Plato: Wisdom

This is a study of sophía from the passage 20d-21a in Plato’s Apology. There, Socrates tries to understand what kind of wisdom he would have, since the Oracle of Delphi stated that no one would be wiser than him. An investigation of historical aspects was made to understand the trial of Socrates and conviction, also a mapping of sophía’s main uses through the corpus platonicum was built, as well an overview of the usage of this concept by others greek authors. (...) In addition, a side of the figure of Socrates that has been given little attention was perceived, becoming important to explain the influence of magical thinking on his philosophy and his relationship with shamanism. Este é um estudo sobre sophía que parte da passagem 20d-21a na Apologia de Platão. Ali, Sócrates tenta compreender que tipo de sabedoria ele teria, uma vez que o Oráculo de Delfos afirmou que ninguém seria mais sábio que ele. Para discutir isso, foi feito um estudo sobre os aspectos históricos que se relacionam com o julgamento e a condenação de Sócrates, um mapeamento dos principais usos de sophía por todo o corpus platonicum, bem como uma análise do panorama relacionado ao uso desse conceito por outros autores do mundo grego. Além disso, foi percebido um lado pouco comentado da figura de Sócrates, tornando-se importante explanar sobre a influência do pensamento mágico em sua filosofia e a7 relação dele com o xamanismo. (shrink)

In the Euthydemus, Socrates is presented as an eager student of seemingly trivial arts, earning derision both for desiring to master the peculiar art of Euthydemus and Dionysodorus and for studying the harp in his old age. I explain Socrates’ interest in these apparently trivial arts by way of a novel reading of the first protreptic argument, suggesting that the wisdom Socrates praises is complex in nature, securing the happiness of its possessor only insofar as it is composed of both (...) ordinary productive knowledge and ethically productive knowledge. This reading of the first protreptic makes sense of the otherwise perplexing second protreptic, explaining why Socrates is so keen to identify an art which makes what it uses. Wisdom acts as a reliable source of benefit only insofar as it is a complex composed of multiple different arts and types of knowledge. These arts, however, can only be acquired one at a time – if no single art is capable of combining the powers of both ordinary productive knowledge and ethically productive knowledge in the way that wisdom as a whole does, then the pursuit of wisdom will fail to offer reliable benefit despite the reliably beneficial nature of its possession. Thus, it is appropriate for the Euthydemus to conclude with Socrates telling Crito to take courage and pursue philosophy despite the seemingly harmful effects that its pursuit has had on others. Euthydemus and Dionysodorus represent the danger facing the aspiring philosopher, the possibility of being ruined by independent possession of the particular kind of ordinary productive knowledge on which philosophical activity depends – verbal mastery, the grasp of subtle conceptual distinctions needed both to argumentatively reveal reality and to argumentatively obscure it, to reliably equivocate and to reliably avoid equivocation. (shrink)

Η παρούσα διατριβή πραγματεύεται τη σχέση που συνδέει την μυθική σύνθεση και την διαλεκτική μέθοδο στο πλατωνικό έργο. Οι περισσότεροι μελετητές, βασιζόμενοι στις ποιητικές κριτικές του Πλάτωνος στην Πολιτεία, υποστηρίζουν ότι ο φιλόσοφος εξορίζει την ποίηση και την τέχνη εν γένει, από την ιδανική πολιτεία του, και, κατά συνέπεια, δεν θα έπρεπε ο ίδιος να συνθέτει και να χρησιμοποιεί μύθους. Ενάντια σε αυτή τη θεώρηση, επιχειρώ να δείξω, αφενός, ότι ο Πλάτων διακρίνει δύο είδη ποιήσεως· το ένα το υιοθετεί, το (...) άλλο το εξορίζει. Στην πρώτη περίπτωση, η ποίηση είναι ωφέλιμη, διότι καθιστά αρμονικές και ενάρετες τις ψυχές των πολιτών, τρέφοντας στον κατάλληλο βαθμό το ενδιάμεσο ψυχικό τμήμα, δηλαδή το θυμοειδές, και συναρμόζοντας το με το ανώτερο, ήτοι το λογιστικό. Στη δεύτερη, είναι επιβλαβής, επειδή ενσπείρει σε αυτές τη δυσαρμονία και τη διαφθορά, ενδυναμώνοντας υπερβολικά την υποδεέστερη ψυχική δύναμη, που είναι το επιθυμητικό. Βάσει της ανωτέρω διάκρισης, υποστηρίζω ότι τα πλατωνικά μυθολογήματα συνιστούν πρότυπα της απλής και ωφέλιμης μυθολογίας και ότι η χρήση τους αποσκοπεί στην εγχάραξη της αρετής στις ψυχές των αναγνωστών/ακροατών τους. Εισηγούμαι, επιπλέον, ότι ο μύθος, ως πλατωνική σύνθεση, εμφανίζεται μετά την εισαγωγή της θεωρίας της ανάμνησης και της υποθετικής μεθόδου στον Μένωνα, γεγονός που καταδεικνύει ότι η λειτουργία του πλατωνικού μύθου είναι, θεμελιωδώς, συνυφασμένη με την πλατωνική μέθοδο. (shrink)

