Seneca

Does Seneca entirely reject the utility of dialectical study for moral improvement? No, I argue here. Focusing on Letter 87, I propose that Seneca raises and disarms objections to formal Stoic arguments in order to help moral progressors avoid backsliding and advance towards ethical knowledge. I trace this method back to Chrysippus and show that reading Letter 87 in this Chrysippean framework yields a satisfying explanation of its otherwise puzzling features.

It is curious that the imperial Stoics, following a precedent of Diogenes the Cynic, employ so many wide-ranging examples of animal behavior. For example, what are we to make of the rigid dichotomy Seneca and Epictetus draw between rational and nonrational beings in relation to the diverse comparisons they make between human virtues and vices on the one hand and animal excellences and "bestial'behaviors on the other? Why are the most potent, diverse, and philosophically significant animal exempla found in Seneca (...) and Epictetus? I argue that it is because such exempla serve a variety of protreptic purposes. While appeals to the over-arching rationality of the cosmos may provide some theoretical understanding for the place of human beings in nature, from a pedagogical and rhetorical standpoint animal exempla provide particularly effective guidance for human conduct.Cleverly deployed animal exempla help cultivate aretaic affective dispositions. (shrink)

Stoicism deserves everything that Broic$ are doing to its movement. This is because Stoics stuff the value of everything into their own heads, thus denying that external things are good and that other people have intrinsic value. Stoics are psychopathic narcissists and axiological solipsists. And this makes Stoicism easy to coopt into bro-y, shallow, self-help-y garbage.

In the 89th letter to Lucilius Seneca divides philosophy into three parts, namely ethics, physics, and logic. As philosophy in general he also divides its ethical parts into three parts: the first one has to do with value judgments, the second with impulses, and the third with actions. But instead of characterizing each of these parts and giving an overview of their contents he rather describes an ideal action: first, one makes a correct value judgment, then, one initiates a regulated (...) and ordered impulse, and finally, one brings this impulse into harmony with one’s external action by paying attention to the circumstances under which one intends to act. If each of these action moments has the mentioned character, one is consistent with oneself—an important step towards reaching full self-consistency, i.e., virtue. If those moments do not have the mentioned character, as for example in a passion, one cannot be consistent with oneself. As a result, one diverges from the goal of full self-consistency and thus from virtue. The thesis of my book takes up the parallel Seneca is drawing between ethics and its parts on the one hand and an action and its moments on the other hand. I argue that his ethics is based on an action theory that has as its main moments a judgment, an impulse and an external action. Within this theoretical framework, Seneca gives an answer to the question of what one should do in order to reach full self-consistency, i.e., virtue, which for a Stoic like him is a necessary and sufficient condition for happiness. My book, correspondingly, has two major parts: first, I am working out Seneca’s action theory and its philosophical origins, then, I am concerned with his ethics. In the first main chapter, I further argue that his action theory stems for the most part from the early Stoics, but that unlike them he has a concept of will. This concept, as I want to show in the second part, plays an important role in his ethics, too. (shrink)

