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  1. Crying Hegel in Art History.Ian Verstegen - 2016 - Journal of Critical Realism 15 (2):107-121.
    Within cultural history there is a widespread eschewal of speculative reasoning. This article notes the complicity of the general postmodern avoidance of metanarratives with Anglo-Saxon empiricism and locates the major problem facing cultural history in postmodernism's conflation of trajectories and teleologies. Any discussion of the directionality of history is imputed to be a full-blown teleology. Using previous discussions from different fields, the difference between a teleology and trajectory is defended and, after clarifying certain confusions, it is argued that trajectories, as (...)
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  • Long cycles and the development of style: Painting in the 19th and 20th centuries.Pekka Korpinen - 1991 - World Futures 31 (1):35-46.
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  • Langer and Hofstadter on painting and language: A critique.Curtis L. Carter - 1974 - Journal of Aesthetics and Art Criticism 32 (3):331-342.
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  • Back in Style: A New Interpretation of Danto's Style Matrix.Frank Boardman - 2015 - Journal of Aesthetics and Art Criticism 73 (4):441-448.
    A number of objections to the style matrix that Arthur Danto introduced in “The Artworld” seem to have quelled most discussion of it. So telling have these arguments been that Danto himself later recanted the idea entirely. This situation is somewhat unfortunate. It may be that Danto's own interpretation of the style matrix is not tenable, but I believe we can articulate an alternative reading of it that escapes the aforementioned objections. While the interpretation I suggest cannot provide all that (...)
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  • Visual Style Hermeneutics: From Style to Context.Jakub Stejskal - 2021 - World Art 11 (2):201-227.
    This essay re-examines the once promising idea that style analysis can provide an independent source of insight into an artifact's non-stylistic context. The essay makes explicit the consequences of treating collective style as such a source in archaeology and anthropology of art, and further develops a new framing for the idea that avoids the criticisms largely responsible for the decline in theoretical interest in the epistemic import of visual style analysis since World War II. This re-framing proposes that inference from (...)
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