Journal Name: Apeiron Issue: Ahead of print.

This book presents a thorough study and an up to date anthology of Plato’s Protagoras. International authors' papers contribute to the task of understanding how Plato introduced and negotiated a new type of intellectual practice – called philosophy – and the strategies that this involved. They explore Plato’s dialogue, looking at questions of how philosophy and sophistry relate, both on a methodological and on a thematic level. While many of the contributing authors argue for a sharp distinction between sophistry and (...) philosophy, this is contested by others. Readers may consider the distinctions between philosophy and traditional forms of poetry and sophistry through these papers. Questions for readers' attention include: To what extent is Socrates’ preferred mode of discourse, and his short questions and answers, superior to Protagoras’ method of sophistic teaching? And why does Plato make Socrates and Protagoras reverse positions as it comes to virtue and its teachability? This book will appeal to graduates and researchers with an interest in the origins of philosophy, classical philosophy and historical philosophy. (shrink)

This paper raises a new interpretive puzzle concerning Socrates’ attitude towards truth in the Phaedo. At one point Socrates seems to advocate that he is justified in trying to convince himself that the soul is immortal and destined for a better place regardless of whether or not these claims are true, but that Cebes and Simmias should relentlessly pursue the truth about the very same matter. This raises the question: Why might Socrates believe that he will benefit from believing things (...) about death irrespective of the truth, but that Cebes and Simmias will not? Why should they continue pursuing the truth? This paper argues that the relevant difference between Socrates and his friends is that Socrates is a fully accomplished philosopher, while his friends are not. This, I argue, makes Socrates an epistemic authority, and it is in virtue of being an epistemic authority that he is justified in not pursuing the truth about death. The upshot of this paper is that sometimes the demands of living well require that we abandon the pursuit of truth and knowledge. (shrink)

The main aim of this paper is to explain why Plato's Socrates devotes himself to philosophy. In so doing, I hope also to show that he does not sincerely believe that any of his decisions, about philosophy or anything, involve any kind of divine intervention. As my conclusions are contrary to a good bit of first-rate, recent scholarship on the subject, and also contrary to part of what Socrates himself says in Plato's Apology of Socrates, I think it is especially (...) important to clarify (…) - 12. Plato 12 (2012). (shrink)

ABSTRACT: Careful analysis of the details of the text allows us to refine Socrates objections to his definition of manliness as prudent perseverance. He does not appreciate that Socrates objections merely require that he make his definition more precise. Nicias refuses to consider objections to his understanding of manliness as avoiding actions that entail risk. The two sets of objections show that manliness entails first calculating that a risk is worth taking and then subsequently not rejecting that calculation without due (...) consideration. (shrink)

This article contends that Socratic wisdom (sophia) in Plato's Apology should be understood in relation to moderation (sophrosune), not knowledge (episteme). This stance is exemplified in an interpretation of Socrates' disavowal of knowledge. The god calls Socrates wise. Socrates holds both that he is wise in nothing great or small and that the god does not lie. These apparently inconsistent claims are resolved in an interpretation of elenchus. This interpretion says that Socrates is wise insofar as he does not believe (...) himself to know what he does not know. Whether one knows is demonstrated through elenchus, which moderates between knowledge claims. Thus, elenchus is productive of a kind of wisdom even if it does not produce knowledge. This claim, if true, forms a suitable basis for Socrates' defense of himself. That it does so serves as further evidence for the interpretation of sophia as sophrosune. (shrink)