Disney’s Frozen (2013) and Frozen 2 (2019) are among the highest-grossing films of all time (IMDb 2021) and are arguably among the most influential works of fantasy produced in the last decade in any medium. The films, based loosely on Hans Christensen Andersen’s “The Snow Queen” (Andersen 2014) focus on the adventures of the sisters Anna and Elsa as they, together with their companions, seek to safeguard their people both from external threats and (importantly) from Elsa’s inabilities to control her (...) magical abilities to summon ice and snow. While Anna’s choices drive much of the action of both films, Elsa has undoubtedly been the more influential and popular of the two characters, as indicated by measures such as merchandise sales (Ellen Byron and Paul Ziobro 2014), Google search data (Play Like Mum 2020), and even baby name choices (Wolfers 2015). -/- Despite her popularity, Elsa is in many ways a paradoxical sort of hero, as she finds her actions all but predetermined by both external and internal forces. This is particularly the case in the first film, where we meet an Elsa who has been born with a power she cannot control, and which appears more as a force of nature than as anything that “belongs” to Elsa. The film’s action is driven, in large part, precisely by Elsa’s failures to exert control over her emotions and abilities. She begins the film by accidentally injuring Anna. This, in turn, causes Elsa to become fearful and withdrawn and to isolate herself from her sister, even after their parents die on a quest to find a cure for Elsa. Elsa's fear and lack of control lead to an even more dire outcome when she inadvertently calls down winter on Arendelle and abandons her people for the mountains. It is only through Anna's devoted quest to rescue her sister, first by pursuing her to the mountains, and later by throwing herself in front of the villainous Hans’ sword attack on her sister, that Elsa (and Arendelle) are saved. Elsa's most active contribution to this is to appreciate the import of Anna's sacrifice and to discover the power of "love" to overcome her fear. -/- What then, are we to make of Elsa as a character? It is the younger sister Anna who corresponds most closely to Gerda, the unquestioned protagonist of Andersen’s original tale, and her character arc fits neatly with the well-known “Hero’s Journey” model for describing myth (Campbell 2020). It is Anna, for example, who goes on a quest, meets a group of motley companions (the human Kristoff, the reindeer Sven, and the magical snowman Olaf), accepts advice from wise elders (the trolls), undergoes a severe trial, and even gets the "reward" of romantic love at the end. All of this has led some scholars (Niemiec and Bretherton 2015; Heit 2019) to hold up Anna, rather than Elsa, as something like the hero of the story. Existing scholarship on Elsa, by contrast, has focused largely on issues related to her gender and sexuality (Law 2014; Lee 2015; Steinhoff 2017; Streiff and Dundes 2017; Dundes, Streiff, and Streiff 2018; Dundes 2020; Llompart and Brugué 2020). In what follows, I’ll be taking a closer look at Elsa’s unique status as a protagonist, and what her struggles with fate reveal about the nature of free will and ethical responsibility. I’ll argue that Elsa provides a useful model of a “Stoic hero” and that her strengths and weaknesses as a character provide valuable insight into an often-misunderstood school of philosophy. My argument will proceed in several stages. I’ll begin by describing the basic tenets of Stoic philosophy, paying special attention to the role of fate and nature. I’ll then move on to a more detailed treatment of Stoic ethics, as exemplified by Elsa’s own character development. I’ll close by considering the infamous “Lazy Argument” against. (shrink)

Kant’s account of “the radical evil in human nature” in the 1793 Religion within the Bounds of Reason Alone is typically interpreted as a reworking of the Augustinian doctrine of original sin. But Kant doesn’t talk about Augustine explicitly there, and if he is rehabilitating the doctrine of original sin, the result is not obviously Augustinian. Instead Kant talks about Stoic ethics in a pair of passages on either end of his account of radical evil, and leaves other clues that (...) his argument is a reworking of an old Stoic problem. “Radical evil” refers to the idea that our moral condition is — by default and yet by our own deed — bad or corrupt; and that this corruption is the root (radix) of human badness in all its variety, ubiquity, and sheer ordinariness. Kant takes as his premise a version of the Stoic idea that nature gives us “uncorrupted starting points” (Diogenes Laertius 7.89). What sense can be made of the origin of human badness, given such a premise? Kant’s account of radical evil is an answer to this old Stoic problem, which requires a conception of freedom that is not available in his Stoic sources. (shrink)

I examine the significance of the Stoic theory of pathē for Kant’s moral psychology, arguing against the received view that systematic differences block the possibility of Kant’s drawing anything more than rhetoric from his Stoic sources. More particularly, I take on the chronically underexamined assumption that Kant is committed to a psychological dualism in the tradition of Plato and Aristotle, positing distinct rational and nonrational elements of human mentality. By contrast, Stoics take the mentality of an adult human being to (...) be rational through and through, while recognising that this rationality is not normally in a state of health or excellence. I show how Kant’s account of affections—chiefly the “affects” and “passions” that he identifies as targets of a duty of apathy—draws substantive lessons from his Stoic sources, and how he accepts on his own terms the monistic principles of Stoic moral psychology. (shrink)

Examining Seneca’s account of friendship produces an interpretative puzzle: if the good of the Stoic sage is already both complete and self-sufficient, how can friendship be a good? I reject the solution that friendship is simply a preferred indifferent instead of a good and argue that though Seneca’s account can consistently explain both why friendship’s nature as a good does not threaten the completeness or the self-sufficiency of the sage, Stoic friends must choose between intimate friendships that leave them vulnerable (...) or impersonal friendships that lack intimacy but do not undermine their happiness. The consistent Stoic must choose the latter, but I argue that this conflict shows why we ought to reject the Stoic model of friendship. (shrink)

