Object-Oriented Ontology

Graham Harman judges science and common sense in terms of the crude philosophical criteria of another age and finds them lacking in knowledge of reality. He posits a shadowy "withdrawn" realm of real objects in order to explain the discrepancies between his naive abstract model of knowledge as access and the concrete reality of the sciences. Works such as THE QUADRUPLE OBJECT, THE THIRD TABLE and BELLS AND WHISTLES, like the whole of his philosophy, are the record of Harman noticing (...) the discrepancies, but refusing to revise the model. His solution is a dead-end, the timid, nostalgic, and fundamentally misleading propounding of an antiquated epistemology under the cover of a "new" ontology. (shrink)

Ricoeur a examinat o serie de forme diferite de discurs extins, începând cu discursul metaforic. Discursul narativ este una din formele investigate, configurând concepte eterogene care identifică acțiunile într-un moment în care un lucru se întâmplă nu numai după altceva, ci și din cauza altui lucru dintr-o poveste sau istorie care poate fi urmată. Reformează evenimentele fizice ca evenimente narative, care au sens deoarece spun ceea ce se întâmplă într-o poveste sau într-o istorie. Narațiunile sunt întotdeauna o sinteză a conceptelor (...) eterogene care configurează episoadele povestirii. DOI: 10.13140/RG.2.2.33109.99048. (shrink)

This paper attempts to contextualize a philosophy of curation that is object-oriented or toward a “return to the object.” In the museum, three interrelated philosophical problems pervade curation practices that prevent access to the object as it is. Here, the subject-object relations or idealism-realism issues are reconsidered as a specific niche of the philosophy of curation. To address these issues, this paper claims that Jean-Paul Martinon and Graham Harman's philosophical return to the Heideggerian fourfold (das Geviert) can introduce creative pathways (...) for the curated object that is riddled with excess and tensions. Later, with some caveats, the paper addresses the issues and suggests a possible avenue for further research. (shrink)

By utilizing words, photographs, and motion pictures, this multimodal and multisited project traces a rhizomatic genealogy of Russian Cosmism—a nineteenth century political theology promoting a universal human program for overcoming death, resurrecting ancestors, and traveling through the cosmos—throughout post-Soviet techno-utopian projects and imaginaries. I illustrate how Cosmist techno-utopian, futurist, and other-than-human discourse exist as Weberian “elective affinities” within diverse ecologies of the imagination, transmitting a variety of philosophies and political programs throughout trans-temporal, yet philosophically bounded, communities. With a particular focus (...) on the United States and Ukraine, and taking an apophatic analytical position, I dissect how different groups of philosophers, technologists, and publics interact(ed) with Cosmism, as well as how seemingly disparate communities (re)shape and deterritorialize Cosmist political theology in an attempt to legitimize their constructed political imaginaries. (shrink)

Bien qu'il existe des différences significatives entre la philosophie de Mario Bunge et celle de Graham Harman, il existe également des similitudes fonda-mentales entre elles. Ces penseurs affirment tous deux qu'il est possible de dé-velopper une théorie générale des objets. Le premier estime que la théorie en question est logico-mathématique, tandis que le second suggère qu'elle est on-tologique. Quoi qu’il en soit, ils conviennent que tous les objets doivent être con-sidérés, qu’ils soient réels ou non. En outre, ils suggèrent que (...) même si aucun ob-jet ne doit être exclu de la théorie, il est nécessaire d’en distinguer différents types. (shrink)

Although there are significative differences between the philosophies of Mario Bunge and Graham Harman, there are also some fundamental similarities. One of the core features that they have in common is that both of them claim that it is possible to develop a general theory of objects. The former believes that the theory in question is logical-mathematical, while the latter suggests that it is on-tological. Regardless, they agree that all objects have to be considered, no mat-ter if they are real (...) or not. Furthermore, they suggest that even though no objects should be excluded from the theory, it is necessary to distinguish different kinds of them. (shrink)

