This article commemorates the fiftieth anniversary of The Sociological Imagination by recalling, renewing and updating C. Wright Mills’ pledge to expand a politically aware, self-reflective and publicly accessible intellectual culture between aestheticism and scientism. We begin by sketching how Mills’ ‘bifocal’ vision of the translation between the close-up perspective on personal milieus and the longer view of social structures contrasts with recent calls for a public sociology which would sustain its professional legitimacy while reviving its critical conscience. To illustrate this (...) point, we argue that his project can be reframed in a way that ‘provincializes’ the universalizing claims and scientific aspirations of much of North American sociology by exposing its imperial unconscious in pre- and post-war movements toward the professionalization and scientization of knowledge. Here our focus turns to the prospects for a ‘sociology of empire’ to trace imperial forms which are symptomatically manifested both in the discipline’s assumptions about historical progress and in Mills’ critique of these assumptions. Finally, with an example from the history of British colonialism in Egypt, we show how, despite its blindspots, Mills’ vision of the sociological imagination implicitly projects an alternative ‘sociological map’ with distinct vantage points that can account for the changing cultural tasks of our time, especially concerning how collectives of human and non-human agents are unequally mediated within networks of power. We conclude by revisiting Mills’ distinctive approach to ‘the craft of sociology’, considered more as a prayer than a profession, and undertaken more as a personal and political calling than as career. (shrink)

Using a unique data set of causal usage drawn from research articles published between 2006–2008 in the American Journal of Sociology and American Sociological Review, this article offers an empirical assessment of causality in American sociology. Testing various aspects of what we consider the conventional wisdom on causality in the discipline, we find that “variablistic” or “covering law” models are not the dominant way of making causal claims, research methods affect but do not determine causal usage, and the use of (...) explicit causal language and the concept of “mechanisms” to make causal claims is limited. Instead, we find that metaphors and metaphoric reasoning are fundamental for causal claims-making in the discipline. On this basis, we define three dominant causal types used in sociology today, which we label the Probabilistic, Initiating and Conditioning types. We theorize this outcome as demonstrating the primary role that cognitive models play in providing inference-rich metaphors that allow sociologists to map causal relationships on to empirical processes. (shrink)

Birth cohort studies can be used not only to generate population-level quantitative data, but also to recompose persons. The crux is how we understand data and persons. Recomposition entails scavenging for various (including unrecognised) data. It foregrounds the perspective and subjectivity of survey participants, but without forgetting the partiality and incompleteness of the accounts that it may generate. Although interested in the singularity of individuals, it attends to the historical and relational embeddedness of personhood. It examines the multiple and complex (...) temporalities that suffuse people’s lives, hence departing from linear notions of the life course. It implies involvement, as well as reflexivity, on the part of researchers. It embraces the heterogeneity and transformations over time of scientific archives and the interpretive possibilities, as well as incompleteness, of birth cohort studies data. Interested in the unfolding of lives over time, it also shines light on meaningful biographical moments. (shrink)

In this article, I examine how 24 City commemorates the factory and its workers through combining memory, the act of remembering, and its recitation, thus creating ‘memories in performance’ that construct an emotional history of this group. I use a Chinese word for commemoration, jinian to structure this paper into the three components of memory, the act of remembering, and mindful thought and recitation, all of which combine to commemorate the factory and the sacrifice of the worker class. I examine (...) how both the real and fictional interviews in the film create the same emotional meaning through producing emotions that are ‘real’ regardless whether their source is real or fake, thus emphasizing that memory is not only about history and ‘fact,’ but also, more importantly, about the emotion it conveys. I consider how the memories are affective in that they present a past that is being remembered, performed and retold in the present, thus enabling both the real and fictional memories to become ‘real’ in their narration. I analyze how the lived and fictive memories and their remembrance produces a filmic space to commemorate the factory and the workers' sacrifices, and argue that this produces an intimacy with the viewer, in that it presents the workers' history as personal stories being remembered, recalled, and felt again, not sterile facts being repeated. I conclude by considering how this film is indicative of a larger commemorative turn, and how it offers not only a ‘sight’ of commemoration, but also a site of commemoration – a commemorative object as well as a commemorative experience. (shrink)

This article takes the fiftieth anniversary of the death of American sociologist C. Wright Mills as a cue to revisit his legacy but also the value of sociology today. It argues that the enduring relevance of Mills’ work is his cultivation of a sociological sensibility, which is both an attentive and sensuous craft and also a moral and political project. The article returns to some of the key aspects of Mills’ life and work, and focuses, in particular, on his influential (...) book The Sociological Imagination. Revisiting the opening and closing chapters of this book – entitled ‘The Promise’ and ‘On Intellectual Craftsmanship’ – this article argues that the contemporary social imagination needs to offer its students the capacity to open out to the world through a heightened sensory attentiveness, which in turn makes possible a different kind of social imaginary. In this way Mills’ gift to the future is a sociological sensibility furnished by its tradition, but one also that is constantly re-tuned to the circumstances and problems of the present. (shrink)

This article challenges the negative image that, since the late 19th century, has been associated with crowds, and it does so by focusing on a number of bodilyanatomic aspects of crowd behavior. I first demonstrate that the work of one of the leading crowd psychologists, Gustave Le Bon, instigated a racist body politics. As a contrast to Le Bon's political program, I examine Walt Whitman's poetry and argue that the crowd may embody a democratic vision that emphasizes the social and (...) political import of sexuality and body -to- body contact. Further, I dispute classical crowd theory's idea of an antagonistic relationship between crowds and individuality. Following Elias Canetti, I claim instead that the bodily compression of crowds in fact liberates individuals and creates a democratic transformation. The analysis results in a rehabilitation of crowds and briefly suggests how a reinterpretation of crowd behavior may inform current debates in social theory. (shrink)

This E-Special issue brings together a range of articles from the Theory, Culture, & Society archive that directly explore the relations between fiction and social theory. Each article develops a different perspective on these relations, yet they all share a common interest in probing at the different ways in which fiction might enrich and provoke our conceptual imaginations. These articles ask how theory might be used to understand or illuminate fiction, whilst also considering how theory might be extended, challenged or (...) informed by fictional resources. In general terms, the articles take three types of overlapping approach. First, there are those that use fiction to extend the imagination of social theory. Second are the articles that use fiction as a documentary resource and platform for theorizing. And, finally, there are those articles that use theory to reanimate and re-examine fictional forms. In exploring these three intersecting branches the pieces illustrate the different ways in which fiction and social theory might interweave in our thinking. The articles gathered here provide frameworks, ideas and resources through which the reader might continue to think imaginatively and creatively about the social world. (shrink)