Roman philosophy is not just Greek philosophy in Latin language. It has some aspects that are specifically Roman. This is particularly clear with regard to Seneca’s concept of virtue. In contrast to a common view that the latter became almost completely identical with ἀρετή, this article shows, by reference to Seneca’s image of the sage, that it kept its Roman aspect of manliness. That Seneca’s concept of virtue is Roman in character becomes also apparent when he reflects upon ‚pudicitia‘ („sexual (...) integrity“), which he describes as a female virtue that can be lost due to acts of violence. Both aspects of Seneca’s concept of virtue seem to be problematic for central tenets in his ethics. The following inquiry is an attempt to solve or explain these problems. In doing so, I relate Seneca’s philosophy to his identity as a Roman. (shrink)

In this paper I argue that Seneca’s philosophy is a form of therapy and that one of its main concerns is the transformation of one’s life through time control. Aristotelian tradition lies in the idea that philosophy is, in its highest aspect, an abstract form of knowledge. Seneca, on the other hand, is an inheritor of a long tradition that takes philosophy as mind or soul therapy and bases its structure in a practical approach. Epicurus, for instance, goes as far (...) as to declare that “empty is the word of the philosopher by whom no human suffering is treated”. Even if Seneca doesn’t despise the theoretical principles that support the construction of a philosophical system, he builds, in his Letters to Lucilius, a strong therapeutic praxis whose purpose is to heal one’s mind and life. The upmost and fundamental step is providing the pupil with different ways of earning back time deprivation. Time seems to be, in a certain sense, the essential matter of Seneca’s philosophy. Time control, for him, is a kind of self-control that would make it possible to match a simple existence and a meaningful life. Therefore, Seneca’s opening letter to Lucile aims exclusively to identify how one loses time and why it’s essential to take control of it. (shrink)

Aiste Čelkyte shows us that Stoic views about beauty were substantial and compelling.

Surprisingly little attention has been devoted to Musonius Rufus, a noted teacher and philosopher in first–century CE Rome, despite ample evidence for his impact in the period. This paper attempts to situate Musonius in relation to his philosophical predecessors in order to clarify both the contemporary status of the Stoic tradition and the value of engaging with the central figures of that school’s history. I make the case for seeing Cleanthes as a particularly prominent predecessor for Musonius and reaffirm the (...) importance of framing his philosophical commitments in the context of the Stoic tradition. On this latter point, I attempt to connect Musonius’ perspective on askesis and moral development with that of Posidonius (and Seneca). In doing so, I push back against the sometimes overly schematic intellectualism attributed to Stoic ethics generally. (shrink)

En filosofía es importante conocer las influencias entre los filósofos porque de ello depende tener un conocimiento más completo y preciso de sus propuestas. Ejemplo de esto son las investigaciones sobre los orígenes estoicos de la filosofía spinoziana, que se han incrementado notablemente en las últimas décadas, pero aún hace falta indagar con mayor detalle, autor por autor e idea por idea, qué tipo de estoicismo y qué parte del mismo influyó en el pensador neerlandés. En este artículo examino, a (...) partir sobre todo de las referencias explícitas, la influencia del estoico Séneca en la filosofía de Spinoza, para lo cual reviso, analizo y cotejo diversos pasajes de las obras de ambos pensadores. // Abstract: It is important in philosophy to know the influences between philosophers because of that it depends to have an accurate and more complete knowledge of their proposals. An example of this are the investigations about the stoics origins of Spinoza’s philosophy, which has been increasing in the last decades but it is still necessary to inquire in greater detail, author by author and idea by idea, what kind of stoicism and what part of it influenced the Dutch philosopher. In this paper I examine, particularly from explicit references, the influence of the Stoic Seneca in Spinoza’s philosophy, for which I review, analyze, and compare several passages of both philosophers’ works. (shrink)