Imagine a billiard table, with several red billiard balls. Suppose that one of them impacts another. It could be claimed that the first billiard ball, the cause, makes direct contact with the second one, the effect. If we had to generalize this for all things, not just billiard balls, we would say that “thing A causes thing B”. As we shall see, both Bunge and Harman reject the preceding view of causation. They would agree that the statement “thing A causes (...) thing B” is false. This is because things do not make direct causal contact with each other, there has to be a third element that links them. In Bunge’s case, two things are linked by events. In Harman’s case, two real objects are linked by a sensual object. (shrink)

Imaginez une table de billard, sur laquelle se trouvent plusieurs boules de billard rouges. Supposons que l’une d’entre elles en percute une autre. On pourrait prétendre que la première boule de billard, la cause, est en contact direct avec la seconde, l’effet. Si nous devions généraliser cela pour toutes choses, pas seulement pour les boules de billard, nous dirions que « la chose A cause la chose B ». Comme nous le verrons, Bunge et Harman rejettent tous deux la conception (...) précédente de la causalité. Ils s’entendent pour dire que l’affirmation « la chose A cause la chose B » est fausse, parce que les choses n’entrent pas en contact causal direct ; il doit y avoir un troisième élément qui les relie. Dans le cas de Bunge, deux choses sont liées par des événements. Dans le cas d’Harman, deux objets réels sont liés par un objet sensuel. (shrink)

An exploration of panpsychism in Harman's Object-Oriented Ontology.

Imagine a billiard table, with several red billiard balls. Suppose that one of them impacts another. It could be claimed that the first billiard ball, the cause, makes direct contact with the second one, the effect. If we had to generalize this for all things, not just billiard balls, we would say that "thing A causes thing B". As we shall see, both Bunge and Harman reject the preceding view of causation. They would agree that the statement "thing A causes (...) thing B" is false. This is because things do not make direct causal contact with each other, there has to be a third element that links them. In Bunge's case, two things are linked by events. In Harman's case, two real objects are linked by a sensual object. (shrink)

The paper discusses some aspects of Object-Oriented Ontology (OOO) as a philosophical research program. The discussion stems from a reading of Decentrare l’umano. Perché la Object-Oriented Ontology (Kaiak 2021), a collection of essays that aims at introducing the Italian reader to the debate surrounding OOO. Working both as an introduction and as a critical discussion, Decentrare l’umano highlights the main tenets of OOO and some of their problematic implications. It does so through both theoretical arguments and imaginative literary performances played (...) out by some of the collected essays. Adopting a Kantian point of view, I argue that such a pluralistic approach to OOO rightly shows the need for an “Object-Oriented critique” that should put OOO in question as a theory, i. e. as a discursive product, without losing sight of OOO’s appeal to realism, concreteness, and directedness. (shrink)

Reality exists independently of human observers, but does the same apply to its structure? Realist ontologies usually assume so: according to them, the world consists of objects, these have properties and enter into relations with each other, more or less as we are accustomed to think of them. Against this view, Rein Raud develops a radical process ontology that does not credit any vantage point, any scale or speed of being, any range of cognitive faculties with the privilege to judge (...) how the world ‘really’ is. In his view, what we think of as objects are recast as fields of constitutive tensions, cross-sections of processes, never in complete balance but always striving for it and always reconfiguring themselves accordingly. The human self is also understood as a fluctuating field, not limited to the mind but distributed all over the body and reaching out into its environment, with different constituents of the process constantly vying for control. The need for such a process philosophy has often been voiced, but rarely has there been an effort to develop it in a systematic and rigourous manner that leads to original accounts of identity, continuity, time, change, causality, agency and other topics. Throughout his new book, Raud engages with an unusually broad range of philosophical schools and debates, from New Materialism and Object-Oriented Ontology to both phenomenological and analytical philosophy of mind, from feminist philosophy of science to neurophilosophy and social ontology. Being in Flux will be of interest to students and scholars in philosophy and the humanities generally and to anyone interested in current debates about realism, materialism and ontology. (shrink)

