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Of mind and music

Ithaca: Cornell University Press (1999)

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  1. The Triadic Roots of Human Cognition: “Mind” Is the Ability to go Beyond Dyadic Associations.Norman D. Cook - 2018 - Frontiers in Psychology 9:293649.
    Empirical evidence is reviewed indicating that the extraordinary aspects of the human mind are due to our species’ ability to go beyond simple “dyadic associations” and to process the relations among three items of information simultaneously. Classic explanations of the “triadic” nature of human skills have been advocated by various scholars in the context of the evolution of human cognition. Here I summarize the core processes as found in (i) the syntax of language, (ii) tool-usage, and (iii) joint attention. I (...)
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  • Ryle and Intentionality.Laird Addis - 2009 - Metaphysica 10 (1):49-63.
    After some opening comments on how I think one should approach the philosophy of mind, I look at what relatively little Gilbert Ryle had to say explicitly about intentionality, that occurring almost exclusively in his several papers on phenomenology. Then, I discuss the notion of intentionality with respect to the doctrines of The Concept of Mind, although neither the word nor the idea, strictly speaking, appears anywhere in the book. Following more exposition of my own views, including an argument I (...)
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  • Musical expression and performance.Carl Humphries - unknown
    This study examines the philosophical question of how it is possible to appreciate music aesthetically as an expressive art form. First it examines a number of general theories that seek to make sense of expressiveness as a characteristic of music that can be considered relevant to our aesthetic appreciation of the latter. These include accounts that focus on resemblances between music and human behaviour or human feelings, on music's powers of emotional arousal, and on various ways in which music may (...)
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