In hisMeditations, Marcus Aurelius repeatedly presents a disjunction between two conceptions of the natural world. Either the universe is ruled by providence or there are atoms. At 4.3, we find perhaps its most succinct statement: ἀνανεωσάμενος τὸ διεζευγμένον τό⋅ ἤτοι πρόνοια ἢ ἄτομοι (recall the disjunction: either providence or atoms). The formulation of the disjunction differs; at 7.32, being composed of atoms is contrasted with a stronger sort of unity (ἕνωσις) that may survive death. In 10.6 and 11.18 Marcus simply (...) offers φύσις (nature, construed in the Stoic manner as providentialist and causally efficacious) in opposition. On the surface, the contrast between the theory of atomism and the acceptance of providence seems to not warrant the term ‘disjunction’; it seems possible to accept both atomism and a causally determined providential universe. Yet, it is agreed on all sides, in the recent literature, that the relevant contrast for Marcus is not between the atomist and the non-atomist views of the constitution of the natural world as such but between two entailments that follow from the atomist Epicurean and the non-atomist Stoic advocacy of these positions. The contrast is between the providential ordering of the Stoic universe and the chaotic chance-ridden Epicurean model. (shrink)

Seneca sembra rileggere la dottrina stoica delle passioni alla luce dell’interpretazione aristotelica; procedendo nell’ottica del- l’alternativa secca che si deve al monismo della versione crisip- pea, Seneca fa delle passioni qualcosa di esterno e alternativo al soggetto agente. Tuttavia, seguendo poi una dinamica prospetti- va di tipo dualistico, evoca il ruolo decisionale e responsabiliz- zante del soggetto agente, il quale ha il compito di optare per la ragione o per l’opinione30 e quindi di mantenere o meno la propria enkrateia. Da (...) ciò dipende che questa si trasformi o meno in uno strumento nelle mani della passione. (shrink)

The analysis of the moral doctrines contained in the Moralis philosophia of Roger Bacon reveals the central place reserved to the vice of anger. Bacon considers it a very serious sin, which goes against the human nature and makes many devastating effects on individuals and their social relations. Bacon’s moral doctrines are based on a source that has been recently rediscovered, Seneca’s De ira. Bacon is one of the first authors to quote extensively that work. Bacon’s enthusiasm for the Latin (...) philosopher is the result of his conviction of the superiority of pagan philosophers over the Christians, especially in the field of ethics. The knowledge of the ancients, which is necessary for the life of individuals and for the proper function of institutions, is a duty for Christian thinkers. (shrink)

In this article we identify that the philosophers Marcus Tullius Cicero, Lucius Annaeus Seneca and Epictetus conceive a “freedom” that is characteristic of the wise and happy, and a “slavery” that is characteristic of the unwise and unhappy, nevertheless they did not use a special word for them. We name such conceptions “metaphysical freedom” and “metaphysical slavery” respectively. And we demonstrate that, in divergent intensities and objectives and in many places, the three thinkers differentiated this freedom/slavery principally from the juridical-political-social (...) freedom/slavery. -/- En este artículo identificamos que los filósofos Marco Tulio Cicerón, Lucio Anneo Séneca y Epicteto conciben una “libertad” que es característica del sabio y feliz, y una “esclavitud” que es característica del no-sabio e infeliz, aunque no les otorgaron un vocablo especial. A tales concepciones, según proponemos, las denominamos “libertad metafísica” y “esclavitud metafísica” respectivamente. Demostramos que los tres pensadores diferenciaron a éstas, con distintas intensidades y propósitos y en reiteradas ocasiones, principalmente de la libertad/esclavitud jurídico-político-social. (shrink)

In this paper, through the example of Antonii Radyvylovskyi’s work, I examine the impact of Seneca’s texts on the philosophical component of Ukrainian church sermons from the Baroque period. The objective of this study is to investigate Radyvylovskyi’s use of Seneca’s texts in his own writing. The result should help better understand the ideological influence of ancient philosophy on the formation of the national philosophical tradition of the Baroque epoch. The contents of ideological borrowings from Seneca’s texts and the mechanisms (...) of their use are traced. A list of Seneca’s texts from which Radyvylovskyi quotes is provided. It is also shown that Radyvylovskyi uses Seneca’s authority in his moral teachings and philosophical thinking about the characteristics of human nature. We conclude by commenting on Radyvylovskyi’s creative use of Seneca’s ideas and the significant philosophical component of his written legacy. (shrink)