Drawing from Arjen Kleinherenbrink's recent book, Against Continuity: Gilles Deleuze's Speculative Realism (2019), this paper undertakes a detailed review of Kleinherenbrink's fourfold "externality thesis" vis-à-vis Deleuze's machine ontology. Reading Deleuze as a philosopher of the actual, this paper renders Deleuzean syntheses as passive contemplations, pulling other (passive) entities into an (active) experience and designating relations as expressed through contraction. In addition to reviewing Kleinherenbrink's book (which argues that the machine ontology is a guiding current that emerges in Deleuze's work after (...) Difference and Repetition) alongside much of Deleuze's oeuvre, we relate and juxtapose Deleuze's machine ontology to positions concerning externality held by a host of speculative realists. Arguing that the machine ontology has its own account of interaction, change, and novelty, we ultimately set to prove that positing an ontological "cut" on behalf of the virtual realm is unwarranted because, unlike the realm of actualities, it is extraneous to the structure of becoming-that is, because it cannot be homogenous, any theory of change vis-à-vis the virtual makes it impossible to explain how and why qualitatively different actualities are produced. (shrink)

A review of Tristan Garcia's The Life Intense: A Modern Obsession (2018) unravelling Garcia's process philosophy qua intensity.

The study aims to expose vulnerabilities of the subject-object paradigm in modern philosophy. The article concentrates upon ontological limitations of the concept of a subject and changing the status of an object in subject-object relations in the context of changing characteristics of the object existence. Scientific novelty of the work lies in identifying points of ontological stability and limitations of the subject concept, which could be used in its further theoretical development. As a result of the research, the aspects necessary, (...) from the author’s viewpoint, for building a theoretical model of the modern subject, which would be based on ontological symbiosis of subjective and objective characteristics, are determined. (shrink)

Una de las razones fundamentales por las cuales la muerte causa dolor se debe a una comprensión equívoca acerca del sentido último de la vida humana. Además, la Modernidad se desliga, en ocasiones, de la dimensión emotiva y afectiva del ser humano. Así pues, toda terapéutica del duelo mortuorio exige reflexionar con seriedad acerca del sentido de la muerte, tarea en la cual la tradición filosófica y teológica occidental es un apoyo ineludible. En la primera parte se ha de revisar, (...) desde la perspectiva filosófica de Epicuro, la concepción de la muerte según la cual la opinión ordinaria es errada y no da cabida a una vida realizada como fundamento de la tranquilidad y la salud. En la segunda parte se esbozarán los rasgos y las notas esenciales de una concepción cristiana de la muerte a partir de la obra de San Agustín de Hipona, exponiendo algunas medidas concretas de preparación para la muerte con base en su pensamiento. (shrink)

Michel Serres is a major twentieth-century thinker who has made decisive contributions to major debates across disciplines ranging from the history of science to literary studies and philosophy. This is the first monograph to offer a comprehensive assessment of Serres’ thought from his early work on Leibniz to his final publications in 2019. The first three chapters carefully explore Serres’ ‘global intuition’, how he understands and engages with the world, and his characteristic ‘figures of thought’, the repeated intellectual moves that (...) characterize his unique approach. Chapters Four to Six explore in detail Serres’ revolutionary contributions to three key areas: language, objects, and ecology. (shrink)

Graham Harman’s Object-Oriented Ontology has employed a variant of occasionalist causation since 2002, with sensual objects acting as the mediators of causation between real objects. While the mechanism for living beings creating sensual objects is clear, how nonliving objects generate sensual objects is not. This essay sets out an interpretation of occasionalism where the mediating agency of nonliving contact is the virtual particles of nominally empty space. Since living, conscious, real objects need to hold sensual objects as sub-components, but nonliving (...) objects do not, this leads to an explanation of why consciousness, in Object-Oriented Ontology, might be described as doubly withdrawn: a sensual sub-component of a withdrawn real object. (shrink)

