anyone laid out a theory of philosophical clarity; instead, the concept of clarity has been used as though it were self-evident.” In fact, and again with Adorno, I shall argue for what I call the “loadedness thesis”: the thesis that philosophical conceptions of clarity are pervasively, and perhaps inevitably, philosophically partisan (section one). Yet I shall proceed to argue for a conception (...)
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  • Authentic Journalism? A Critical Discussion about Existential Authenticity in Journalism Ethics.Kristoffer Holt - 2012 - Journal of Mass Media Ethics 27 (1):2-14.
    Authenticity as an ideal is construed in general as an expression of existentialist unhappiness with the perceived dehumanization of man in modern society. Existential journalism can be seen as rejection of the demands of conformism and compromise of personal convictions that many journalists face. Ethically, existential journalism calls on journalists to live authentic lives, as private individuals as well as in their profession. This means to resist external pressures and to choose to follow a path that can be defended by (...)
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  • Enlightenment as Tragedy: Reflections on Adorno's Ethics.Samir Gandesha - 2001 - Thesis Eleven 65 (1):109-130.
    This article argues that the figure of Oedipus lies at the heart of Horkheimer and Adorno's Dialectic of Enlightenment. Oedipus is the prototypical Aufklärer as no one can rival him in his courageous attempt to employ his own autonomous reason `without direction from another'; yet self-knowledge remains beyond his grasp. Indeed, Oedipus' obsessive drive to bring the truth to light ultimately leads him to put out his own eyes because he is unable to bear the sight of the catastrophe that (...)
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  • Adorno and Schelling on the art–nature relation.Camilla Flodin - 2018 - British Journal for the History of Philosophy 26 (1):176-196.
    When it comes to the relationship between art and nature, research on Adorno’s aesthetics usually centres on his discussion of Kant and Hegel. While this reflects Adorno’s own position – his comprehension of this relationship is to a large extent developed through a critical re-reading of both the Kantian and the Hegelian position – I argue that we are able to gain important insights into Adorno’s aesthetics and the central art–nature relation by reading his ideas in the light of Schelling’s (...)
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  • Kierkegaard's Phenomenology of Spirit.Ulrika Carlsson - 2014 - European Journal of Philosophy 24 (3):629-650.
    Kierkegaard's preoccupation with a separation between the ‘inner’ and the ‘outer’ runs through his work and is widely thought to belong to his rejection of Hegel's idealist monism. Focusing on The Concept of Irony and Either/Or, I argue that although Kierkegaard believes in various metaphysical distinctions between inside and outside, he nonetheless understands the task of the philosopher as that of making outside and inside converge in a representation. Drawing on Hegel's philosophy of art, I show that Kierkegaard's project in (...)
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  • Nothing Comes Between Me and My CPU.Mark Andrejevic - 2005 - Theory, Culture and Society 22 (3):101-119.
    The promise of interactivity is quietly but systematically undergoing a downgrade that will require a lot less activity on the part of the user – and a lot more on the dispersed ‘smart’ objects that will eventually populate their lives. This article reads the promotional literature on ‘smart’ clothes through the lens of Benjamin’s discussion of fetishism and flânerie, considering the ways in which such clothes provide a mobile form of bourgeois interiority: a ‘casing’ that allows the user to make (...)
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