This paper interprets the demonstrative retreat from public life and the promotion of self-improvement in Seneca’s later works as a political undertaking. Developing arguments by THOMAS HABINEK, MATTHEW ROLLER and HARRY HINE, it suggests that Seneca promoted the political vision of a cosmic community of progressors toward virtue constituted by a special form of progressor friendship, a theoretical innovation made in the Epistulae morales. This network of like-minded individuals spanning time and space is open to anyone who shares the other (...) members’ commitment to the improvement of one’s own self and that of others. By advertising such self-care and courting his readers as prospective friends, the author of the Epistulae morales aims to recruit new members for that community, in particular in the first nine letters. (shrink)

I try to show that Seneca’s Medea provides us with two elements -which, as far as I am aware, have not received proper attention- that complement his approach to the phenomenon of anger, and which can improve our understanding of the Stoic psychology of action defended in De ira. The first element is linked to the question of whether the angry person is responsive to reasons or not; the second one concerns the question of indifference, tolerance and forgiveness, and addresses (...) the issue of Medea's inability to conceive of a more appropriate or desirable reaction to Jason’s offense than anger. (shrink)

Excerpt from Seneca's Morals; By Way of Abstract: To Which Is Added a Discourse, Under the Title of an After-Thought The reader will, in some measure, be able to judge by this taste what he is farther to expect; that is to say, as to the cast of my design, and the simplicity of the style and dress; for that will still be the same, only accompanied with variety of matter. Whether it pleases the world or no, the care is (...) taken; and yet I could wish that it might be as delightful to others upon the perusal as it has been to me in the speculation. Next to the gospel itself, I do look upon it as the most sovereign te medy against the miseries of human nature: and I have ever found it so, in all the injuries and distresses of an unfortunate life. You may read more of him, if you please, 1n the Appen dix, which I have here subjoined to this Preface, concerning the authority of his writings, and the circumstances of his life, as I have extracted them out of Lipsius. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

This paper takes as its stimulus Adriana Cavarero’s recent investigation of the postures of rectitude and inclination in the Western philosophical tradition. To showcase how this book might catalyse productive interactions between feminist critics in different areas of the humanities, I will bring Cavarero into dialogue with a thinker she mentions in passing who extensively develops ‘rectitude as a general principle’ : Seneca. I argue that a gendered ontology of rectitude is increasingly put under pressure and transformed in Seneca’s Letters, (...) and propose that the Letters are a laboratory for developing a new model of inclination that arises from an urgent need to confront the consequences of political impotence and threats to bodily integrity for Roman aristocratic manhood in the 60sCE. The playful, densely literary Letters offer multiple points of contact with Cavarero’s own philosophical strategies, and emerge as a highly stimulating text for feminist thinkers interested in the ethical and political implications of acknowledging vulnerability. Reading Seneca alongside Cavarero reminds us that such investigations have a history in Roman antiquity whose recovery is itself politically significant. (shrink)

Analyzes Seneca's conception of friendship as an innovative adaptation of Stoic eros to accommodate Roman social norms of equality and reciprocity and to define a form of non-defective friendship for fools who are making progess. -/- Also provides a new answer to the conundrum of "will" in Seneca by connecting it to the impulse types epibole ("effort," also the impulse type of eros) and prothesis attested in Greek Stoic sources, and shows the connection between progessor friendship as an effort to (...) become a friend and philosophy as an effort to become a good person. (shrink)

The Roman statesman, philosopher and playwright Lucius Annaeus Seneca dramatically influenced the progression of Western thought. His works have had an unparalleled impact on the development of ethical theory, shaping a code of behavior for dealing with tyranny in his own age that endures today. This Companion thoroughly examines the complete Senecan corpus, with special emphasis on the aspects of his writings that have challenged interpretation. The authors place Seneca in the context of the ancient world and trace his impressive (...) legacy in literature, art, religion, and politics from Neronian Rome to the early modern period. Through critical discussion of the recent proliferation of Senecan studies, this volume compellingly illustrates how the perception of Seneca and his particular type of Stoicism has evolved over time. It provides a comprehensive overview that will benefit students and scholars in classics, comparative literature, history, philosophy and political theory, as well as general readers. (shrink)

Pretendo demostrar que a) el tratado *De ira* de Séneca incluye no una sino dos estrategias terapéuticas diseñadas para evitar la ira, y que b) que la segunda de estas estrategias –la cual ha sido desatendida en la literatura secundaria– presenta problemas irresolubles cuando la contrastamos contra la teoría estoica de la acción, la cual se funda en premisas intelectualistas.