Graham Harman describes the allure of art as the tension and fusion of a real object to sensual qualities so that it makes it seem that the inwardness of reality is opened to us. Yet real objects are withdrawn; how are we aware of their fusion? Since Harman’s ontology mandates that contact between real objects occurs only through sensual objects, this essay explores the idea that art’s allure must be a tension between sensual objects that draw the experiencer to believe, (...) or alieve, they are in contact with the withdrawn real. By looking at the examples in representational painting and sleight of hand magic, we see that ontographic art objects use at least four, carefully separated sensual objects to produce their aesthetic effect. The conclusion summarises allure as a sensual object process, speculates on art’s dialetheic confusion of sensual and real objects giving an enduring allure to idealism, and notes potential motifs of an infra-realist resistance. (shrink)

This is the conclusion of the hermeneutical problems related to Biblical exegesis. This brief survey concludes with the problematics posed by Object-Oriented Ontology. The limitations of OOO is illustrated with examples from the Kashmiri Trika. Further, we interrogate the Biblical Fall and the story of Yama and Yami. This is part of an ongoing project of Biblical exegesis and this is just the third part of this project.

This is a review of this new field touted by Harman as THE best thing to happen to academic philosophy in recent times. The review tests Object-Oriented Ontology against various yardsticks and finds it wanting in rigour.

A new book by Timothy Morton, Being Ecological, is reviewed. Being Ecological is a project into the ethics and discourse that emerge between speculative realism and ecological politics. This book is intended to build on the object-oriented ontology that Morton has espoused in previous volumes, however with a greater emphasis on the current state and future of ecological discussions. The book's core methodology is to outline the failures of the current modes of discussion environmental and ecological concerns and provide ways (...) of entering into a more authentic philosophical discussion. The book differs from Morton's usual verbose and highly poetic form in favor of a more grounded and accessible entry into his large project. (shrink)

Objects are inert, passive, devoid of will, and as such bear no intrinsic value or moral worth. This claim is supported by the argument that to be considered a moral agent one must have a conscious will and be sufficiently free to act in accordance with that will. Since material objects, it is assumed, have no active will nor freedom, they should not be considered moral agents nor bearers of intrinsic ethical vale. Thus, the apparent “moral neutrality” of objects rests (...) upon a kind of subject/object or mind/body dualism. The aim of this paper is to explore two paths by which western thought can escape this dualism, re-valuate the alleged “moral neutrality” of material objects, and initiate a sort of “object oriented ethics,” albeit with surprising results. To do so, this paper explores the work of Arthur Schopenhauer and Baruch Spinoza to interrogate both the claim that material objects have no will and that freedom is the necessary condition for ethical responsibility. This paper concludes by arguing that not only should objects been seen as bearers of their own ethical value, a determinate judgement can be made regarding that value through a basic understanding of the laws of physics. (shrink)

A new book by Timothy Morton, Humankind: Solidarity with Nonhuman People, is reviewed. Humankind: Solidarity with Nonhuman People is a project into the applied political ethics that emerge between speculative realism and Marxism. This book is intended to build on the object-oriented ontology that Morton has espoused in previous volumes, however with a greater emphasis on normative politics. The book’s core methodology is to outline the various neologisms that Morton employs and incorporate those speculative realist terms into a retooling of (...) Marxist. The book dialogue prose is a poetic tour de force that is both academically and philosophically rigorous. Morton provides a novel reworking of Marxist theory that can exist on the cutting edge of continental philosophy. -/- . (shrink)

Enter Object-Oriented Ontology: A New Theory of Everything.Eschewing the verbose and often obscurantist tendencies of other philosopher-authors, Harman tackles what might otherwise be a complicated, controversial and counter-intuitive philosophical stance with accessible and easy-to-follow prose. OOO has never been so clear nor so convincingly presented as it is here. Covered in seven chapters, the book gives a genealogical account of OOO, chronicling the reason for its emergence, comparing it to both the past and current philosophical traditions and arguing for its (...) potency over the competing ontologies, almost all of which are post-Kantian. (shrink)

Until quite recently, almost no philosophers trained in the continental tradition saw anything of value in realism. The situation in analytic philosophy was always different, but in continental philosophy realism was usually treated as a pseudo-problem. That is no longer the case. In this provocative new book, two leading philosophers examine the remarkable rise of realism in the continental tradition. While exploring the similarities and differences in their own positions, they also consider the work of others and assess rival trends (...) in contemporary philosophy. They begin by discussing the relation between realism and materialism, which DeLanda links closely but which Harman tries to separate. Part Two covers the many different meanings of realism, with the two authors working together to develop an expanded definition of the term. Part Three features a spirited exchange on the respective virtues and drawbacks of DeLanda's realism of attractors and singularities and Harman's object-oriented theory. Part Four shifts to the question of the knowability of the real, as the authors discuss whether scientific knowledge does full justice to reality. In Part Five, they shift the focus to space, time, and science more generally, and here Harman offers a defence of actor-network theory despite its obvious anti-realist elements. Lively, accessible and engaging, this book is the best attempt so far to clarify the different paths for realism in continental philosophy. It will be of great value to students and scholars of continental philosophy and to anyone interested in the cutting-edge debates in philosophy and critical theory today. (shrink)

This is a Spanish translation of Harman's 2012 article "The Third Table.".

The publication of Form and Object: A Treatise on Things by Tristan Garcia, Prix de Flore-winning novelist, philosopher, essayist, and screenwriter is a genuine event in the history of philosophy. Situating this event within classical, modern, and contemporary dialectical space, Jon Cogburn evaluates Garcia's metaphysics, differential ontology, and militant anti-reductionism through a series of seemingly incompatible oppositions concerning: substance and process, analysis and dialectic, simple and whole, and discovery and creation. Cogburn also includes a critical assessment of the consequences of (...) Garcia's philosophy, the various unresolved problems in his treatise, and the future prospects of speculative metaphysics. (shrink)

A new realist movement in continental philosophy has emerged to challenge philosophical approaches and traditions ranging from transcendental and speculative idealism to phenomenology and deconstruction for failing to do justice to the real world as it is ‘in itself’, that is, as independent of the structures of human consciousness, experience, and language. This volume presents a collection of essays that take up the challenge of realism from a variety of historical and contemporary philosophical perspectives. This volume includes essays that engage (...) the fundamental presuppositions and conclusions of this new realism by turning to the writings of seminal figures in the history of philosophy, including Kant, Schelling, and others. Also included are essays that challenge anti-realist readings of Merleau-Ponty, Derrida, and Nancy. Finally, several essays in this volume propose alternative ways of understanding realism through careful readings of key figures in German idealism, pessimism, phenomenology, existentialism, feminism, and deconstruction. (shrink)

Artikel ini bertujuan untuk menjelaskan asumsi dasar dari filsafat Graham Harman (1968– ) yang disebut dengan Object-Oriented Philosophy. Latar belakang pemikiran Harman adalah kritiknya terhadap tendensi filsafat barat yang cenderung menjelaskan realitas secara problematis dengan dua cara, yakni mereduksi objek ke unit terkecil (undermining) atau menolak unifikasi objek dalam satu hal (overmining). Masalah dari kecenderungan pertama adalah ketidakmampuan menjelaskan kemunculan dan ketahanan objek, sedangkan masalah kecenderungan kedua adalah ketidamampuan menjelaskan perubahan objek. Untuk mengatasi dua kecenderungan tersebut, Harman mengembangkan pemikiran tentang (...) objek yang didapat dengan pembacaan kritis atas gagasan intensionalitas Husserl, peranti Heidegger, dan monadologi Leibniz. Dua kesimpulan penting Harman untuk mengatasi problem tersebut adalah: pertama, membagi objek dan kualitas menjadi masing-masing dua bagian, sehingga terdapat empat hal dalam objek, yakni objek real, kualitas real, objek sensual, dan kualitas sensual. Kedua, memperluas relasi yang tidak hanya terjadi antar objek dan kualitas, tetapi juga antar objek dengan objek, dan kualitas dengan kualitas, sehingga terdapat sepuluh model hubungan dalam objek. Kedua jawaban Harman tersebut membuatnya dapat menjawab problem perubahan dengan penempatan kausalitas pada ranah sensual, dan problem kemunculan dan ketahanan objek dengan gagasan Fisi–Fusi. Konsekuensi dari filsafat yang dikembangkan Harman adalah hilangnya posisi sentral manusia dalam filsafat serta pembatasan keseluruhan hubungan dalam realitas. (shrink)

Continental philosophy is witnessing a global renaissance of speculative philosophy. And while some corners of this movement are gaining traction in art- and architecture-theoretical circles, its application to philosophical aesthetics has been forestalled in favor of metaphysical and, secondarily, epistemological inquiry. This essay tracks some of the ways that speculative aesthetics is emerging, and opening new pathways, within the renaissance. It accomplishes three primary tasks. First, it enumerates several of the ways that the name “speculative aesthetics” has been mobilized in (...) contemporary speculative philosophy. Second, it presents and develops one approach to speculative aesthetics, namely Graham Harman’s, and highlights its indebtedness to Levinas. Third, it briefly endorses a particular way forward for speculative aesthetics, one that is object-oriented and articulated in a recent essay by N. Katherine Hayles, the work of Steven Shaviro, and my book Plastic Bodies. (shrink)

This essay conceives ecological life as radically dependent, vulnerable, and horrific. Epistemologically speaking, we are quite ignorant of the web of dependency that sustains our lives. Our ecological condition often prevents us from locating and identifying our dependencies and the many ways our actions impact the environment. This is the terror and danger that plagues the Anthropocene. Our ignorance bears an ontological weight that can be drawn out with the concept of trust. Trust, I argue, is not a choice. Trust (...) is a necessity to which we are riveted, and one that is always conditioned by our vulnerability and ignorance. The picture of ecological trust that I paint is not a hopeful one: it is dark, pessimistic, and urgent. It opposes visions of our future that are superstitious and optimistic about our ability to respond effectively to climate change. (shrink)

A new book by Manuel DeLanda and Graham Harman, The Rise of Realism, is reviewed. The Rise of Realism is an introductory text that aims to clarify the difficulties that surround the philosophical concepts of realism and materialism (as well as their antitheses). This primer intended to introduce students and interested scholars to the concepts and literature on realism and its place in the continental tradition of philosophy and related social theory. The book’s core methodology is to outline the various (...) appropriations of the terms realism and materialism currently discussed in different sub-disciplines of philosophy as well as provide the reader with the authors’ own unique positions on realism. The book dialogue prose is stylistically engaging, lucid and academically current, providing both novice readers and seasoned scholars with an easy-to-read exploration of current continental thought that also has far-reaching implications for other disciplines such as critical theory, social theory and science and technology studies. (shrink)

Life is boring: filled with meetings and traffic, errands and emails. Nothing we'd ever call fun. But what if we've gotten fun wrong? In Play Anything, visionary game designer and philosopher Ian Bogost shows how we can overcome our daily anxiety; transforming the boring, ordinary world around us into one of endless, playful possibilities. The key to this playful mindset lies in discovering the secret truth of fun and games. Play Anything, reveals that games appeal to us not because they (...) are fun, but because they set limitations. Soccer wouldn't be soccer if it wasn't composed of two teams of eleven players using only their feet, heads, and torsos to get a ball into a goal; Tetris wouldn't be Tetris without falling pieces in characteristic shapes. Such rules seem needless, arbitrary, and difficult. Yet it is the limitations that make games enjoyable, just like it's the hard things in life that give it meaning. Play is what happens when we accept these limitations, narrow our focus, and, consequently, have fun. Which is also how to live a good life. Manipulating a soccer ball into a goal is no different than treating ordinary circumstances- like grocery shopping, lawn mowing, and making PowerPoints-as sources for meaning and joy. We can "play anything" by filling our days with attention and discipline, devotion and love for the world as it really is, beyond our desires and fears. Ranging from Internet culture to moral philosophy, ancient poetry to modern consumerism, Bogost shows us how today's chaotic world can only be tamed-and enjoyed-when we first impose boundaries on ourselves. (shrink)

How speculative realism impacts the art of literary criticism.